Matthew Brook

Bass-baritone

"Matthew Brook, who turns anything he sings to gold"

Stephen Pritchard, The Guardian

"Mathew Brook was outstanding. His firm, well-focused voice was ideally suited to the music and his diction was impeccable."

John Quinn, Seen and Heard International

"Matthew Brook’s arias were rare gems of poignant phrasing rested in dramatic accuracy"

Australian Stage

"The monster Polypheme in a monstrously satisfying performance by Matthew Brook: one of the most compelling giants on disc"

BBC Radio 3 CD Review

"Matthew Brook’s virile bass is outstanding"

The Times

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Matthew Brook leapt to fame with his 2007 Gramophone Award-winning recording of Handel’s Messiah with the Dunedin Consort, followed by equally critically acclaimed recordings of Acis and Galatea and St Matthew Passion. He has appeared as a soloist throughout Europe, Australia, North and South America and the Far East, and has worked with many of the world's leading conductors. He is now considered one of the finest singers of his generation.

This season, Matthew sings his recital programme with Iain Burnside titled View from the Villa at the Lammermuir Festival, Handel’s Messiah with Music of the Baroque in Chicago, and also on tour in Europe with the Academy of Ancient Music, the role of Pilate in Bach’s St Matthew Passion with the Orchestra of St Luke’s in New York, and the same piece with Orchestre Symphonique de Montréal, and the role of Lodovico in Otello for Grange Park Opera.

Recent highlights include the role of Aeneas in the world premiere of Errollyn Wallen’s Dido’s Ghost co-commissioned by the Dunedin Consort, Purcell’s The Fairy Queen and Dido and Aeneas with the Handel and Haydn Society, Haydn’s Creation and Mendelssohn’s Elijah with the City of Birmingham Symphony Orchestra, Il Re di Scozia Ariodante with the Staatstheater Stuttgart, Argante Rinaldo with Ópera de Oviedo, Claudio Agrippina at Teatro de la Maestranza, a tour of Bach cantatas with the Monteverdi Choir, Elgar’s The Dream of Gerontius with the Indianapolis Symphony Orchestra, Tippett’s A Child of Our Time at Festival St Denis, and the roles of Herod and Father in Berlioz’s L’Enfance du Christ with the Melbourne Symphony Orchestra and Sir Andrew Davis.

This biography is for information only and should not be reproduced.

Haydn The Creation, Handel and Haydn Society Boston

(May 2022)

The orchestra and Brook vividly portrayed the tiger’s leaps, the nimble stag’s dashing, and the noble steed’s impatient neighing. … “[i]n long dimensions creeps with sinuous trace the worm.” Brook inspired many a smile and chuckle by plumbing the bottom of his vocal range and displaying a wormlike mien. He continued, however, with alacrity into the extroverted aria “Now heav’n in fullest glory”, negotiating its plentiful coloratura with agility and assurance.

Geoffrey Wieting, The Boston Musical Intelligencer

Bach St Matthew Passion (Pilate), Carnegie Hall

(April 2022)

Another standout was Matthew Brook, who during Part I was chameleonic in arias attached to Judas and Peter but in Part II took a solemn turn: first in “Komm, suß Kreuz,” then in “Mache dich, mein Herze, rein,” which he sang soothingly, with the rocking phrases of a lullaby. That aria was all the more moving for how unforced its sentiment was. The “St. Matthew Passion” is more meditation than melodrama, and this reading carried that belief to the final measure — its dissonance barely held, the slightest tension resolving with the grace of the restfulness it’s meant to reflect.

Joshua Barone, The New York Times

CD Recording: Bach Cantatas – Ich habe genug, Dunedin Consort (Linn)

(October 2021)

The soloist is the bass-baritone Matthew Brook, a Dunedin stalwart, who brings a compelling honesty to music and words. …the grainier nature of Brook’s performance, with its moments of vocal vulnerability mixed up in the beauty of it all, has an immediacy that gets to the work’s essence.

Erica Jeal, The Guardian*****

…bass Matthew Brook’s rich tone underlines the anguish and sounds a reassuring solidity in the final triumphant bars.

Oliver Condy, BBC Music Magazine*****

Every element in ‘Ich habe genug’ feels just right - …(the) cathartic fulfilment of divine promise in Matthew Brook’s endearing truthfulness.

David Vickers, Gramophone

Bass Matthew Brook and soprano Joanne Lunn are monumental among the five-piece vocal team. …A truly moving and beautiful disc.

