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Conductor
- Mikhail Agrest
- Alexander Briger
- Nicholas Cleobury
- Francesco Corti
- Laurence Cummings
- Elias Grandy
- Marco Guidarini
- Elgar Howarth
- Julia Jones
- Nicholas Kok
- Robert Levin
- Andrea Licata
- Nicholas McGegan
- Andrew Parrott
- David Parry
- Geoffrey Paterson
- Emmanuel Plasson
- Thomas Rösner
- Tobias Ringborg
- Gennady Rozhdestvensky
- Yuri Simonov
- Philipp von Steinaecker
- Pierre-André Valade
- Composer
- Stage director
- Designer
- Movement
- Soprano
- Mezzo-soprano
- Countertenor
- Tenor
- Baritone
- Bass-baritone
- Bass
- Piano
- Harpsichord
- Cello
- Clarinet
- Chamber Ensemble
- Vocal Ensemble
- Baroque Ensemble
Elizabeth Atherton is represented by Rayfield Allied worldwide.
Artist Manager:
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Artist Manager:
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Elizabeth Atherton
Soprano
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Elizabeth Atherton sings with consummate intelligence as the Governess
Rupert Christiansen, Daily Telegraph
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“Startling, inventive and compelling” (The Independent), Elizabeth Atherton is equally at home on the opera stage or the concert platform. Her versatility as a musician and as an actress means that she has sung roles ranging from Monteverdi, Handel and Mozart through to Verdi, Bizet and Britten, and she had the role of Eurydice in Sir Harrison Birtwistle’s opera The Corridor created for her to considerable critical acclaim.
Having won several prestigious prizes including the Maggie Teyte Prize, Elizabeth’s debut was as Helena in Midsummer Night’s Dream for English Touring Opera. She subsequently became an Associate Artist at Welsh National Opera for three years, performing roles including Mozart’s Countess and Pamina, and has since gone on to become a regular performer at Opera North enjoying much success with roles including Mozart’s Fiordiligi and Britten’s Governess.
In concert, Elizabeth has worked with such eminent conductors as Sir Richard Hickox, Sir Andrew Davis, Sir Charles Mackerras, Antonio Pappano, Sir Neville Mariner, Pierre Boulez, Harry Christophers and Thierry Fischer. She appears frequently with the BBC National Orchestra of Wales and other highlights include performances with the BBC Symphony, London Symphony Orchestra, Philharmonia, Royal Liverpool Philharmonic, Orchestra Sinfonica di Milano, Orchestre de Paris, Hong Kong Philharmonic, The Sixteen and Royal Scottish National Orchestra.
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Carmen
Royal Albert Hall (February 2013)Elizabeth Atherton’s pure-voiced and pleading Micaela is a delight.
Richard Morrison, The Times -
Gloria / Ballad of the Heroes
Oxford Bach Choir (December 2012)The soprano Elizabeth Atherton deserves special praise for the gravitas she brought to Psalm 130, Ballad of Heroes and especially to the Poulenc.
Simon Collings, Oxford Times -
Zemlinsky’s Lyric Symphony
BBC National Orchestra of Wales / Van Steen (November 2012)...but it was Elizabeth Atherton who made her songs come alive, finding colours and tone to match the words' emotional tenor. In the penultimate poem, where the orchestration is at its most spare and telling, she found both ‘intimacy and anguish'.
Rian Evans, The Guardian -
Don Giovanni
Opera North (September 2012)Opera North veteran Elizabeth Atherton gives a terrific portrayal of Donna Elvira, from striking condemnations to moving arias.
Richard Wilcocks, Bach TrackElizabeth Atherton sings Donna Elvira's big, heartfelt arias with admirable clarity and poise.
Richard Morrison, The TimesMaking a similar impact is Elizabeth Atherton, whose beautifully-sung Donna Elvira is more human than most.
Ron Simpson, WhatsOnStageElizabeth Atherton as Elvira gave a powerful performance.
