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2012
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May
- La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
- Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear"
- Exciting New Era at Göttingen Handel Festival
- Outstanding reviews for the “mercurial fingers of Robert Levin at the fortepiano”
- Ensemble 360 live on BBC Radio 3 from the National Portrait Gallery
- New CD Release: David Parry conducts Il Pirata
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April
- Gennady Rozhdestvensky's Festival of British Music in Moscow
- English National Opera announce 2012/2013 Season
- 2012 BBC Proms season announced
- New Artist: soprano Hila Plitmann
- Recording featuring Nicholas Mulroy, Matthew Brook and Annie Gill “a winner"
- Harrison Birtwistle wins 2012 BBC Music Magazine Award
- Pierre-André Valade is appointed Artistic Co-Director of Athelas Sinfonietta
- House debuts for Alexander Briger and Peter Sidhom at the Théâtre du Châtelet
- The Cardinall's Musick - Byrd Tour 2012 begins...
- Juno Awards triumph for Thomas Rösner
- March
- February
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January
- The Fitzwilliam String Quartet celebrate Delius’ 150th Birthday
- ‘The unstoppable talent of Mahan Esfahani’: Early Music Today interview
- Outstanding reviews for Pamela Helen Stephen's Giulio Cesare
- Gustav Leonhardt (1928 - 2012)
- Two live recordings at Wigmore Hall: Christian Blackshaw and Antonio Meneses
- New Artist: tenor David Alegret
- Nicholas McGegan's latest CD nominated for Grammy
- Druiett's "superlative" Wotan: Wagner News
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May
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2011
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December
- Antonio Meneses and Maria João Pires return to Wigmore Hall
- Steve Reich, Dame Emma Kirkby and Gothic Voices: 50 Greatest Recordings of All Time
- René Pape and Harrison Birtwistle are selected in the Sunday Times Top 100 Albums of 2011
- Gemma Rosefield’s Stanford CD “first-class”
- Elizabeth Atherton "lustrous and dramatic" in Britten
- Rayfield Allied singers perform Messiah worldwide
- November
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October
- New Artists: Quatuor Mosaïques and Ensemble 360
- New Artists: soprano Nadine Livingston and mezzo-soprano Katie Bray
- New Artist: Violist Eniko Magyar
- 2011 Gramophone Awards success
- “An impressive team achievement” for Nicholas Cleobury and MWO
- The Prince Consort returns with an “outstanding release”
- Gennadi Rozhdestvensky conducts the Orquestra Sinfônica do Estado de São Paulo
- Christopher Ainslie wins Gianni Bergamo Award
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September
- Andrew Radley's first solo recording: ‘Conversazioni I’
- Rosefield and the Romantic Cello Concerto: Stanford in Scotland
- Emmanuel Plasson: a Frenchman in New York
- René Pape "simply magnificent" as Mephistopheles in Faust
- Harrison Birtwistle premieres
- Europe Celebrates Steve Reich's 75th Birthday
- Alison Chitty returns to NT with Mike Leigh
- Gennady Rozhdestvensky conducts the Iceland Symphony
- August
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July
- La Serenissima: New French Connections with Classic fM
- Three new recordings from ‘impeccable’ Dame Emma Kirkby
- Kate Valentine sings her first Tatyana
- Anne Marie Gibbons "outstanding" as Handel's David
- New Artist: Harpsichordist and Conductor Mahan Esfahani
- Christopher Ainslie makes his US opera debut
- June
- May
- April
- March
- February
- January
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December
- 2010
- News Archive
Alison Chitty returns to NT with Mike Leigh
Alison Chitty renews her regular collaboration with Mike Leigh on a new play entitled Grief for the Cottesloe Theatre at the National Theatre which previewed on September 14 and opened officially on September 21. There are numerous performances planned until January 28 2013.
This will be the second time Chitty has worked with Mike Leigh this year following their sell-out revival of Ecstasy at the Hampstead Theatre, which they first created together in 1979. The new show was a sell out and went on to enjoy a West End transfer to the Duchess Theatre.
They have previously worked together at the National Theatre on Two Thousand Years in 2005 and Chitty also designed Leigh’s films Life Is Sweet, Naked and Secrets and Lies.
“The action is set in a suburb near London and follows its characters through several months in 1957-58. The period setting is meticulously caught in both Alison Chitty’s oppressively neat but cheerless suburban living room design, the Fifties clothes, and the flavour of the dialogue” - Daily Telegraph
“On Alison Chitty’s living-room set, which has been created with an encyclopedic eye for detail, the play moves quietly but inexorably to its awful conclusion”
- The Arts Desk
Related Profiles
More News
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17 May 2012La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
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16 May 2012Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear”
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14 May 2012Exciting New Era at Göttingen Handel Festival