"a reflective and highly intelligent young man and a wonderful musician whom Bach would have appreciated."
"he reconciles the seemingly irreconcilable: virtuosity, good taste, knowledge and originality."
BBC Music Magazine
Isang Enders has quickly established himself as a dynamic artist in search of new concepts and works for the violoncello. Born into a German-Korean musician family in Frankfurt in 1988, Isang Enders began studying with Michael Sanderling at the age of twelve. His playing has since been influenced by his studies with Gustav Rivinius, Truls Mørk, and above all, by the mentoring of the American cellist Lynn Harrell.
At the age of twenty, Isang Enders was appointed principal cello of the Dresden Staatskapelle, making him the youngest section leader in Germany. During his four years with the orchestra, he also co-founded the Gohrisch Shostakovich Festival alongside Tobias Niederschlag.
Isang Enders recently made his debut with the Philharmonia Orchestra, enjoyed collaborations with the Stuttgarter Philharmoniker and Stavanger Symphony orchestras and performs regularly with the Orchestre Philharmonique de Radio France and Seoul Philharmonic Orchestra. He has worked with eminent conductors including Myung-Whun Chung, Christoph Eschenbach, Pablo Heras-Casado, Eliahu Inbal, Zubin Mehta and Vasily Petrenko.
He has most recently performed Unsuk Chin’s Cello Concerto in both Stavanger and Paris, and performed the Korean debut of Dutilleux’s Cello Concerto as well the Shostakovich Cello Concerto with the Seoul Philharmonic Orchestra.
As a dedicated chamber musician, he continues to work closely with the pianist Igor Levit, with whom he has toured extensively, as well as Kit Armstrong and Sunwook Kim.
Last season he made his debut at the Bach Festival in Montreal, and spent the summer at the Malboro Music Festival in the US. He performs regularly as a recitalist at Heidelburger Fruhling and Rheingau Musikfestivals.
His highly-acclaimed and early recording of the Bach Cello Suites on Berlin Classics was a triumph. One critic describes him as a “reflective and highly intelligent young man”. Isang Enders is signed to Berlin Classics and SONY Music Entertainment and plays an instrument by Jean Baptiste Vuillaume (Paris, 1840).
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Bach Cello Suites CD
spotless performance…he’ll record them again and, hopefully, again.
Caroline Gill, Gramophone
he reconciles the seemingly irreconcilable: virtuosity, good taste, knowledge and originality…It’s a fascinating interpretation which is neither willful, nor does it ever retreat into lifeless purism.
Unsuk Chin, BBC Music Magazine
Isang Enders recording of the Bach Suites is an amazing document of musical maturity. Surely the young cellist will play these pieces differently in 10 or 20 years. That he could play them better or more convincingly than now can hardly be imagined. Isang Enders, a reflective and highly intelligent young man and a wonderful musician whom Bach would have appreciated.
Wilfrid Schäper, Radio Bremen
this is probably the most noble, elegant, perhaps even the most careful recording of the Bach Suites of the past years.
Clemens Haustein, Fono Forum
Isang Enders Repertoire
Triple Concerto Op. 56
“Schelomo” Hebraic Rhapsody
Concerto No. 9 in B flat major (original)
“Tout un monde lointain"
Concerto in B minor Op. 10
Rondo Op. 95
Silent Wood Op. 68/5
Concerto in E minor Op. 8
Concerto in C major Hob. VIIb: 1
Concerto in D major Hob. VIIb: 2
Kammermusik No. 3
Concerto No. 2 in C minor Op. 77
Concerto in D minor
Once Upon a Time
Concerto grosso per 3 Violoncelli
Concerto No. 1 in A minor Op. 33
Concerto in A minor Op. 129
Concerto No. 1 in E flat major Op. 107
Don Quixote Op. 35
Variations on a Rococo Theme Op. 33
Andante Cantabile Op. 11
Double Concerto PV411