Ken Walton, The Scotsman

CD Recording: Purcell Birthday Odes for Queen Mary, The King’s Consort

(September 2021)

…dramatically sung by David de Winter and Matthew Brook…

Anthony Pryer, BBC Music Magazine****

Haydn Creation (Raphael), Academy of Ancient Music

Barbican (September 2021)

…when Matthew Brook’s angel Raphael was in full flow, guiding us through the delights of God’s menagerie with twinkling eyes and infinite humour. Brook was an absolute delight. None of his comrades approached his sparkle…

Geoff Brown, The Times****

Matthew Brook’s Raphael captured the curious mix of lyricism, wonder and drollery in Haydn’s settings of the Genesis stories. His soaring, rhapsodic passages of awe yield to stretches of almost-comic patter as the sheer oddity of God’s handiwork – slitherers, waddlers, creepy-crawlies and all – finds musical shape. It’s not often you hear audience belly-laughs in a canonical masterpiece like this, but Brook got them when he showed how “in long dimension creeps with sinuous trace the worm”.

Boyd Tonkin, The Arts Desk*****

The other angelic roles were well taken by bass-baritone Matthew Brook as Raphael – a model of controlled resonance

Sandra Bowdler, Bachtrack****

Matthew Brook Opera Repertoire

Bernstein

A Quiet Place (Young Sam)

Bizet

Carmen (Zuniga)

Britten

Albert Herring (Vicar)
Noye’s Fludde (Noye)
Peter Grimes (Ned Keene)

Handel

Acis and Galatea (Polyphemus)
Ariodante (Il Re)
Apollo et Dafne (Apollo)
Imeneo (Argenio)
Jephtha (Zadok)
Tolomeo (Eraspe)

Janáček

Jenufa (Starek) (Mayor)

Menotti

Amahl and the Night Visitors (Melchior)

Monteverdi

L'incoronazione di Poppea (Seneca)

Mozart

Don Giovanni (Leporello)
Le nozze di Figaro (Figaro)
Die Zauberflöte (Papageno)

Purcell

Dido and Aeneas (Aeneas)
The Indian Queen (Ismeron)

Puccini

Tosca (Sacristan)

Rameau

Anacréon (Anacréon)
Castor et Pollux (Jupiter)

Sullivan

Trial by Jury (Counsel)
Ivanhoe (Friar Tuck)

Tchaikovsky

Eugene Onegin (Onegin) (Zaretsky)

Vaughan Williams

The Pilgrim’s Progress (John Bunyan) (Lord Hategood) (Watchful)(Obstinate) and (First Shepherd)

Walton

Troilus and Cressida (Antenor, Calkas)

Weber

Der Freischütz (Kuno)

Matthew Brook Concert Repertoire

Bach

Magnificat including interpolations
Masses in A, G, and F
B Minor Mass
St John Passion
St Matthew Passion
Christmas Oratorio
Easter Oratorio
Cantatas including numbers: 13, 18, 27, 32, 52, 56, 62, 66, 70, 78, 82, 85, 106, 110, 132, 140, 150, 151, 152, 158, 161, 164, 165, 182, 211

JC Bach

Wie bist du den O Gott

Buxtehude

Jesu membra nostre

Beethoven

Mass in C
Choral Symphony

Berlioz

L’Enfance du Christ (all bass/baritone roles)

Blow

God spake sometime in visions

Blake

Benedictus

Brahms

Liebeslieder Waltzes
Requiem

Britten

Cantata Misericordium

Burgon

The fall of Lucifer

Carissimi

Jephte

Charpentier

Caecilia Virgo
Elevation
Mass
Te Deum

Dvorak

Mass in D
Requiem
Stabat Mater
Te Deum

Dyson

Canterbury Pilgrims

Elgar

Apostles
Dream of Gerontius
The Kingdom

Faure

Requiem

Finzi

In terra pax
Let us garlands bring
Lo the full final sacrifice

Grieg

Four Psalms

Grier

Around the curve of the world

Handel

Acis and Galatea
Alexander’s Feast
Apollo et Dafne
Dixit Dominus
Esther
Israel in Egypt
Judas Maccabeus
Messiah
Samson
Sing unto the Lord
Utrecht Te Deum

Haydn

Creation
Harmony Mass
Heilige Messe
Maria Therese Mass
Nelson Mass
Pauken Mass
St Nicholas Mass
Seasons

Howells

Requiem

Janacek

Glagolitic Mass
Unvollendete Messe

Joubert

The Magus

Kodaly

Te Deum

Maunder

Olivet to Calvary

Mendelssohn

Elijah
Walpurgisnacht

Mozart

Missa Brevis
Mass in C Minor
Mass in C
Regina Coeli
Requiem Vespers

Monteverdi

Vespers
Book IV Madrigals

Nielsen

Symphony No. 3

Purcell

In guilty night
Ode to St Cecilia
Come ye sons of art

Anthony Powers

Air and Angels

Puccini

Messe di Gloria

Rameau

In convertendo
Thetis

Rossini

Stabat Mater
Petite Messe Solenelle

Stainer

Crucifixion

Schütz

Christmas Story

Stravinsky

Canticum Sacrum
Pulcinella

Tippett

A child of our time

Vaughan Williams

Benedicite
Dona nobis pacem
Sancta Civitas
Fantasia on Christmas Carols
5 Mystical Songs

Walton

Belshazzar’s Feast

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