Opera NowElizabeth Atherton’s Donna Elvira rose above the confusion with touching performances of her arias, reminders of the humanity behind the high jinks.
Martin Dreyer, Opera Magazine -
On This Island with Malcolm Martineau
Onyx Records (December 2011)The soprano Elizabeth Atherton also struck up a wonderful rapport with her audience in Britten’s On this Island. Atherton’s voice is now not just a lush instrument but a superbly communicative one: she caught exactly the subtle moods – bittersweet, ironic or heartfelt – of Auden’s words and Britten’s early unfettered lyricism.
Richard Morrison, The TimesElizabeth Atherton was lustrous and dramatic in On this Island.
Paul Driver, The Sunday TimesElizabeth Atherton gives a musically alert and intelligent interpretation of another early work, the enchantingly fresh and youthful On this Island
Rupert Christiansen, Daily TelegraphAllan Clayton and Elizabeth Atherton give superb accounts of the declamatory Michelangelo Sonnets and the settings of Auden's On This Island respectively
Andrew Clements, The Guardianthe bright soprano of Elizabeth Atherton sings out the ‘florid music’ of Britten’s Auden settings in On this Island…Britten’s 15-year-old response to Dans les bois, irresistibly sung by Atherton.
BBC Music Magazine **** -
Saul
The Sixteen (December 2011)Elizabeth Atherton flung herself wholeheartedly into Merab’s music.
Rupert Christiansen, The TelegraphAtherton displayed a nice line in temperament as the haughty Merab.
Robert Hugill, Opera Todayat her best [Elizabeth Atherton’s] coloratura soared, her dexterous high notes even more impressive...than Ms. Harvey’s. She brought genuine hauteur to ‘What abject thought a prince can have’, her snarling demeanor granting her a truly theatrical presence on stage.
John E. de Wald, Opera Britannia
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Elizabeth Atherton’s Concert Repertoire
- ANDRIESSEN
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- De stijl
- BACH
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- Magnificat (1st and 2nd sopranos)
- St. John passion
- St. Matthew passion
- B minor mass (2nd soprano)
- Christmas oratorio, parts I-III
- Cantata numbers 1, 11, 38, 51, 63, 140, 146, 202, 208
- BEETHOVEN
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- "Choral" Symphony no.9
- Mass in C
- BERG
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- Sieben frühe Lieder
- Altenberglieder
- Der Wein
- BERLIOZ
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- Les nuits d’été
- BOULEZ
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- Le soleil des eaux
- BRAHMS
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- Requiem
- BRITTEN
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- Les illuminations
- DEBUSSY
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- Trois ballades de François Villon
- Le Martyre de San Sebastian
- DURUFLÉ
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- Requiem
- ELGAR
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- Coronation ode, op.44
- The Spirit of England
- FAURÉ
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- Requiem
- Messe basse
- GOUNOD
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- Messe solonelle St. Cecile
- HANDEL
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- Messiah
- Let the bright seraphim
- Silete venti
- German arias
- HASSE
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- Te deum
- HAYDN
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- The creation
- The seasons
- Nelson mass
- Missa cellensis
- Paukenmesse
- St. Nicholas mass
- Theresienmesse
- Harmonienmesse
- JENKINS
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- The armed man: a mass for peace
- KNUSSEN
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- Ocean de Terre
- KODALY
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- Missa brevis
- LISZT
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- Via crucis
- Missa choralis
- MAHLER
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- Symphony no. 2
- Symphony no. 4
- MENDELSSOHN
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- Elijah
- Hear my prayer
- MESSIAEN
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- La mort du nombre
- MOZART
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- Requiem
- Ch'io mi scordi di te, K.505
- Vado, ma dove?, K.583
- Exsultate jubilate
- Coronation mass
- Sparrow mass
- Mass in C minor
- Missa brevis in D
- Missa brevis in F
- Laudate dominum
- PERGOLESI
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- Magnificat
- POULENC
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- Gloria
- Mass in G
- RACHMANINOV
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- Vocalise
- RUTTER
