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2012
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May
- La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
- Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear"
- Exciting New Era at Göttingen Handel Festival
- Outstanding reviews for the “mercurial fingers of Robert Levin at the fortepiano”
- Ensemble 360 live on BBC Radio 3 from the National Portrait Gallery
- New CD Release: David Parry conducts Il Pirata
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April
- Gennady Rozhdestvensky's Festival of British Music in Moscow
- English National Opera announce 2012/2013 Season
- 2012 BBC Proms season announced
- New Artist: soprano Hila Plitmann
- Recording featuring Nicholas Mulroy, Matthew Brook and Annie Gill “a winner"
- Harrison Birtwistle wins 2012 BBC Music Magazine Award
- Pierre-André Valade is appointed Artistic Co-Director of Athelas Sinfonietta
- House debuts for Alexander Briger and Peter Sidhom at the Théâtre du Châtelet
- The Cardinall's Musick - Byrd Tour 2012 begins...
- Juno Awards triumph for Thomas Rösner
- March
- February
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January
- The Fitzwilliam String Quartet celebrate Delius’ 150th Birthday
- ‘The unstoppable talent of Mahan Esfahani’: Early Music Today interview
- Outstanding reviews for Pamela Helen Stephen's Giulio Cesare
- Gustav Leonhardt (1928 - 2012)
- Two live recordings at Wigmore Hall: Christian Blackshaw and Antonio Meneses
- New Artist: tenor David Alegret
- Nicholas McGegan's latest CD nominated for Grammy
- Druiett's "superlative" Wotan: Wagner News
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May
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2011
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December
- Antonio Meneses and Maria João Pires return to Wigmore Hall
- Steve Reich, Dame Emma Kirkby and Gothic Voices: 50 Greatest Recordings of All Time
- René Pape and Harrison Birtwistle are selected in the Sunday Times Top 100 Albums of 2011
- Gemma Rosefield’s Stanford CD “first-class”
- Elizabeth Atherton "lustrous and dramatic" in Britten
- Rayfield Allied singers perform Messiah worldwide
- November
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October
- New Artists: Quatuor Mosaïques and Ensemble 360
- New Artists: soprano Nadine Livingston and mezzo-soprano Katie Bray
- New Artist: Violist Eniko Magyar
- 2011 Gramophone Awards success
- “An impressive team achievement” for Nicholas Cleobury and MWO
- The Prince Consort returns with an “outstanding release”
- Gennadi Rozhdestvensky conducts the Orquestra Sinfônica do Estado de São Paulo
- Christopher Ainslie wins Gianni Bergamo Award
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September
- Andrew Radley's first solo recording: ‘Conversazioni I’
- Rosefield and the Romantic Cello Concerto: Stanford in Scotland
- Emmanuel Plasson: a Frenchman in New York
- René Pape "simply magnificent" as Mephistopheles in Faust
- Harrison Birtwistle premieres
- Europe Celebrates Steve Reich's 75th Birthday
- Alison Chitty returns to NT with Mike Leigh
- Gennady Rozhdestvensky conducts the Iceland Symphony
- August
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July
- La Serenissima: New French Connections with Classic fM
- Three new recordings from ‘impeccable’ Dame Emma Kirkby
- Kate Valentine sings her first Tatyana
- Anne Marie Gibbons "outstanding" as Handel's David
- New Artist: Harpsichordist and Conductor Mahan Esfahani
- Christopher Ainslie makes his US opera debut
- June
- May
- April
- March
- February
- January
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December
- 2010
- News Archive
Pamela Helen Stephen’s Penelope for ENO a “stunning depiction”
To critical acclaim by both press and opera goers, Pamela Helen Stephen currently stars as Penelope in Monteverdi’s The Return of Ulysses for English National Opera conducted by Jonathan Cohen. Benedict Andrews directs this new production at London’s Young Vic theatre.
Michael White of The Telegraph writes that “Pamela Helen Stephen is an inspired choice for Penelope, playing the role as a woman frozen in indecision, stifling her sexual need, and at the same time holding up magnificently under the constant, close-in exposure to which the show subjects her.”
Michael Tanner of The Spectator comments: “Pamela Helen Stephen is the only Penelope I can imagine…she sings to ravishing effect.”
Anna Picard of The Independent adds: “Sung crisply, viciously and seductively…Pamela Helen Stephen reveals the fury behind Penelope’s passivity.”
Richard Morisson of The Times says that “Pamela Helen Stephen, exploiting raw chest-timbres to convey Penelope’s anguish, presents a stunning depiction of a besieged woman refusing to extinguish hope or relinquish dignity.”
Rupert Christiansen of The Telegraph comments: “Pamela Helen Stephen sings with ardour and style as a Desperate Housewife of a Penelope.”
Fiona Maddocks, writing for The Observer, reflects that “As the grieving Penelope, Pamela Helen Stephen [is] remarkable; all too credible in her exploration of loss, bold in physicality.”
Her opinion is supported by George Hall of The Stage who thinks that “Particularly special [is] Pamela Helen Stephen’s Penelope, worn out by endless waiting and her importunate suitors.”
And finally Edward Seckerson of The Independent adds that “Pamela Helen Stephen and Tom Randle are quite extraordinary in [the] final scene. You could take away the music and they would still break your heart.”
Don’t miss this opportunity of seeing Pamela Helen Stephen in this role. The shows run until 9th April 2011. For more information please click here.
Pamela will return to ENO next season in Madame Butterfly and Weinberg’s The Passenger.
Related Profiles
More News
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17 May 2012La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
-
16 May 2012Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear”
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14 May 2012Exciting New Era at Göttingen Handel Festival