Adrian Dwyer is represented by Rayfield Allied worldwide.

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Adrian Dwyer

Tenor

  • Adrian Dwyer showed boundless promise as Vaudemont…his top is beautifully liquid and free: a remarkable talent
    Opera
  • One thing Opera Queensland does very well is the casting of its leads…Alfredo was expertly performed by Adrian Dwyer
    Sunshine Coast Daily
  • Vakula was sung, most likeably, by a young Australian tenor, Adrian Dwyer; quite a find
    The Sunday Telegraph
  • Born in Melbourne, Adrian Dwyer studied at the Guildhall School of Music and Drama and the National Opera Studio, London. He made his professional debut as Rodolfo in Baz Luhrmann’s La Bohème in Los Angeles, winning an LA Stage Alliance Award for Outstanding Performance.  Since then his roles have included Macduff Macbeth, Almaviva Barbiere di Siviglia and Miroslav/Harpist Excursions of Mr Broucek for Scottish Opera, Arturo Lucia di Lammermoor, Grailknight Parsifal, and SS Officer in Weinberg’s The Passenger for English National Opera, Cherevin/Young Prisoner From the House of the Dead, Miroslav/Harpist Broucek and Robert Skin Deep for Opera North, Alfredo La Traviata and Almaviva for Opera Queensland, Rodolfo La Boheme (Cape Town Opera, Royal Albert Hall), Sam Street Scene (Opera de Toulon) and Ismaele Nabucco for the State Opera of South Australia.

    On the concert stage he has appeared in a vast array of repertoire at the Opera Comique (Paris), the Prince Regent Theatre (Munich), the Edinburgh International Festival, the Royal Albert Hall and all of the major UK concert venues with eminent conductors such as Christoph Eschenbach, Richard Bonynge, Jane Glover, Marc Soustrot, David Parry, Ulf Schirmer and Oleg Caetani.

    In the past season he garnered huge critical praise for his role debut as Hagenbach La Wally for Opera Holland Park and as Edgar in the world premiere of Goehr’s Promised End in the Linbury Theatre, Royal Opera House Covent Garden. Future highlights include return engagements with Opera North, the Edinburgh Festival and the Bayerische Rundfunk Orchester.

    • Hagenbach (Catalani’s La Wally), Opera Holland Park,
      August 2011

      Adrian Dwyer tackled the stratospheric tenor role – a veritable Matterhorn in itself – with heroic stamina
      The Times, R. Morrison
      As her love-object, Hagenbach is more complex – taking the idea of hurting those we love the most to extremes. Adrian Dwyer conveyed conflicted cruelty with considerable panache, and his lyrical tenor made its mark in the role’s high tessitura.
      Classical Source, P. Reed
      Adrian Dwyer convinces as the feckless Hagenbach
      The Telegraph, R. Christiansen
      Adrian Dwyer is a redoubtable Hagenbach
      The Stage, G. Hall
      There’s great support too from Adrian as the swaggering huntsman tenor
      Bloomberg.com, W. Thompson
      I thought Adrian Dwyer might be too light of voice for this role… however, he gave a decent account… rising to the ardour of the final scene well, his tenor ringing through the mountains
      Opera Britannia.com, M. Pullinger
      Tenor Adrian Dwyer is pleasant as the caddish Hagenbach
      Whatsonstage.com, S. Thomas
      There’s fine support from tenor Adrian Dwyer (Hagenbach)
      Metro, W. Thompson
      Adrian Dwyer’s Hagenbach commanded all the arrogant swagger the character demands
      MusicOMH
    • Promised End, Linbury Theatre,
      Royal Opera House

