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Conductor
- Mikhail Agrest
- Alexander Briger
- Nicholas Cleobury
- Francesco Corti
- Laurence Cummings
- Elias Grandy
- Marco Guidarini
- Elgar Howarth
- Julia Jones
- Nicholas Kok
- Robert Levin
- Andrea Licata
- Nicholas McGegan
- Andrew Parrott
- David Parry
- Geoffrey Paterson
- Emmanuel Plasson
- Tobias Ringborg
- Gennady Rozhdestvensky
- Yuri Simonov
- Philipp von Steinaecker
- Pierre-André Valade
- Composer
- Stage director
- Designer
- Movement
- Soprano
- Mezzo-soprano
- Countertenor
- Tenor
- Baritone
- Bass-baritone
- Bass
- Piano
- Harpsichord
- Cello
- Clarinet
- Chamber Ensemble
- Vocal Ensemble
- Baroque Ensemble
Katie Bray is represented by Rayfield Allied worldwide.
Artist Manager:
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Artist Manager:
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Katie Bray
Mezzo-soprano
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Bray brought a really exciting bravura to the piece. This was the first time in the evening when the hairs on the back of the neck were raised (Ariodante)
Sebastian Petit, Opera Britannia
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Karaviotis scholar, Katie Bray, graduated from the opera course at the Royal Academy of Music, and was awarded the 2012 Principal’s Prize. Taught by Elizabeth Ritchie and Iain Ledingham, she won First Prize in the Academy’s prestigious Richard Lewis Singing Competition in 2011. Last year, Katie made her solo débuts with Glyndebourne Festival Opera and English Touring Opera, and in 2013, she joined Opera North as Nancy in Giles Havergal’s new production of Albert Herring.
Katie was awarded prizes for her contribution to English Song and Lieder at RAM, as well as the Alfred Alexander Scholarship and the Karaviotis and Sir Thomas Armstrong Awards. She was also the recipient of the Opera Prize and third prize overall in the 2011 Mozart International Singing Competition, the Audience Prize in the 2010 Handel Singing Competition and third prize in the 2010 Jackdaws Vocal Award.
Recent solo appearances include Nancy Albert Herring for Opera North, Drummer Girl Der Kaiser von Atlantis with English Touring Opera, Béatrice Béatrice et Bénédict at the Royal Academy of Music, Cherubino Le Nozze di Figaro for British Youth Opera, and song recitals in the Wigmore Hall with the Countess of Munster Young Artists and the Royal Academy’s Song Circle. She will perform a lieder recital in the 2013 City of London Festival with her regular accompanist, William Vann.
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Albert Herring
Opera North (May 2013)Katie Bray’s handsome-voiced Nancy.
Andrew Clark, The Financial Times *****Katie Bray caught my ear as Nancy.
Rupert Christiansen, The TelegraphMarc Callahan (Sid) and Katie Bray (Nancy), two other debutants with Opera North, also gave exceptionally attractive performances. Theirs is a decidedly heterosexual love duet, rare in Britten’s operas, and was passionately sung.
Michael Kennedy, Opera MagazineAnd I liked the unresolved volatility between Katie Bray’s sharply assertive Nancy and Marc Callahan’s Brylcreem-Boy Sid.
Richard Morrison, The Times **** -
Emperor of Atlantis
English Touring OperaMusically it's terrific, with not a weak performance anywhere, though Katie Bray’s warmongering Drummer and Callum Thorpe as the multiple voices of reason and technology that Ullmann simply calls Loudspeaker, are particularly outstanding.
Tim Ashley, The GuardianKatie Bray’s mezzo was outstanding. Her punch performance as the thigh-bone wielding Drummer combined vocal athleticism with physical vigour on stage.
John-Pierre Joyce, Music OMHMiss Bray is another rising star who must have been spotted while on the Royal Academy’s Opera Course. ETO has an excellent track record of providing a launch pad for feisty mezzos who can act and Miss Bray did not disappoint.
Miranda Jackson, Opera BritanniaKatie Bray was outstanding.
Opera NowThere were nonetheless strong performances from Katie Bray (Drummer), a commanding stage presence as well as an ever flexible singer.
