Whilst still a student at the Guildhall School of Music and Drama, Mhairi Lawson won the International Early Music Network Young Artists Prize with the fortepianist Olga Tverskaya, which led to her first CD recording of Haydn’s English and Scottish Songs.
Mhairi has performed in opera houses and concert halls worldwide with such companies as English National Opera, Les Arts Florissants, The Gabrieli Consort & Players, The Academy of Ancient Music, The Early Opera Company and The Scottish Chamber Orchestra, and with many leading conductors such as William Christie, Sir Charles Mackerras, Paul McCreesh, Jane Glover and Sir John Eliot Gardiner, in repertoire ranging from traditional folksong to opera.
Recent and future highlights include performances of Galatea Acis and Galatea, Bach’s B minor mass and Purcell’s The Fairy Queen and King Arthur with the Gabrieli Consort, Purcell Songes & Ayres and Handel’s Messiah with the Dunedin Consort, Bach’s St Matthew Passion with BBC NOW, Diane/Daphne in Charpentier’s Acteon with the Early Opera Copmany, Haydn’s Creation with the Arctic Philharmonic, regular residencies at the Carmel Bach Festival in the USA, and Mhairi continues her recital collaboration with Eugene Asti. Engagements that could sadly not take place in 2020 include Vivaldi’s Gloria with the Scottish Chamber Orchestra.
This biography is for information only and should not be reproduced.
CD: Chisholm: Songs, Delphian DCD34259
(October 2021)
A rather different style of humour is on display in Glances, which John Purser aptly sums up as “highly suggestive and harmonically coquettish”. Mhairi Lawson and Iain Burnside deliver this with a definite twinkle in the eye. …Diarmait's Sleep, sung by Mhairi Lawson, is a touching lullaby to a sleeping lover. This is beautifully performed, as is Lament, which is all the more affecting on account of the restraint of the setting. Right at the end of the programme Ms Lawson gives us Home Sickness. This is very beautiful. …The penultimate song, ‘Innocence’ has Ms Lawson back in front of the microphone. This may well be my favourite among the set; its simple eloquence touches the heart and the fragile delicacy of Mhairi Lawson’s singing is just right. …Their voices sound extremely pleasing and the clarity of voice and of diction that each of them brings to their respective performances is very welcome.
John Quinn, MusicWeb International
Reflective prayers and laments are given a spring-water freshness by Lawson’
David Patrick Stearns, Gramophone
CD: Chisholm: Songs, Delphian DCD34259
(October 2021)
A rather different style of humour is on display in Glances, which John Purser aptly sums up as “highly suggestive and harmonically coquettish”. Mhairi Lawson and Iain Burnside deliver this with a definite twinkle in the eye. …Diarmait's Sleep, sung by Mhairi Lawson, is a touching lullaby to a sleeping lover. This is beautifully performed, as is Lament, which is all the more affecting on account of the restraint of the setting. Right at the end of the programme Ms Lawson gives us Home Sickness. This is very beautiful. …The penultimate song, ‘Innocence’ has Ms Lawson back in front of the microphone. This may well be my favourite among the set; its simple eloquence touches the heart and the fragile delicacy of Mhairi Lawson’s singing is just right. …Their voices sound extremely pleasing and the clarity of voice and of diction that each of them brings to their respective performances is very welcome.
John Quinn, MusicWeb International
Handel Brockes-Passion, Arcangelo, Alpha Classics
ALPHA644 (March 2021)
Mhairi Lawson’s shining soprano excels in her reflective arias towards the end of the work (the assuaging ‘Was Wunder, dass der Sonnen Pracht’, softly coloured by bassoons, is one of several foretastes of Acis and Galatea).
Gramophone
Purcell: Songs & Ayres, Dunedin Consort at the Lammermuir Festival
(September 2020)
Dunedin programmes are always inventive affairs, and this one showed not just a creative choice of repertoire, but joy taken in the variety of what was on offer, crowned by Mhairi Lawson’s shining soprano which gave the songs star quality that they probably didn’t have when they were first performed.
Simon Thompson, Seen and Heard International
Purcell King Arthur 1691, Gabrieli Consort & Players
Signum Classics SIGCD589 (October 2019)
Nine singers shared the songs and choruses between them, a flawless ensemble of equals, though Anna Dennis and Mhairi Lawson stood out as a seductive pair of sirens.
Tim Ashley, The Guardian*****
Mhairi Lawson’s Operatic Repertoire
| Albinoni | Il Nascimento dell’Aurora (Zeffiro) |
|---|---|
| Blow | Venus and Adonis |
| Cavalli | La Didone (Cassandra, Junone) |
| Charpentier | Actæon (Junone, Diane) |
| Handel | Agrippina (Nerone) |
| Hasse | Antonio e Cleopatra (Cleopatra) |
| Landi | Il Sant’Alessio (Curtio) |
| Menotti | The Consul (Anna Gomez) |
| Monteverdi | L'Orfeo (la Musica, Speranza, Proserpina) |
| Pergolesi | La serva padrona (Serpina) |
| Poulenc | Dialogues of the Carmelites (Madame Lidoine) |
| Puccini | Suor Angelica (Genevieve) |
| Purcell | Indian Queen (God of Dreams) |
| Scarlatti | La gloria di Primavera (Primavera) |
| Sullivan | Iolanthe (Phyllis) |
| Vivaldi | La fida ninfa (Morasto) |
| Weill | Threepenny Opera (Polly) |
Mhairi Lawson’s Concert Repertoire
| Bach | B minor Mass |
|---|---|
| CPE Bach | Magnificat |
| Brahms | Ein Deutsches Requiem |
| Dvorak | Stabat Mater |
| Fauré | Requiem |
| Handel | Messiah |
| Haydn | The Creation |
| Mendelssohn | Elijah |
| Mozart | Requiem |
| Pergolesi | Stabat Mater |
| Orff | Carmina Burana |
| Vivaldi | Gloria and Introduzione |
| 'Love and Dreams' - with Eugene Asti (piano) | |
| 'It Fell on a Summer's Day' - with Elizabeth Kenny (lute) |
These photos are available to be downloaded.
Right click on a desired image and select the "Save Link As" option.