      ...with the best singing coming from Adrian Dwyer as Edgar
      Daily Telegraph, Rupert Christiansen
      His good son Edgar was cleanly sung… and well acted by Adrian Dwyer
      Opera, Andrew Porter
      Edgar, who was movingly portrayed by Adrian Dwyer, especially in his feigned madness, his youthful tenor well contrasted with that of Gloucester
      Opera Britannia, Mark Pullinger
      As Edgar, Adrian Dwyer is convincing and impressive
      operatoday.com, Claire Seymour
      Adrian Dwyer sang a lyrical and honey-toned Edgar
      repeatperformances.org, Jaimie Robles
      The performances themselves are all first class, both dramatically and vocally – a rare thing indeed in the operatic world... I would particularly single out Adrian Dwyer as Edgar
      wheresrunnicles.com, Finn Pollard
      Adrian Dwyer portrayed with touching acuity the transformation of Edgar into Poor Tom
      Boulezian, Mark Berry
      Dwyer was the most incisive in getting the words over
      dilettantemusic.com, Robert Hugill
      Edgar and Gloucester (Adrian Dwyer and Nigel Robson) trace a simple and genuinely touching path through
      London Evening Standard, K. Quirke
      Adrian Dwyer had a bright, easy tenor sound that spoke of his essential goodness
      MusicalCriticism.com, Mike Reynolds
  • Adrian Dwyer’s Opera Repertoire

    Auber
    • Fra Diavolo (Fra Diavolo)
    Berlioz
    • Beatrice et Benedict (Benedict)
    • Benvenuto Cellini (Francesco)
    Bernstein
    • Trouble in Tahiti (Gardiner/Trio)
    Bizet
    • Pecheurs du Perles (Nadir)
    Delius
    • Koanga (Simon Perez)
    Donizetti
    • Maria Stuarda (Leicester)
    • Lucia di Lammermoor (Arturo, Edgardo)
    • Fille du Regiment (Tonio)
    • L'elisir d'amore (Nemorino)
    • Linda di Chamounix (Carlo)
    Goehr
    • Promised End (Edgar)
    Gounod
    • Romeo et Juliette (Romeo)
    Janacek
    • Excursions of Mr Broucek (Miroslav, Composer, Harpist, Mazal/Petrik)
    Massenet
    • Manon (Des Grieux)
    • La Navarraise (Araquil)
    Mozart
    • Die Zauberflote (Tamino, 1st Armed Man)
    • Don Giovanni (Don Ottavio)
    • Cosi fan Tutte (Ferrando)
    Paisiello
    • Il Barbiere di Siviglia (Almaviva)
    Puccini
    • La Boheme (Rodolfo)
    • Gianni Schicchi (Rinuccio)
    • Madama Butterfly (Pinkerton)
    Rossini
    • Il Barbiere di Siviglia (Almaviva)
    Sawer
    • Skin Deep (Robert)
    Smetana
    • The Bartered Bride (Jenik)
    Strauss
    • Der Rosenkavalier (Der Sanger)
    Tchaikowsky
    • Cherevichki (Vakula)
    • Eugene Onegin (Lenski)
    • Iolanta (Vaudemont)
    Verdi
    • La Traviata (Alfredo)
    • Rigoletto (Duca)
    • Otello (Cassio/Roderigo)
    • Falstaff (Fenton)
    • Nabucco (Ismaele)
    • Macbeth (Macduff)
    Wagner
    • Der Fliegende Hollander (Steuermann)
    Weill
    • Street Scene (Sam Kaplan)

    Adrian Dwyer’s Concert Repertoire

    Bach
    • Johannes Passion
    • Magnificat
    • Weihnachts Oratorium
    • Cantatas
    Beethoven
    • Symphony No. 9
    Britten
    • Rejoice in the Lamb
    Bruckner
    • Te deum
    Handel
    • Messiah
    • Judas Maccabaeus
    Haydn
    • Creation
    • Nelson Mass
    Mahler / Schoenberg
    • Das Lied von der Erde
    Mendelssohn
    • Elijah
    • Lobgesang
    Mozart
    • Requiem
    • Mass in C Minor
    • Missa Brevis in D
    Orff
    • Carmina Burana
    Puccini
    • Missa di Gloria
    Rossini
    • Stabat Mater
    • Petite Messe Solennelle
    Schubert
    • Mass in Ab
    Vaughan Williams
    • Serenade to Music
    Verdi
    • Requiem
  • Photos