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Conductor
- Mikhail Agrest
- Alexander Briger
- Nicholas Cleobury
- Francesco Corti
- Laurence Cummings
- Elias Grandy
- Marco Guidarini
- Elgar Howarth
- Julia Jones
- Nicholas Kok
- Robert Levin
- Andrea Licata
- Nicholas McGegan
- Andrew Parrott
- David Parry
- Geoffrey Paterson
- George Pehlivanian
- Emmanuel Plasson
- Thomas Rösner
- Tobias Ringborg
- Gennady Rozhdestvensky
- Yuri Simonov
- Philipp von Steinaecker
- Pierre-André Valade
- Composer
- Stage director
- Designer
- Movement
- Soprano
- Mezzo-soprano
- Countertenor
- Tenor
- Baritone
- Bass-baritone
- Bass
- Piano
- Harpsichord
- Violin
- Cello
- Clarinet
- Chamber Ensemble
- Vocal Ensemble
- Baroque Ensemble
Gaynor Keeble is represented by Rayfield Allied worldwide.
Artist Manager:
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Assistant Artist Manager:
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Gaynor Keeble
Mezzo-soprano
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Gaynor Keeble was fully in command as Baba
Opera Magazine
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A wonderful singing actress with a rich and powerful voice, Gaynor recently made her debut with English National Opera as Katisha, at the Royal Opera House, Covent Garden as Third Lady Die Zauberflöte where she has also performed Voice of the Mother Tales of Hoffmann, and at Opera North where she has sung Mother/Witch Hansel and Gretel and Gertrude Romeo and Juliet. Other roles include Baba the Turk and Marchese La Fille du Regiment (English Touring Opera), Mrs Sedley Peter Grimes with the CBSO and Hippolyta A Midsummer Night’s Dream.
Recent and future highlights include Third Lady Die Zauberflöte and Annina in La Traviata at Covent Garden, Amneris in a concert performance of Aida, Marcellina The Marriage of Figaro and Mistress Quickly Falstaff for Mid Wales Opera, Dame Hannah in Ruddigore at Opera North, Auntie Peter Grimes at the Aldeburgh Festival, and Florence Albert Herring in a concert performance with the BBC Symphony Orchestra.
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Annina (La Traviata), Royal Opera House, Covent Garden
(November 2011)Gaynor Keeble’s carefully observed Annina
The Stagea particularly strong Annina from Gaynor Keeble
Intermezzo -
Mistress Quickly (Falstaff), Opera Project
(July 2011)Gaynor Keeble gave us another of her sassy portrayals as Mistress Quickly, who is, after all, the pivot of the entire delightful farce.
Opera Magazine -
Marquise (La fille du régiment), Diva Opera, France
(July 2011)Gaynor Keeble gives a colorful performance in the role of Marquise of Birkenfeld
Le Bien Public in Dijon -
Die Zauberflöte, Royal Opera House
(February 2011)Gaynor Keeble [was] on wondrous form
MusicOMHThe best singing of the evening came from the Three Ladies (Elizabeth Meister, Kai Rüütel and Gaynor Keeble).
IntermezzoThe First and Second Ladies were joined by the more experienced Gaynor Keeble to form a well-blended trio.
Opera Today -
Mistress Quickly (Falstaff), Mid Wales Opera,
(September 2010)Gaynor Keeble's Mistress Quickly is a rich-toned caricature.
The GuardianGaynor Keeble is sensationally witty, perky and smart in her beautifully-vocalised Mistress Quickly
Birmingham Post -
Les Contes d’Hoffmann, Royal Opera House
(November 2008)Gaynor Keeble, Kostas Smoriginas and Ji-Min Park all made strong marks in smaller roles
The Daily TelegraphGaynor Keeble shines briefly as her mother’s spirit
The StageGaynor Keeble made the most of her few moments as the Spirit of Antonia’s mother
Music Web InternationalGaynor Keeble as the spirit of her mother was truly affecting, and the most memorable of the mostly well-taking smaller parts
Intermezzo…and the spirit of her mother, sung with lovely fruity tone by Gaynor Keeble.
Classical Source
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Gaynor Keeble’s Concert Repertoire
- Bach
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- St John Passion
- St Matthew Passion
- B Minor Mass
- Christmas Oratorio
- Beethoven
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- Mass in C Minor
- Brahms
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- Alto Rhapsody
- Liebeslieder
- Elgar
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- Dream of Gerontius
- Music Makers
- Light of Life
- The Kingdom
- Handel
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- Messiah
- Samson
- Janacek
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- Glagolitic Mass
- Jenkins
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- Stabat Mater
- Mendelssohn
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- Elijah
- Mozart
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- Requiem
- C Minor Mass
- Rossini
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- Petite Messe Solennelle
- Stabat Mater
- Rutter
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- Magnificat
- Mass for the Children
- Tippett
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- Child of our Time
- Verdi
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- Requiem
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Photos
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Photographer credit: Richard Johnson
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