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2012
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May
- La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
- Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear"
- Exciting New Era at Göttingen Handel Festival
- Outstanding reviews for the “mercurial fingers of Robert Levin at the fortepiano”
- Ensemble 360 live on BBC Radio 3 from the National Portrait Gallery
- New CD Release: David Parry conducts Il Pirata
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April
- Gennady Rozhdestvensky's Festival of British Music in Moscow
- English National Opera announce 2012/2013 Season
- 2012 BBC Proms season announced
- New Artist: soprano Hila Plitmann
- Recording featuring Nicholas Mulroy, Matthew Brook and Annie Gill “a winner"
- Harrison Birtwistle wins 2012 BBC Music Magazine Award
- Pierre-André Valade is appointed Artistic Co-Director of Athelas Sinfonietta
- House debuts for Alexander Briger and Peter Sidhom at the Théâtre du Châtelet
- The Cardinall's Musick - Byrd Tour 2012 begins...
- Juno Awards triumph for Thomas Rösner
- March
- February
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January
- The Fitzwilliam String Quartet celebrate Delius’ 150th Birthday
- ‘The unstoppable talent of Mahan Esfahani’: Early Music Today interview
- Outstanding reviews for Pamela Helen Stephen's Giulio Cesare
- Gustav Leonhardt (1928 - 2012)
- Two live recordings at Wigmore Hall: Christian Blackshaw and Antonio Meneses
- New Artist: tenor David Alegret
- Nicholas McGegan's latest CD nominated for Grammy
- Druiett's "superlative" Wotan: Wagner News
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May
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2011
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December
- Antonio Meneses and Maria João Pires return to Wigmore Hall
- Steve Reich, Dame Emma Kirkby and Gothic Voices: 50 Greatest Recordings of All Time
- René Pape and Harrison Birtwistle are selected in the Sunday Times Top 100 Albums of 2011
- Gemma Rosefield’s Stanford CD “first-class”
- Elizabeth Atherton "lustrous and dramatic" in Britten
- Rayfield Allied singers perform Messiah worldwide
- November
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October
- New Artists: Quatuor Mosaïques and Ensemble 360
- New Artists: soprano Nadine Livingston and mezzo-soprano Katie Bray
- New Artist: Violist Eniko Magyar
- 2011 Gramophone Awards success
- “An impressive team achievement” for Nicholas Cleobury and MWO
- The Prince Consort returns with an “outstanding release”
- Gennadi Rozhdestvensky conducts the Orquestra Sinfônica do Estado de São Paulo
- Christopher Ainslie wins Gianni Bergamo Award
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September
- Andrew Radley's first solo recording: ‘Conversazioni I’
- Rosefield and the Romantic Cello Concerto: Stanford in Scotland
- Emmanuel Plasson: a Frenchman in New York
- René Pape "simply magnificent" as Mephistopheles in Faust
- Harrison Birtwistle premieres
- Europe Celebrates Steve Reich's 75th Birthday
- Alison Chitty returns to NT with Mike Leigh
- Gennady Rozhdestvensky conducts the Iceland Symphony
- August
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July
- La Serenissima: New French Connections with Classic fM
- Three new recordings from ‘impeccable’ Dame Emma Kirkby
- Kate Valentine sings her first Tatyana
- Anne Marie Gibbons "outstanding" as Handel's David
- New Artist: Harpsichordist and Conductor Mahan Esfahani
- Christopher Ainslie makes his US opera debut
- June
- May
- April
- March
- February
- January
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December
- 2010
- News Archive
Adrian Horsewood interviews The Prince Consort for Classical Music Magazine
“Saving a recording with a hardback book, having a run-in with a celebrity talent-show judge, Scouse accents in art-song: not the goings-on one associates with your average classical vocal ensemble. But, then again, The Prince Consort is anything but average. Featured by The Observer in its review of 2010’s Best Classical Music, the Consort’s innovative programming and first-class performances mark it out as one of the most distinctive ensembles on today’s concert scene.”
After an exciting year and in view of the release of their forthcoming album, the innovative approach of The Prince Consort once again attracts media attention. Talking to Adrian Horsewood of Classical Music Magazine the group discuss their unique performances and future projects. They talk about their aim to combine traditional song repertoire with new music and ways of presenting to the audiences, by “showing how modern composers have responded to the older works”.
Horsewood also acknowledges that “these young singers have busy individual careers and names that easily coax nods of recognition from opera and song lovers”.
To read the complete Prince Consort’s interview featuring on Classical Music Magazine, please click here.
Related Profiles
More News
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17 May 2012La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
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16 May 2012Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear”
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14 May 2012Exciting New Era at Göttingen Handel Festival