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2012
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May
- La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
- Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear"
- Exciting New Era at Göttingen Handel Festival
- Outstanding reviews for the “mercurial fingers of Robert Levin at the fortepiano”
- Ensemble 360 live on BBC Radio 3 from the National Portrait Gallery
- New CD Release: David Parry conducts Il Pirata
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April
- Gennady Rozhdestvensky's Festival of British Music in Moscow
- English National Opera announce 2012/2013 Season
- 2012 BBC Proms season announced
- New Artist: soprano Hila Plitmann
- Recording featuring Nicholas Mulroy, Matthew Brook and Annie Gill “a winner"
- Harrison Birtwistle wins 2012 BBC Music Magazine Award
- Pierre-André Valade is appointed Artistic Co-Director of Athelas Sinfonietta
- House debuts for Alexander Briger and Peter Sidhom at the Théâtre du Châtelet
- The Cardinall's Musick - Byrd Tour 2012 begins...
- Juno Awards triumph for Thomas Rösner
- March
- February
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January
- The Fitzwilliam String Quartet celebrate Delius’ 150th Birthday
- ‘The unstoppable talent of Mahan Esfahani’: Early Music Today interview
- Outstanding reviews for Pamela Helen Stephen's Giulio Cesare
- Gustav Leonhardt (1928 - 2012)
- Two live recordings at Wigmore Hall: Christian Blackshaw and Antonio Meneses
- New Artist: tenor David Alegret
- Nicholas McGegan's latest CD nominated for Grammy
- Druiett's "superlative" Wotan: Wagner News
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May
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2011
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December
- Antonio Meneses and Maria João Pires return to Wigmore Hall
- Steve Reich, Dame Emma Kirkby and Gothic Voices: 50 Greatest Recordings of All Time
- René Pape and Harrison Birtwistle are selected in the Sunday Times Top 100 Albums of 2011
- Gemma Rosefield’s Stanford CD “first-class”
- Elizabeth Atherton "lustrous and dramatic" in Britten
- Rayfield Allied singers perform Messiah worldwide
- November
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October
- New Artists: Quatuor Mosaïques and Ensemble 360
- New Artists: soprano Nadine Livingston and mezzo-soprano Katie Bray
- New Artist: Violist Eniko Magyar
- 2011 Gramophone Awards success
- “An impressive team achievement” for Nicholas Cleobury and MWO
- The Prince Consort returns with an “outstanding release”
- Gennadi Rozhdestvensky conducts the Orquestra Sinfônica do Estado de São Paulo
- Christopher Ainslie wins Gianni Bergamo Award
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September
- Andrew Radley's first solo recording: ‘Conversazioni I’
- Rosefield and the Romantic Cello Concerto: Stanford in Scotland
- Emmanuel Plasson: a Frenchman in New York
- René Pape "simply magnificent" as Mephistopheles in Faust
- Harrison Birtwistle premieres
- Europe Celebrates Steve Reich's 75th Birthday
- Alison Chitty returns to NT with Mike Leigh
- Gennady Rozhdestvensky conducts the Iceland Symphony
- August
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July
- La Serenissima: New French Connections with Classic fM
- Three new recordings from ‘impeccable’ Dame Emma Kirkby
- Kate Valentine sings her first Tatyana
- Anne Marie Gibbons "outstanding" as Handel's David
- New Artist: Harpsichordist and Conductor Mahan Esfahani
- Christopher Ainslie makes his US opera debut
- June
- May
- April
- March
- February
- January
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December
- 2010
- News Archive
Three new recordings from ‘impeccable’ Dame Emma Kirkby
Dame Emma Kirkby, who recently received Her Majesty’s Medal for Music, is as busy as ever with three new and diverse CD releases: ‘The Queen’s Music’ presents chamber duets and trios from the patronage of Queen Christina of Sweden; ‘Orpheus in England’ consists of Dowland and Purcell’s lute songs accompanied by Jackob Lindberg; and an assortment of Haydn’s English songs with forte-pianist Marcia Hadjimarkos.
Robert Levett of International Record Review says about ‘Orpheus in England’ that “Kirkby’s voice sounds as fresh and agile as ever” and that “Kirkby opens the first group of songs in confident fashion”. He also adds that “Kirkby embellishes with taste and discretion” and that “the disc ends as superbly as it began, with Kirkby displaying her gift for characterization”.
Marc Rochester of International Record Review on Haydn’s songs and cantatas acknowledges the “extraordinary clarity of diction from Emma Kirkby… somehow the words just cut through everything to shine out of the disc with absolute precision. Kirkby is noted for her remarkable clarity – in pitch, rhythm, stylistic awareness and diction – but this preciseness seems especially acute here”.
David Vickers of Gramophone says on ‘Orpheus in England’ that “Kirkby’s phrasing has impeccable light and shade, and her authoritative articulation of melancholic sentiments is simply first-class” and that “her gripping interpretation is devoid of complacence; moreover, her intonation and technique in florid music has lost none of its sparkle and precision, and she continues to throw off high passages with relaxed nonchalance”.
Vickers continues reviewing ‘The Queen’s Music’ saying that Dame Emma’s “capability at chiaroscuro is excellent”.
Moving on to the Haydn recording, Vickers says that “Kirkby’s intelligent mastery with words and gift for story-telling are tailor-made for these Haydn miniatures” and then he concludes his reviews “let’s hope that the ever-discerning Kirkby continues to make vocal hay while the sun continues to shine”.
Dame Emma Kirkby also features in an interview on Gramophone, where she reveals to Emma Baker that a careful choice of repertoire is behind her astonishing vocal longevity. Baker says that “listening to her latest recordings, her voice is still fresh, limpid and focused, her response to text as intelligent and nuanced as ever”.
To read the full interview on Gramophone, please click here.
Related Profiles
More News
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17 May 2012La Serenissima gets Olympic at Lufthansa, Bath International and Buxton Festivals
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16 May 2012Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear”
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14 May 2012Exciting New Era at Göttingen Handel Festival