Katie Bray is represented by Rayfield Allied worldwide.

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Katie Bray


  • Vocally, the undisputed star was Katie Bray as Polly
    David Karlin, Bachtrack
  • Katie Bray outshone the rest of the cast with her sparkling heroine (Béatrice)
    Opera Now
  • Bray brought a really exciting bravura to the piece. This was the first time in the evening when the hairs on the back of the neck were raised (Ariodante)
    Sebastian Petit, Opera Britannia
  • British mezzo-soprano, Katie Bray is fast establishing a colourful international career, most recently engaged as Mallika Lakmé at Opera Holland Park. She made her solo débuts with Garsington Opera as Emma in Offenbach’s Vert Vert, directed by Martin Duncan and conducted by David Parry, and English National Opera in Joanna Lee’s The Way Back Home at the Young Vic Theatre. Other recent operatic roles include Charlotte Werther at the 2014 Grimeborn Festival, Lazuli L’Étoile with New Sussex Opera, cover Cherubino Le Nozze di Figaro in McVicar’s production at the Royal Opera House, and Nancy Albert Herring with Opera North.

    This season sees her return to Opera North as Rosina Il barbiere di Siviglia as well as ENO’s Akhnaten and Zulma Italiana in Algeri for Garsington Opera.

    She is also a keen recitalist, and has performed in prestigious venues such as the Wigmore Hall, Cadogan Hall, The Forge, the Holywell Music Room and St George’s, Hanover Square. She has given recitals in many song festivals including the City of London Festival, the London English Song Festival and the Oxford Lieder Festival.

    Other recent highlights include a recording of Zemlinsky’s Opus 13 with Trevor Pinnock, and Mahler’s Das Lied von der Erde in the 2014 Loch Shiel Spring Festival.

    Katie Bray graduated as a Karaviotis Scholar from the opera course at the Royal Academy of Music, and was awarded the 2012 Principal’s Prize.

    Taught by Elizabeth Ritchie and Iain Ledingham, she won First Prize in the Academy’s prestigious Richard Lewis Singing Competition in 2011.

    • Barber of Seville
      Opera North (October 2015)

      Katie Bray is a delightfully sparky and sympathetic Rosina; when it was revealed that her penniless admirer was actually a count, Bray beamed as if all her Navidads had come at once.
      Neil Fisher – The Times
      Yet it is the bright young mezzo Katie Bray who really impresses here, showing both the emotion and colour of voice to support Rosina’s challenging range. The finest Rosinas must alternately resemble both a flute and a clarinet: Bray’s voice has scope to develop further, but she’s not far off that scale.
      Alfred Hickling, The Guardian
    • Lakmé
      Opera Holland Park (July 2015)

      Bray and Dickinson excel in their company debuts.
      Anna Picard, The Times
    • Werther
      Grimeborn Festival

      The most strikingly successful element of the evening was Katie Bray’s fresh-faced and ingenuous Charlotte. Her olive-toned mezzo projects cleanly... Here is a name to remember.
      Rupert Christiansen, The Telegraph
    • Vert-Vert
      Garsington Opera (June 2014)

      Naughty girlie chums Katie Bray (a super mezzo) and Raphaella Papadakis are scrumptious in their opening pranks.
      Roderic Dunnett, The Arts Desk
    • L’Étoile
      New Sussex Opera (November 2013)

      Lazuli was sung with panache by Katie Bray.
      Rupert Christiansen, The Telegraph ****
      The character who might be said to have been born under a lucky star, Lazuli, was personified with great charm by Katie Bray, who delivered her solos in a firmly rounded mezzo-soprano and her dialogue in clear-cut tones.
      Margaret Davies, Opera Magazine
      The magnetic Katie Bray was an itinerant beautician Lazuli.
      Robert Thicknesse, Opera Now
    • Albert Herring
      Opera North (May 2013)

      Katie Bray’s handsome-voiced Nancy.
      Andrew Clark, The Financial Times *****
      Katie Bray caught my ear as Nancy.
      Rupert Christiansen, The Telegraph
    • Emperor of Atlantis
      English Touring Opera

