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Conductor
- Mikhail Agrest
- Alexander Briger
- Nicholas Cleobury
- Francesco Corti
- Laurence Cummings
- Elias Grandy
- Marco Guidarini
- Elgar Howarth
- Julia Jones
- Nicholas Kok
- Robert Levin
- Andrea Licata
- Nicholas McGegan
- Andrew Parrott
- David Parry
- Geoffrey Paterson
- Emmanuel Plasson
- Thomas Rösner
- Tobias Ringborg
- Gennady Rozhdestvensky
- Yuri Simonov
- Philipp von Steinaecker
- Pierre-André Valade
- Composer
- Stage director
- Designer
- Movement
- Soprano
- Mezzo-soprano
- Countertenor
- Tenor
- Baritone
- Bass-baritone
- Bass
- Piano
- Harpsichord
- Cello
- Clarinet
- Chamber Ensemble
- Vocal Ensemble
- Baroque Ensemble
Antony Pay is represented by Rayfield Allied worldwide.
Artist Manager:
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Artist Manager:
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Antony Pay
Clarinet
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Antony Pay was born in London and studied at the Royal Academy of Music. He was Principal Clarinet of the Royal Philharmonic Orchestra from 1968 to 1978, of the London Sinfonietta (of which he was a founder member) from 1968 to 1983 and of the Academy of St. Martin-in-the-Fields from 1976 to 1986. He has also been a member of several chamber ensembles, including the Nash Ensemble, Tuckwell Wind Quintet, Academy of St. Martin-in-the-Fields Chamber Ensemble, and Hausmusik.
With the London Sinfonietta he collaborated with many of today’s leading composers, including Boulez, Stockhausen, Birtwistle, Henze, Maxwell Davies, Goehr and Berio. He has recorded Berio’s Concertino with the composer conducting for RCA and gave the first performance of Henze’s mini-concerto Miracle of the Rose, which was written for him to direct from the clarinet.
Recently he has concentrated on solo playing and conducting, recording the Spohr and Mozart Concertos for Decca, the Weber and Crusell Concertos for Virgin Classics and Birtwistle’s Melencolia I for NMC. He has conducted the Academy of St. Martin-in-the-Fields in Germany, Austria and Holland, and the London Sinfonietta throughout Europe, as well as guest-conducting with orchestras in Scandinavia, Italy and the United States.
Antony Pay also performs on period clarinets, and his recordings of the Mozart, Weber and Crusell Concertos are played on specially reconstructed instruments. He currently plays with the Academy of Ancient Music and the Orchestra of the Age of Enlightenment, with both of which he is a frequent soloist and chamber music player.
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Antony Pay’s Repertoire
- Arnold
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- Clarinet Concerto No.2, Op.115
- Berio
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- Concertino
- Bernstein
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- Prelude, Fugue and Riffs
- Birtwistle
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- Melencolia 1
- Brahms / Berio
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- Op. 120 Clarinet sonata nr 1 in F minor (orch Berio)
- Carter
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- Clarinet Concerto
- Copland
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- Clarinet Concerto
- Crusell
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- Clarinet Concertos Nos. 1, 2 & 3
- Debussy
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- Rhapsodie
- Finzi
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- Clarinet Concerto
- Françaix
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- Clarinet Concerto
- Goldschmidt
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- Clarinet Concerto
- Henze
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- Le Miracle de la Rose
- Hindemith
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- Clarinet Concerto
- Krommer
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- Clarinet Concerto in E Flat
- Lindberg
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- Clarinet Concerto
- Milhaud
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- Clarinet Concerto
- Mozart
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- Clarinet Concerto
- Musgrave
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- Clarinet Concerto
- Nielsen
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- Clarinet Concerto
- Rautavaara
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- Clarinet Concerto
- Rossini
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- Introduction, Theme and Variations in B Flat
- Seiber
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- Concertino
- Spohr
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- Clarinet Concertos Nos. 1, 2, 3 & 4
- Stamitz
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- Clarinet Concertos
- Strauss
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- Duet Concertino for clarinet and Bassoon
- Stravinsky
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- Ebony Concerto
- Takemitsu
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- Fantasma/Cantos
- Weber
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- Clarinet Concertos Nos. 1 & 2
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Photos
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