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- Psalms
- SCHUBERT
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- Mass in E flat
- Mass in G
- Mass in B flat
- SPEARE
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- The angels
- STRAUSS
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- Vier Letzte Lieder
- STRAVINSKY
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- Mass
- Les noces
- Threni
- TIPPETT
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- A child of our time
- A vision of Saint Augustine
- VARESE
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- Offrandes
- VAUGHAN WILLIAMS
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- "Sea" Symphony
- "Antarctic" Symphony
- Mass in G minor
- Serenade to Music
- Dona Nobis Pacem
- VERDI
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- Requiem
- Four Sacred Pieces
- VIVALDI
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- Gloria (1st and 2nd sopranos)
- Nulla in mundo pax sincera
- WIEGOLD
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- Perfume of the desert
- ZEMLINSKY
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- Lyric Symphony
Elizabeth Atherton’s Recital Repertoire
- Adès
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- Life story
- Argento
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- Spring
- Sleep
- Diaphenia
- Bennett
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- A garland for Marjory Fleming
- Berg
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- Sieben frühe Lieder
- Berkeley
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- Oh, lurcher-loving collier
- Eyes look into the well
- Berlioz
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- Les nuits d’été
- Bernstein
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- I hate music
- Bingham
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- The shadow side of Joy Finzi
- Bridge
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- Various songs
- Britten
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- Les Illuminations
- On this Island
- The Salley Gardens
- Little Sir William
- The trees they grow so high
- The ash grove
- Oliver Cromwell
- Folksong arrangements, volume 2: France
- Butler
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- Prelude (for sop. & trumpet)
- Chausson
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- Le temps des lilas
- Debussy
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- Cinq Poëmes de Baudelaire
- Fêtes Galantes (1st collection)
- Deux Romances
- Trois ballades de François Villon
- First four Ariettes Oubliees
- Le son du cor s’afflige
- L’échelonnement des haies
- Delius
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- To the queen of my heart
- Love's philosophy
- Indian love song
- Dove
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- Five Am’rous Sighs
- Dowland
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- Weep you no more sad fountains
- Dring
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- The cuckoo
- It was a lover
- Take O take those lips away
- Come away, Death
- Crabbed age and youth
- Duparc
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- Extase
- La vie anterieure
- Le manoir de Rosemonde
- L'invitation au voyage
- De Falla
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- Siete Canciones Populares Espanolas
- Fauré
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- Le papillon et la fleur
- Mai
- La rose
- Notre amour
- Après un rêve
- Au bord de l'eau
- Automne
- Chanson d'amour
- En prière
- Lydia
- Au cimetière
- Gurney
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- Sleep
- Haydn
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- The mermaid's song
- She never told her love
- Piercing eyes
- A pastoral song
- Hill
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- Philomel (for sop., rec., cello & pno)
- Howells
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- Various songs
- Ireland
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- Her song
- The Salley Gardens
- An aside
- Epilogue
- The soldier’s return
- The trellis
- Beckon to me to come
- A thanksgiving
- Holloway
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- Wherever We May Be
- Joubert
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- The rose is shaken in the wind (for sop. & recorder)
- Lehmann
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- Various songs
- Liszt
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- Im Rhein, im schönen Strome
- Die Lorelei
- Kennst du das Land
- Maconchy
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- Sun, moon and stars
- Mahler
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- Frühlingsmorgen
- Wer hat dies Liedlein erdacht?
