Fflur Wyn


"Fflur Wyn’s singing was clear and beautifully articulated, and a natural acting instinct made her pivotal."


"Fllur Wyn sang Celia with sparkling coloratura"


"As well as clear diction, Wyn displayed a fine soprano voice – bright and supple but with a pleasing, steely quality in the upper register – and breathtaking technical control."

Financial Times

"Fflur Wyn's Flora is beautifully sung and convincingly petulant."

The Guardian

"Fflur Wyn is a charming Servilia."

The Telegraph

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Having already gained wide acclaim for her performances on the operatic stage as well as the concert platform, Welsh soprano Fflur Wyn is quickly establishing herself as one of the country’s foremost young singers. She was recently elected an Associate of the Royal Academy of Music (ARAM) in recognition of her distinguished contribution to the music profession so far.

Her operatic performances include Jemmy Guillaume Tell, Iphis Jephtha, Blonde Die Entführung aus dem Serail, and Dorinda in Handel’s Orlando (Welsh National Opera); Pamina The Magic Flute, Alice Alice in Wonderland, and the title role in Lakmé (Opera Holland Park); Barbarina Le Nozze di Figaro (La Monnaie); Governess Turn of the Screw (Mexico City); Celia Lucio Silla (Buxton Opera); Sophie Werther, Marzelline Fidelio, Servilia La Clemenza di Tito, Blue Fairy Pinocchio, Waldvogel Siegfried, Achsah Joshua, Gretel Hänsel und Gretel, Flora Turn of the Screw, Clerida Croesus, Giannetta L’elisir d’amore, Sophie Der Rosenkavalier (Opera North); Floriana in Leoncavallo’s Zazà (Opera Rara); Mimi in Offenbach’s Vert Vert (Garsington Opera); Michal Saul with the BBC Singers; and Celidora L’oca del Cairo with the London Mozart Players.

Fflur has worked with many great conductors and orchestras including Sir Colin Davis, Sir Charles Mackerras, Sir Richard Armstrong, Harry Bicket and the Royal Philharmonic Orchestra, London Symphony Orchestra, London Philharmonic Orchestra, The Gabrieli Consort and The English Concert. Recent recitals include performances at Kings Place, St John’s Smith Square, Wilton’s Music Hall and The Howard Assembly Room.

Recent and future performances include the roles of Lucia Rape of Lucretia with the Potsdamer Winteroper, Marzelline Fidelio, Susanna The Marriage of Figaro, and Morgana Alcina for Opera North; the title role in Alice’s Adventures in Wonderland, for Welsh National Opera; Malinka The Adventures of Mr Broucek with Grange Park Opera; Vivetta L’arlesiana
for Opera Holland Park; Esilena in Handel’s Rodrigo with the Göttingen International Handel Festival; Handel's Ode for St Cecilia's Day with the English Concert under Harry Bicket; Bach's B Minor Mass with the Royal Northern Sinfonia; Orff’s Carmina Burana with the CBSO and the RSNO; and Bach’s St Matthew Passion with the Dunedin Consort.

This biography is for information only and should not be reproduced.

Todd Alice’s Adventures in Wonderland (Title role)

Welsh National Opera (June 2021)

Fflur Wyn, who first created the role of Alice for OHP, is again the out-and-out star. A gifted actor, her warmly lyrical soprano carries effortlessly.

Rian Evans, The Guardian

The Welsh National Opera makes a triumphant return to the stage with a bravura performance of the children’s story which has Fflur Wyn as a beguiling Alice

Morning Star Online*****

Beethoven Fidelio (Marzelline), Opera North

(June 2021)

Flur Wyn played Marzelline, daughter of the prison warden Rocco, and Oliver Johnson her paramour (and his assistant) Jaquino; their comic interactions were touching

Ivan Hewett, Telegraph*****

…both hit their marks every time, Wyn’s crystalline soprano topping many early ensembles

Ron Simpson, The Reviews Hub*****

Beethoven Fidelio (Marzelline), Opera North

(December 2020)

Youthful charm exuded from Fflur Wyn

The Telegraph

Fflur Wyn, who was Marzelline also in the 2011 Opera North staged production, slots into her role with ease, and the great canon quartet, “Mir ist so wunderbar”, is cleverly presented as well as beautifully sung.

Robert Beale, The Arts Desk​​​

Fflur Wyn’s bright, sympathetic Marzelline

Fiona Maddocks, The Guardian*****

Fflur Wyn – another whose voice has grown in recent years – made a warm Marzelline…

Opera Magazine

Mozart The Marriage of Figaro (Susanna)

Opera North (February 2020)

Soprano Fflur Wyn was a terrific, spirited Susanna, her voice purer and clearer the higher she reached, and adept at the stylised gestures used by all the characters, particularly with the arms and hands.

Richard Wilcocks, Bachtrack****

Opposite him was Fflur Wyn, also new to her role as Susanna, a calculating creature - Antonio's social-climbing niece - rather than a playful minx. Her soprano was light and clean...

Martin Dreyer, Opera Magazine

Fflur Wyn as Susanna switches effortlessly between humour and high emotion

Yakub Qureshi, Manchester Evening News*****

Fflur Wyn’s Susanna is sweet and down to earth

John Murphy, The Stage****

…Fflur Wyn’s mercurial Susanna.

Melanie Eskenazi, MusicOMH****

Under the direction of Davies, this cast is led by Rhodes and Wyn who have put on an excellent performance

Dawn Smallwood, The Reviews Hub

Fflur Wyn’s characterisation of Susanna is a delight

Jim Jack, Ilkley Gazette

​ CD: Handel Samson (Philistine Woman, Virgin), Dunedin Consort

CKD 599 (October 2019

Soprano Fflur Wyn and tenor Hugo Hymas, singing with attractive youthful tone, do well in supporting roles.

Richard Wigmore, Gramophone

Fflur Wyn and Mary Bevan superb in the smaller soprano roles

Keith Bruce, The Herald

We discover with great pleasure the fruity and light soprano from the Welsh Fflur Wyn, which we hope to hear soon in other forays.

Pierre Degott, ResMusica

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