David Alegret is represented by Rayfield Allied in the UK, Ireland and North America.

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David Alegret

Tenor

  • The discovery of the evening was without doubt the young David Alegret as don Ramiro, whose Rossinian voice reminds one of the greats such as Francisco Araiza. A singer to watch.
    Brigitte Suchan, Wiener Zeitung
  • The tenor David Alegret was outstanding.
    Tim Ashley, The Guardian

  • After reading medicine, Spanish light-lyric tenor David Alegret studied at the Conservatorio Superior de Música in Barcelona and the Musik-Akademie in Basel, making his debut in L’Italiana in Algeri in Klagenfurt, Paris and with Vienna Staatsoper. Appearances since include Narciso Il Turco in Italia with Bayerische Staatsoper Munich, Hamburgische Staatsoper and Garsington Opera, Almaviva Il Barbiere di Siviglia with Zurich Opera, Gernando Armida with Garsington Opera, Ramiro La Cenerentola in Vienna, Brussels and Rome, as well as Libenskof Il Viaggio a Reims in the Rossini Opera Festival, Pésaro. Besides an extensive repertoire of Rossini, he has additionally appeared in the roles of Belmonte Die Entfuhrung Aus Dem Serail, Ferrando Così fan tutte, Idamante Idomeneo, Ernesto Don Pasquale, Jaquino Fidelio and Martin y Soler’s Il Burbero di Buon Cuore.  In 2011, he performed Pergolesi’s Lo frate ‘nnamorato with Fabio Biondi’s Europe Galante ensemble in the Pergolesi Spontini Festival - recorded for DVD by Unitel Classica.

    On the concert stage, David Alegret has performed solo and symphonic works by Bach, Schubert, Brahms, Mozart, Puccini and Honegger in venues including the Barcelona Auditorium, Wiener Konzerthaus and London’s Queen Elizabeth Hall. He has worked alongside the London Philharmonic Orchestra, the Vienna Symphony Orchestra and the Vienna Philharmonic Orchestra, with eminent conductors such as Fabio Biondi, Jesus Lopez Cobos, Fabio Luisi, Marc Minkowski, Riccardo Muti, David Parry, Sebastian Weigle and Alberto Zedda.

    David Alegret is represented in the UK, Ireland and North America by Andrew Rosner at Rayfield Allied.
    This biography is for information only and should not be reproduced.

    • Cristoforo Columbo
      Seville Teatro de la Maetranza

      ...the tenor David Alegret was an eloquent Zamoro.
      Nicolas Blanmount, Opera Magazine

    • Cenerentola
      Volksoper

      David Alegret was outstanding as Don Ramiro - A first class Rossini tenor, who can be recommended with confidence also to the Wiener Staatsoper in this role. His arias, duets and ensembles were sung to perfection. His acting abilities in this complex production were everywhere in evidence. We hope to see and hear him again on stage in the near future.
      Elena Habermann, der Neue Merker, Vienna.
      David Alegret makes and ideal prince. Tall, dark and handsome and endowed with a beautiful lyric tenor voice, he sings and acts the role with humour and intelligence. Whether as the lover or disguised as the servant, he makes an equally strong impression vocally.
      Charlotte Pohl, der Neue Merker, Vienna
      Her Prince Charming , Don Ramiro, was David Alegret who was on marvellous form. A singer with brilliant and very steady high notes in perfect Stile Rossiniano. A Tenore di Grazia who must return to the Staatsoper. The tall Catalan is also a good actor and he performed the choreographies in a grandiose manner.
      Elena Habermann, Der Neue Merker

    • Semiramide
      Opéra de Montpellier

      In this dark story it was a great surprise to come across the sincere and pure soul of Idreno, perfectly rendered by the young David Alegret, who was much applauded at the end of the performance
      Jaume Estapà, Ópera Actual

    • Armida
      Garsington Opera

      David Alegret paced the long Gernando recitatives carefully, so the sudden explosions up the scale at the end of long phrases were very effective
      Anne Ozorio, Opera Today

    • Recital
      Pamplona

      David Alegret was an exemplary and individual light lyrical tenor, showing confidence and firmness in the higher register (Ah! Mes amis was a fine example) and perfectly suited to the bel canto repertoire.
      Alberto Osácar, Ópera Actual

    • L’Italiana in Algeri
      Teatro Real (Madrid)

