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2012
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May
- La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
- Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear"
- Exciting New Era at Göttingen Handel Festival
- Outstanding reviews for the “mercurial fingers of Robert Levin at the fortepiano”
- Ensemble 360 live on BBC Radio 3 from the National Portrait Gallery
- New CD Release: David Parry conducts Il Pirata
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April
- Gennady Rozhdestvensky's Festival of British Music in Moscow
- English National Opera announce 2012/2013 Season
- 2012 BBC Proms season announced
- New Artist: soprano Hila Plitmann
- Recording featuring Nicholas Mulroy, Matthew Brook and Annie Gill “a winner"
- Harrison Birtwistle wins 2012 BBC Music Magazine Award
- Pierre-André Valade is appointed Artistic Co-Director of Athelas Sinfonietta
- House debuts for Alexander Briger and Peter Sidhom at the Théâtre du Châtelet
- The Cardinall's Musick - Byrd Tour 2012 begins...
- Juno Awards triumph for Thomas Rösner
- March
- February
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January
- The Fitzwilliam String Quartet celebrate Delius’ 150th Birthday
- ‘The unstoppable talent of Mahan Esfahani’: Early Music Today interview
- Outstanding reviews for Pamela Helen Stephen's Giulio Cesare
- Gustav Leonhardt (1928 - 2012)
- Two live recordings at Wigmore Hall: Christian Blackshaw and Antonio Meneses
- New Artist: tenor David Alegret
- Nicholas McGegan's latest CD nominated for Grammy
- Druiett's "superlative" Wotan: Wagner News
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May
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2011
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December
- Antonio Meneses and Maria João Pires return to Wigmore Hall
- Steve Reich, Dame Emma Kirkby and Gothic Voices: 50 Greatest Recordings of All Time
- René Pape and Harrison Birtwistle are selected in the Sunday Times Top 100 Albums of 2011
- Gemma Rosefield’s Stanford CD “first-class”
- Elizabeth Atherton "lustrous and dramatic" in Britten
- Rayfield Allied singers perform Messiah worldwide
- November
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October
- New Artists: Quatuor Mosaïques and Ensemble 360
- New Artists: soprano Nadine Livingston and mezzo-soprano Katie Bray
- New Artist: Violist Eniko Magyar
- 2011 Gramophone Awards success
- “An impressive team achievement” for Nicholas Cleobury and MWO
- The Prince Consort returns with an “outstanding release”
- Gennadi Rozhdestvensky conducts the Orquestra Sinfônica do Estado de São Paulo
- Christopher Ainslie wins Gianni Bergamo Award
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September
- Andrew Radley's first solo recording: ‘Conversazioni I’
- Rosefield and the Romantic Cello Concerto: Stanford in Scotland
- Emmanuel Plasson: a Frenchman in New York
- René Pape "simply magnificent" as Mephistopheles in Faust
- Harrison Birtwistle premieres
- Europe Celebrates Steve Reich's 75th Birthday
- Alison Chitty returns to NT with Mike Leigh
- Gennady Rozhdestvensky conducts the Iceland Symphony
- August
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July
- La Serenissima: New French Connections with Classic fM
- Three new recordings from ‘impeccable’ Dame Emma Kirkby
- Kate Valentine sings her first Tatyana
- Anne Marie Gibbons "outstanding" as Handel's David
- New Artist: Harpsichordist and Conductor Mahan Esfahani
- Christopher Ainslie makes his US opera debut
- June
- May
- April
- March
- February
- January
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December
- 2010
- News Archive
Latest Handel recording from Matthew Brook
A sold-out Barbican Centre in London recently saw a spectacular performance of Handel’s Ariodante with Joyce DiDonato in the title role, Karina Gauvin as princess Ginevra, Matthew Brook as the King of Scotland and Marie-Nicole Lemieux as the villain Polinesso. This was the final concert of a European tour which was to promote the new recording by Il Complesso Barocco directed by its founder Alan Curtis.
In his review of this performance, Rupert Christiansen of The Telegraph describes Matthew Brook’s portrayal of the King of Scottland as “sympathetically incarnated”, and he goes on to praise the whole cast by saying that “it is impossible to imagine these roles more elegantly and gorgeously sung than they were here… this was a feast of bel canto so delicious as to melt the prejudices of even the most hardened Handel opera sceptics.”
John E. de Wald of Opera Britannia writes that “Matthew Brook made the most of the role of the King of Scotland, his bass deep and emotive… Invida sorte was sung with pronounced feeling.”
Richard Fairman of The Financial Times comments that “Matthew Brook [was] a sonorous King of Scotland.”
Il Complesso Barocco’s studio recording of Ariodante has just been released on Virgin Classics. Rupert Christiansen of The Telegraph has awarded the recording a five star review, writing that this “supremely polished performance… is more than a match for the rival versions in the current catalogue.”
Hugh Canning of the International Record Review writes that “The Briton Matthew Brook [...] proves himself an outstanding Handel bass as the King of Scotland.”
To purchase this CD or to read more click here.
Matthew Brook, now firmly established as one of the most important Handelians, has also recorded a Gramophone Award winning account of Messiah as well as Polyphemus in Acis and Galatea with the Dunedin Consort and Players for Linn Records, for whom he will record Handel’s Esther later this summer for release in 2012.
Matthew will perform again with Maestro Curtis later this month when he makes his role debut as Seneca in Pier Luigi Pizzi’s production of L’incoronazione di Poppea as part of the 74th Festival del Maggio Musicale Fiorentino, with Susan Graham in the title role. More information on the production can be found by clicking here.
Related Profiles
More News
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17 May 2012La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
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16 May 2012Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear”
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14 May 2012Exciting New Era at Göttingen Handel Festival