Katie Bray is represented by Rayfield Allied worldwide.

Artist Manager:
.(JavaScript must be enabled to view this email address)

Artist Manager:
.(JavaScript must be enabled to view this email address)

Katie Bray

Mezzo-soprano

  • Bray brought a really exciting bravura to the piece. This was the first time in the evening when the hairs on the back of the neck were raised (Ariodante)
    Sebastian Petit, Opera Britannia
  • Katie Bray outshone the rest of the cast with her sparkling heroine (Béatrice)
    Opera Now
  • Vocally, the undisputed star was Katie Bray as Polly
    David Karlin, Bachtrack
  • Karaviotis scholar, Katie Bray, graduated from the opera course at the Royal Academy of Music, and was awarded the 2012 Principal’s Prize. Taught by Elizabeth Ritchie and Iain Ledingham, she won First Prize in the Academy’s prestigious Richard Lewis Singing Competition in 2011. Last year, Katie made her solo débuts with Glyndebourne Festival Opera and English Touring Opera, and in 2013, she joined Opera North as Nancy in Giles Havergal’s new production of Albert Herring.

    Katie was awarded prizes for her contribution to English Song and Lieder at RAM, as well as the Alfred Alexander Scholarship and the Karaviotis and Sir Thomas Armstrong Awards. She was also the recipient of the Opera Prize and third prize overall in the 2011 Mozart International Singing Competition, the Audience Prize in the 2010 Handel Singing Competition and third prize in the 2010 Jackdaws Vocal Award.

    Recent solo appearances include Nancy Albert Herring for Opera North, Drummer Girl Der Kaiser von Atlantis with English Touring Opera, Béatrice Béatrice et Bénédict at the Royal Academy of Music, Cherubino Le Nozze di Figaro for British Youth Opera, and song recitals in the Wigmore Hall with the Countess of Munster Young Artists and the Royal Academy’s Song Circle. She will perform a lieder recital in the 2013 City of London Festival with her regular accompanist, William Vann.

    • Albert Herring
      Opera North (May 2013)

      Katie Bray’s handsome-voiced Nancy.
      Andrew Clark, The Financial Times *****
      Katie Bray caught my ear as Nancy.
      Rupert Christiansen, The Telegraph
      Marc Callahan (Sid) and Katie Bray (Nancy), two other debutants with Opera North, also gave exceptionally attractive performances. Theirs is a decidedly heterosexual love duet, rare in Britten’s operas, and was passionately sung.
      Michael Kennedy, Opera Magazine
      And I liked the unresolved volatility between Katie Bray’s sharply assertive Nancy and Marc Callahan’s Brylcreem-Boy Sid.
      Richard Morrison, The Times ****
    • Emperor of Atlantis
      English Touring Opera

      Musically it's terrific, with not a weak performance anywhere, though Katie Bray’s warmongering Drummer and Callum Thorpe as the multiple voices of reason and technology that Ullmann simply calls Loudspeaker, are particularly outstanding.
      Tim Ashley, The Guardian
      Katie Bray’s mezzo was outstanding. Her punch performance as the thigh-bone wielding Drummer combined vocal athleticism with physical vigour on stage.
      John-Pierre Joyce, Music OMH
      Miss Bray is another rising star who must have been spotted while on the Royal Academy’s Opera Course. ETO has an excellent track record of providing a launch pad for feisty mezzos who can act and Miss Bray did not disappoint.
      Miranda Jackson, Opera Britannia
      Katie Bray was outstanding.
      Opera Now
      There were nonetheless strong performances from Katie Bray (Drummer), a commanding stage presence as well as an ever flexible singer.
      Flora Willson, Opera Magazine
    • Béatrice et Bénédict
      Royal Academy Opera

      Katie Bray’s Béatrice is sparkily acted and warmly sung
      Richard Morrison, The Times
      The Béatrice of Katie Bray was stunningly brilliant
      Michael Tanner, The Spectator
    • World Premiere of Kommilitonen, Sir Peter Maxwell-Davies
      Royal Academy of Music