- Wo die schönen Trompeten blasen
- Lob des hohen Verstands
- Mozart
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- An Chloe
- Abendempfindung
- Das Veilchen
- Als Luise die Briefe
- Der Zauberer
- Komm, liebe Zither
- Pergolesi
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- Se tu m'ami
- Poulenc
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- Banalités
- Deux Poemes de Louis Aragon
- La grenouillère
- Violon
- Les chemins de l'amour
- Previn
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- Vocalise (for sop., cello & piano)
- Purcell
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- Music for a while
- I attempt from love’s sickness
- The blessed virgin's expostulation
- Sweeter than roses
- Quilter
- Now sleeps the crimson petal
- Fair house of joy
- Love’s philosophy
- Rachmaninov
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- A dream
- Spring waters
- Ravel
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- Cinq Poèmes Populaires Grecques
- Roe
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- My boy Jack
- Rossini
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- Duets: La regata Veneziana
- La pesca
- Rushton
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- Palladas
- Scarlatti
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- Sento nel core
- Schönberg
- Four Songs, Opus 2
- Schubert
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- An Sylvia
- An den Frühling
- Im Frühling
- Fischerweise
- Hymne an die Jungfrau
- Nacht und Träume
- Der Einsame
- Die junge Nonne
- Des Mädchens Klage
- Schumann
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- Frauenliebe und –leben
- Er ist’s
- Marienwürmchen
- Dein Angesicht
- Kennst du das Land
- Widmung
- Mit Myrthen und Rosen
- Schöne Wiege meiner Leiden
- Frühlingsnacht
- Stevenson
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- Day is dune
- To autumn (for sop. & recorder)
- Strauss
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- Vier Letzte Lieder
- Die Zeitlose
- Alphorn (for sop., horn & piano)
- Morgen
- Die Nacht
- Drei Liebeslieder
- Tchaikovsky
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- None but the lonely heart
- Can it be day?
- Walton
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- A Song for the Lord Mayor's Table
- Anon. in Love
- Daphne
- Through gilded trellises
- Old Sir Faulk
- Warlock
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- Sleep
- Cradle song
- It was a lover and his lass
- Webern
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- Eight Early Songs
- Weill
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- Stolz (Die sieben Todsünden
- Williamson
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- My bed is like a boat
- Wolf
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- Auch kleine Dinge
- Mir ward gesagt
- Wer rief dich denn?
- Nun lass uns Frieden schliessen
- Du denkst mit einem Fädchen
- Mein Liebster ist so klein
- Mein Liebster singt am Haus
- Du sagst mir, dass ich keine Fürstin sein
- Wohl kenn’ ich Eueren Stand
- Ich hab’ in Penna
- Heiss mich nicht reden
- Elfenlied
Elizabeth Atherton’s Opera Repertoire
- BIRTWISTLE
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- The Corridor (Eurydice)
- BIZET
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- Carmen (Micaela)
- BRITTEN
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- Rape of Lucretia (Female Chorus)
- A Midsummer Night's Dream (Helena)
- Turn of the Screw (Governess)
- GASSMANN
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- L’Opera Seria (La Stonatrilla)
- GLUCK
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- Iphigénie en Tauride(Iphigénie)
- HANDEL
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- Alcina (Alcina)
- Amadigi (Melissa)
- Saul (Merab)
- HOLST
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- Savitri (Savitri)
- MONTEVERDI
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- Il Ritorno d’Ulisse in Patria (Minerva)
- MOZART
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- Idomeneo (Ilia)
- Marriage of Figaro (La Contessa)
- Magic Flute (Pamina)
- Don Giovanni (Donna Elvira)
- Così fan Tutte (Fiordiligi)
- PURCELL
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- Fairy Queen(Caroline)
- RAVEL
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- L’heure Espagnole (Conception)
- VAUGHAN WILLIAMS
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- Riders to the Sea (Cathleen)
- Riders to the Sea (Nora)
- VERDI
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- Don Carlos (Thibault)
- WEILL
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- Dreigroschenoper (Polly)
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Photos
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Photographer Credit: Brian Tarr -
Photographer Credit: Brian Tarr -
Photographer Credit: Brian Tarr -
Photographer Credit: Brian Tarr
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