Tim Anderson

Conductor

"...expert, thoughtful and precise..."

Dr. Helmut Christian Mayer, Opera-Online.com

"The Kärntner Sinfonieorchester ... was on top form under the direction of Tim Anderson."

Florian Amort, Frankfurter Allgemeine Zeitung

"Conductor Tim Anderson ensures persuasiveness and the best craftsmanship."

Walter Gürtelschmied, Die Presse

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Anglo-German conductor Tim Anderson is rapidly making a name for himself as an interpreter of 20th and 21st century repertoire. He has conducted for companies such as the Royal Opera House, Covent Garden, Teatro Real Madrid, Dutch National Opera, Opéra National de Montpellier, and Stadttheater Klagenfurt. Future plans include his house debut at Semperoper Dresden. In concert, he has appeared with contemporary music ensembles such as Klangforum Wien, Birmingham Contemporary Music Group, and London Sinfonietta and at venues including Vienna’s Konzerthaus, London’s Southbank Centre and Barbican, and Katowice’s NOSPR Hall. Notable repertoire includes Salvatore Sciarrino's Il canto s'attrista, perché? and Bernhard Lang’s Hiob, (both world premieres in Klagenfurt), Philip Venables’ Denis and Katya (Amsterdam, Montpellier, London, Wales), Gerald Barry’s The Intelligence Park (Birmingham), and Mark-Anthony Turnage’s Greek (30th-anniversary production, London).

He studied at Guildhall School of Music and Drama, New College, Oxford, and at the Jorma Panula Academy in Helsinki. As an assistant, he most recently worked with Vladimir Jurowski (Das Rheingold, LPO), Sir Donald Runnicles (Die Walküre, Deutsche Oper Berlin), Ivor Bolton (Rusalka, Teatro Real Madrid), Nicholas Carter (Brett Dean's Hamlet, Adelaide Festival), and Giancarlo Andretta (Le nozze di Figaro, Glyndebourne Festival).

This biography is for information only and should not be reproduced.

Salvatore Sciarrino: Il canto s’attrista, perché?

Stadttheater Klagenfurt (February 2021)

...soon you are caught in the pull of the music. Especially when it is implemented as ambitiously and bravely as by the Carinthian Symphony Orchestra under the knowledgeable, prudent and precise conductor Tim Anderson.

Dr Helmut Christian Mayer, Opera Online

...the Carinthian Symphony Orchestra... was also in top form under the direction of Tim Anderson.

Florian Amort, Frankfurter Allgemeine

Conductor Tim Anderson ensures persuasiveness and the best craftsmanship.

Walter Gürtelschmied, Die Presse

Mark-Anthony Turnage: Greek

Grimeborn Opera Festival (August 2018)

Tim Anderson conducts superbly.

Mark Valencia, WhatsOnStage

...under the visibly and audibly proficient conducting of the Kantanti Ensemble by Tim Anderson, the 18-player orchestra... was on top.

Roderic Dunnett, Seen and Heard International

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