      Wu is sung with the luxurious mezzo-soprano of Katie Bray, a sound of compassion, plangeant but not abject or begging. This is the most convincingly operatic performance, Bray characterising Wu with the quality of sound. Consequently it’s, for me, the most gripping account of a maligned individual of the evening.
      Royal Academy of Music
    • Die Dreigroschenoper
      Royal Academy of Music

      Vocally, the undisputed star was Katie Bray as Polly. Bray gave us wonderful feel for Weill's melodic lines and for every mood, whether lyrical in her Farewell Song, waywardly self-willed in the Song of Yes and No or rapid-fire in her Jealousy duet with Runette Botha's Lucy
      David Karlin, Bachtrack
    • London Handel Festival
      Singing Competition

      Katie Bray…portrays Ariodante’s grief and rage at the perceived betrayal of his love, Ginevra. This is a hugely testing aria requiring dramatic declamation and an extensive range. Too often one hears singers resorting to brassy-toned lower notes which seems unconnected to the rest of the voice and this was a danger that Bray conspicuously avoided…Bray brought a really exciting bravura to the piece. This was the first time in the evening when the hairs on the back of the neck were raised.
      Sebastian Petit, Opera Britannia
  • Katie Bray Concert Repertoire

    ASHE
    • The Waters
    • The Light
    • The Earth
    BACH
    • Magnificat
    • Christmas Oratorio
    • St John Passion
    • St Matthew Passion
    • Mass in B minor
    • BWV 7 - Christ unser Herr zum Jorden kam
    • BWV 28 - Gottlob! nun geht das Jahr zu Ende
    • BWV 42 - Am Abend aber desselbigen Sabbats
    • BWV 83 - Erfreute Zeit im neuen Bunde
    • BWV 164 - Ihr, die ihr euch von Christo nennet
    • BWV 170 - Vergnuegte Ruh
    • BWV 249 - Osteroratorium
    BEETHOVEN
    • Ninth Symphony
    BRAHMS
    • Op. 91
    BRIDGE
    • Three Songs for voice, viola and piano H.76
    BRITTEN
    • Ceremony of Carols
    • Cabaret Songs
    • The Red Cockatoo
    • A Charm of Lullabies
    COPLAND
    • In the Beginning
    DURUFLE
    • Requiem
    HANDEL
    • Dixit Dominus
    • Messiah
    HAYDN
    • Harmony Messe
    • Paukenmesse
    • Nelson Mass
    JENKINS
    • The Armed Man
    • Stabat Mater
    MATTHEWS
    • Vespers
    MENDELSSOHN
    • Elijah
    MOZART
    • Mass in C minor
    • Mass in C major
    • Requiem
    ORFF
    • Carmina Burana
    RAVEL
    • Cinq melodies populaires grecques
    ROSSINI
    • Petite Messe Solemnelle
    SCHUBERT
    • Mass in B flat
    SCHUMANN
    • Frauenliebe und leben
    • Myrten
    • Lieder und Gesange aus 'Wilhelm Meister' Op. 98a
    SEIBER
    • Four Greek Folk Songs
    STRAVINSKY
    • Mass
    VIVALDI
    • Gloria
    WAGNER
    • Wesendonck Lieder
    WEBER
    • Mass in E flat

    Katie Bray Opera Repertoire

    BERLIOZ
    • Béatrice et Bénédict (Béatrice)
    BERNSTEIN
    • Candide (Paquette/Old Lady)
    BIZET
    • Carmen (Carmen)
    BRITTEN
    • Albert Herring (Nancy)
    • The Rape of Lucretia (Lucretia)
    • A Midsummer Night's Dream (Hermia)
    GOUNOD
    • Faust (Siebel)
    MAXWELL-DAVIES
    • Kommilitonen! (Wu)
    MOZART
    • Cosi fan tutte (Dorabella)
    • Don Giovanni (Zerlina)
    • La Clemenza di Tito (Sesto / Annio)
    • Le nozze di Figaro (Cherubino)
    • Die Zauberfloete (Second Lady)
    ROSSINI
    • La Cenerentola (Angelina)
    ULLMANN
    • Der Kaiser von Atlantis (Drummer Girl)
    WEILL
    • Die Dreigroschenoper (Polly Peachum)
    • Die Sieben Todsünden (Anna)
  • Photos