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2012
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May
- La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
- Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear"
- Exciting New Era at Göttingen Handel Festival
- Outstanding reviews for the “mercurial fingers of Robert Levin at the fortepiano”
- Ensemble 360 live on BBC Radio 3 from the National Portrait Gallery
- New CD Release: David Parry conducts Il Pirata
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April
- Gennady Rozhdestvensky's Festival of British Music in Moscow
- English National Opera announce 2012/2013 Season
- 2012 BBC Proms season announced
- New Artist: soprano Hila Plitmann
- Recording featuring Nicholas Mulroy, Matthew Brook and Annie Gill “a winner"
- Harrison Birtwistle wins 2012 BBC Music Magazine Award
- Pierre-André Valade is appointed Artistic Co-Director of Athelas Sinfonietta
- House debuts for Alexander Briger and Peter Sidhom at the Théâtre du Châtelet
- The Cardinall's Musick - Byrd Tour 2012 begins...
- Juno Awards triumph for Thomas Rösner
- March
- February
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January
- The Fitzwilliam String Quartet celebrate Delius’ 150th Birthday
- ‘The unstoppable talent of Mahan Esfahani’: Early Music Today interview
- Outstanding reviews for Pamela Helen Stephen's Giulio Cesare
- Gustav Leonhardt (1928 - 2012)
- Two live recordings at Wigmore Hall: Christian Blackshaw and Antonio Meneses
- New Artist: tenor David Alegret
- Nicholas McGegan's latest CD nominated for Grammy
- Druiett's "superlative" Wotan: Wagner News
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May
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2011
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December
- Antonio Meneses and Maria João Pires return to Wigmore Hall
- Steve Reich, Dame Emma Kirkby and Gothic Voices: 50 Greatest Recordings of All Time
- René Pape and Harrison Birtwistle are selected in the Sunday Times Top 100 Albums of 2011
- Gemma Rosefield’s Stanford CD “first-class”
- Elizabeth Atherton "lustrous and dramatic" in Britten
- Rayfield Allied singers perform Messiah worldwide
- November
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October
- New Artists: Quatuor Mosaïques and Ensemble 360
- New Artists: soprano Nadine Livingston and mezzo-soprano Katie Bray
- New Artist: Violist Eniko Magyar
- 2011 Gramophone Awards success
- “An impressive team achievement” for Nicholas Cleobury and MWO
- The Prince Consort returns with an “outstanding release”
- Gennadi Rozhdestvensky conducts the Orquestra Sinfônica do Estado de São Paulo
- Christopher Ainslie wins Gianni Bergamo Award
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September
- Andrew Radley's first solo recording: ‘Conversazioni I’
- Rosefield and the Romantic Cello Concerto: Stanford in Scotland
- Emmanuel Plasson: a Frenchman in New York
- René Pape "simply magnificent" as Mephistopheles in Faust
- Harrison Birtwistle premieres
- Europe Celebrates Steve Reich's 75th Birthday
- Alison Chitty returns to NT with Mike Leigh
- Gennady Rozhdestvensky conducts the Iceland Symphony
- August
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July
- La Serenissima: New French Connections with Classic fM
- Three new recordings from ‘impeccable’ Dame Emma Kirkby
- Kate Valentine sings her first Tatyana
- Anne Marie Gibbons "outstanding" as Handel's David
- New Artist: Harpsichordist and Conductor Mahan Esfahani
- Christopher Ainslie makes his US opera debut
- June
- May
- April
- March
- February
- January
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December
- 2010
- News Archive
Gillian Ramm is a “poignant” Vitellia for English Touring Opera
Following a highly successful tour as Tytania in English Touring Opera’s production of A Midsummer Night’s Dream, Gillian Ramm has returned to the company to perform a new role, that of Vitellia in Mozart’s opera seria La clemenza di Tito.
Hilary Finch of The Times praises “Gillian Ramm’s strongly focused Vitellia” and says that “the sobriety of the shamed Vitellia’s Non più di fiori (No bridal garlands), with rose petals drifting out of her packed linen, is superbly done”.
George Hall of The Guardian is impressed with “Ramm’s soprano firing bold top-note volleys that match her would-be trophy wife attitude and power-dressing.”
John Allison of The Telegraph says that “the soprano Gillian Ramm is strong as the vengeful Vitellia”.
Miranda Jackson of Opera Britannia says that “Ramm has a voice which has previously been likened to double cream and she did not disappoint vocally in what is a new role for her. She has a great richness of tone in her lower register and yet hits all her high notes perfectly on pitch and with relative ease” and acknowledges that Gillian Ramm is “a confident musician” and that “Ramm’s scene where she decides to admit to Tito she is the author of the assassination plot was poignant”.
For more information on this production, please visit the English Touring Opera‘s website.
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17 May 2012La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
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16 May 2012Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear”
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14 May 2012Exciting New Era at Göttingen Handel Festival