Flora Willson, Opera Magazine -
Béatrice et Bénédict
Royal Academy OperaKatie Bray’s Béatrice is sparkily acted and warmly sung
Richard Morrison, The TimesThe Béatrice of Katie Bray was stunningly brilliant
Michael Tanner, The Spectator -
World Premiere of Kommilitonen, Sir Peter Maxwell-Davies
Royal Academy of MusicWu is sung with the luxurious mezzo-soprano of Katie Bray, a sound of compassion, plangeant but not abject or begging. This is the most convincingly operatic performance, Bray characterising Wu with the quality of sound. Consequently it’s, for me, the most gripping account of a maligned individual of the evening.
Royal Academy of Music -
Die Dreigroschenoper
Royal Academy of MusicVocally, the undisputed star was Katie Bray as Polly. Bray gave us wonderful feel for Weill's melodic lines and for every mood, whether lyrical in her Farewell Song, waywardly self-willed in the Song of Yes and No or rapid-fire in her Jealousy duet with Runette Botha's Lucy
David Karlin, Bachtrack -
London Handel Festival
Singing CompetitionKatie Bray…portrays Ariodante’s grief and rage at the perceived betrayal of his love, Ginevra. This is a hugely testing aria requiring dramatic declamation and an extensive range. Too often one hears singers resorting to brassy-toned lower notes which seems unconnected to the rest of the voice and this was a danger that Bray conspicuously avoided…Bray brought a really exciting bravura to the piece. This was the first time in the evening when the hairs on the back of the neck were raised.
Sebastian Petit, Opera Britannia
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Katie Bray Concert Repertoire
- ASHE
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- The Waters
- The Light
- The Earth
- BACH
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- Magnificat
- Christmas Oratorio
- St John Passion
- St Matthew Passion
- Mass in B minor
- BWV 7 - Christ unser Herr zum Jorden kam
- BWV 28 - Gottlob! nun geht das Jahr zu Ende
- BWV 42 - Am Abend aber desselbigen Sabbats
- BWV 83 - Erfreute Zeit im neuen Bunde
- BWV 164 - Ihr, die ihr euch von Christo nennet
- BWV 170 - Vergnuegte Ruh
- BWV 249 - Osteroratorium
- BEETHOVEN
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- Ninth Symphony
- BRAHMS
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- Op. 91
- BRIDGE
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- Three Songs for voice, viola and piano H.76
- BRITTEN
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- Ceremony of Carols
- Cabaret Songs
- The Red Cockatoo
- A Charm of Lullabies
- COPLAND
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- In the Beginning
- DURUFLE
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- Requiem
- HANDEL
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- Dixit Dominus
- Messiah
- HAYDN
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- Harmony Messe
- Paukenmesse
- Nelson Mass
- JENKINS
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- The Armed Man
- Stabat Mater
- MATTHEWS
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- Vespers
- MENDELSSOHN
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- Elijah
- MOZART
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- Mass in C minor
- Mass in C major
- Requiem
- ORFF
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- Carmina Burana
- RAVEL
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- Cinq melodies populaires grecques
- ROSSINI
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- Petite Messe Solemnelle
- SCHUBERT
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- Mass in B flat
- SCHUMANN
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- Frauenliebe und leben
- Myrten
- Lieder und Gesange aus 'Wilhelm Meister' Op. 98a
- SEIBER
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- Four Greek Folk Songs
- STRAVINSKY
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- Mass
- VIVALDI
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- Gloria
- WAGNER
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- Wesendonck Lieder
- WEBER
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- Mass in E flat
Katie Bray Opera Repertoire
- BERLIOZ
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- Béatrice et Bénédict (Béatrice)
- BERNSTEIN
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- Candide (Paquette/Old Lady)
- BIZET
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- Carmen (Carmen)
- BRITTEN
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- Albert Herring (Nancy)
- The Rape of Lucretia (Lucretia)
- A Midsummer Night's Dream (Hermia)
- GOUNOD
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- Faust (Siebel)
- MAXWELL-DAVIES
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- Kommilitonen! (Wu)
- MOZART
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- Cosi fan tutte (Dorabella)
- Don Giovanni (Zerlina)
- La Clemenza di Tito (Sesto / Annio)
- Le nozze di Figaro (Cherubino)
- Die Zauberfloete (Second Lady)
- ROSSINI
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- La Cenerentola (Angelina)
- ULLMANN
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- Der Kaiser von Atlantis (Drummer Girl)
- WEILL
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- Die Dreigroschenoper (Polly Peachum)
- Die Sieben Todsünden (Anna)
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Photos
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