      David Alegret´s Lindoro had a light tenor timbre not without beauty…. He always sang with gusto and managed high passages with ease. He also displayed considerable resources as an actor (and comic dancer).
      Jorge Barraca Mairal, Artes Hoy
      From Lindoro´s horn solo onwards, David Alegret was in his role. Lindoro seemed to be written expressly for David Alegret - the Catalan light lyrical tenor.
      Jaime Arroyo Moya, El Mensajero musical

    • Il Turco in Italia
      Bayerische Staatsoper (Munich

      One of the surprises of the night was the voice of the Catalan tenor David Alegret, perfect for the demands of Rossini, and who drew the first applause of the evening.
      Juan Antonio Llorente, ABC

    • Rossini: Stabat Mater
      Queen Elisabeth Hall (London)

      The tenor David Alegret was outstanding.
      Tim Ashley, The Guardian

    • Il Viaggio a Reims
      Stadttheater Bern

      David Alegret´s performance was welcome, well executed and with brilliant tone.
      Hanspeter Renggli, Der Bund

    • Bach: St Matthew´s Passion
      Palau de la Música Catalana

      David Alegret is a force to be reckoned with, especially in baroque music where the singer is totally in his element, having a great gift for melismatic singing and frank and sincere expression...
      Xavier Cester, AVUI

    • La Cenerentola
      Volksoper

      The discovery of the evening was without doubt the young David Alegret as don Ramiro, whose Rossinian voice reminds one of the greats such as Francisco Araiza. A singer to watch.
      Brigitte Suchan, Wiener Zeitung

  • David Alegret’s Opera Repertoire

    Beethoven
    • Fidelio (Jaquino)
    Bellini
    • Capuleti e Montecchi (Tebaldo)
    • La Sonnambula (Elvino)
    • Il Pirata (Gualtiero)
    Britten
    • The Turn of the Screw (Prologue, Peter Quint)
    Donizetti
    • L’Elisir d’Amore (Nemorino)
    • Don Pasquale (Ernesto)
    • La Fille du Régiment (Tonio)
    • Rita (Beppe)
    • Anna Bolena (Percy)*
    • Maria Stuarda (Leicester)*
    • Elisabetta (Potoski)*
    • Roberto Devereux (Roberto Devereux)*
    Handel
    • Acis and Galatea (Acis)
    • Rinaldo (Goffredo)
    • Semele (Jupiter)
    Leoncavallo
    • Pagliacci (Beppe)
    Martin y Soler
    • L’Arbore di Diana (Endimione)
    • Una Cosa Rara (Prince Don Giovanni)
    • Il Burbero di Buoncuore (Giocondo)
    Mozart
    • Don Giovanni (Don Ottavio)
    • Di Zauberflöte (Tamino)
    • Così fan Tutte (Ferrando)
    • Die Entführung aus dem Serail (Belmonte)
    • La Finta Giardinera (Belfiore)
    Pasticcio
    • L’Apermusicale (Don Capriccio)
    Rossini
    • Armida (Gernando/Ubaldo)
    • Il Barbiere di Siviglia (Conte Almaviva)
    • La Cenerentola (Don Ramiro)
    • Le Comte Ory (Comte Ory)
    • La Donna del Lago (Giacomo V, Uberto)
    • La Gazza Ladra (Giannetto)
    • L’Italiana in Algeri (Lindoro)
    • Otello (Rodrigo)
    • Semiramide (Idreno)
    • Tancredi (Argirio)
    • Il Turco in Italia (Don Narciso)
    • Il Viaggio a Reims (Cavaliere Belfiore/ Conte di Libenskof)
    *
    • Denotes that role is 'in preparation'

    David Alegret’s Concert Repertoire

    Bach
    • St. Matthew Passion
    • St. John Passion
    • Weihnachts Oratorium
    • Magnificat
    • Mass in B Minor
    Beethoven
    • Symphony No. 9
    • Mass in C Major
    • Christus am Oelberge
    Britten
    • War Requiem
    • Serenade for Tenor, Horn & Strings
    Handel
    • Israel in Egypt
    • Judas Maccabeus
    • Messiah
    • Saul
    Haydn
    • Die Schöpfung
    • Harmoniemesse
    • Nelsonmesse
    • Pauken Messe
    • Die Jahreszeiten
    Mendelssohn
    • Elijah
    • Paulus
    • Lobgesang
    Monteverdi
    • Vespro della Beata Vergine
    Mozart
    • Requiem
    • Krönungs Messe
    • Grosse Messe
    Orff
    • Carmina Burana
    Rossini
    • Petite Messe Solemnelle
    • Stabat Mater

  • Photos

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