      Musically it's terrific, with not a weak performance anywhere, though Katie Bray’s warmongering Drummer and Callum Thorpe as the multiple voices of reason and technology that Ullmann simply calls Loudspeaker, are particularly outstanding.
      Tim Ashley, The Guardian
      Katie Bray’s mezzo was outstanding. Her punch performance as the thigh-bone wielding Drummer combined vocal athleticism with physical vigour on stage.
      John-Pierre Joyce, Music OMH
      Katie Bray was outstanding.
      Opera Now
    • Béatrice et Bénédict
      Royal Academy Opera

      Katie Bray’s Béatrice is sparkily acted and warmly sung
      Richard Morrison, The Times
      The Béatrice of Katie Bray was stunningly brilliant
      Michael Tanner, The Spectator
    • World Premiere of Kommilitonen, Sir Peter Maxwell-Davies
      Royal Academy of Music

      Wu is sung with the luxurious mezzo-soprano of Katie Bray, a sound of compassion, plangeant but not abject or begging. This is the most convincingly operatic performance, Bray characterising Wu with the quality of sound. Consequently it’s, for me, the most gripping account of a maligned individual of the evening.
      Royal Academy of Music
    • Die Dreigroschenoper
      Royal Academy of Music

      Vocally, the undisputed star was Katie Bray as Polly. Bray gave us wonderful feel for Weill's melodic lines and for every mood, whether lyrical in her Farewell Song, waywardly self-willed in the Song of Yes and No or rapid-fire in her Jealousy duet with Runette Botha's Lucy
      David Karlin, Bachtrack
  • Katie Bray Opera Repertoire

    • Béatrice et Bénédict (Béatrice)
    • Candide (Paquette/Old Lady)
    • Carmen (Carmen)
    • Albert Herring (Nancy)
    • The Rape of Lucretia (Lucretia)
    • A Midsummer Night's Dream (Hermia)
    • L'Etoile (Lazuli)
    • Faust (Siebel)
    • Werther (Charlotte)
    • Kommilitonen! (Wu)
    • L'Incoronazione di Poppea (title role)
    • Cosi fan tutte (Dorabella)
    • Don Giovanni (Zerlina)
    • La Clemenza di Tito (Sesto / Annio)
    • Le nozze di Figaro (Cherubino)
    • Die Zauberfloete (Second Lady)
    • La Cenerentola (Angelina)
    • Der Kaiser von Atlantis (Drummer Girl)
    • Die Dreigroschenoper (Polly Peachum)
    • Die Sieben Todsünden (Anna)

    Katie Bray Concert Repertoire

    • The Waters
    • The Light
    • The Earth
    • Magnificat
    • Christmas Oratorio
    • St John Passion
    • St Matthew Passion
    • Mass in B minor
    • BWV 7 - Christ unser Herr zum Jorden kam
    • BWV 28 - Gottlob! nun geht das Jahr zu Ende
    • BWV 42 - Am Abend aber desselbigen Sabbats
    • BWV 83 - Erfreute Zeit im neuen Bunde
    • BWV 164 - Ihr, die ihr euch von Christo nennet
    • BWV 170 - Vergnuegte Ruh
    • BWV 249 - Osteroratorium
    • Ninth Symphony
    • Op. 91
    • Three Songs for voice, viola and piano H.76
    • Ceremony of Carols
    • Cabaret Songs
    • The Red Cockatoo
    • A Charm of Lullabies
    • In the Beginning
    • Requiem
    • Dixit Dominus
    • Messiah
    • Harmony Messe
    • Paukenmesse
    • Nelson Mass
    • The Armed Man
    • Stabat Mater
    • Vespers
    • Elijah
    • Mass in C minor
    • Mass in C major
    • Requiem
    • Carmina Burana
    • Cinq melodies populaires grecques
    • Petite Messe Solemnelle
    • Mass in B flat
    • Frauenliebe und leben
    • Myrten
    • Lieder und Gesange aus 'Wilhelm Meister' Op. 98a
    • Four Greek Folk Songs
    • Mass
    • Gloria
    • Wesendonck Lieder
    • Mass in E flat
  • Photos

    • c. The Owl and The Pussycat Photography
      c. The Owl and The Pussycat Photography
    • c. The Owl and the Pussycat Photography
      c. The Owl and the Pussycat Photography
    • c. The Owl and the Pussycat Photography
      c. The Owl and the Pussycat Photography
    • c. The Owl and the Pussycat Photography
      c. The Owl and the Pussycat Photography