"Through a mix of consummate skill and quirky charm, this mercurial quartet has helped to ignite an explosive new enthusiasm for percussion music old and new."
The New York Times
"The evening was an exhilarating blend of precision and anarchy, rigor and bedlam…"
The New Yorker
"If percussionists are, as proclaimed elsewhere, the new princes of the realm of virtuosity, then these four young, steel-wristed, Brooklyn-based Yale graduates wear the crown with panache."
The Financial Times
Through its sensational interpretations of modern classics, innovative multi-genre original productions, and “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and role of the modern percussion ensemble, placing it at the leading edge of 21st-century music.
Sō’s repertoire ranges from 20th century works by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as David Lang, Julia Wolfe, Steven Mackey, and Caroline Shaw, to distinctively modern collaborations with artists who work outside the classical concert hall, including Shara Nova, choreographer Susan Marshall, The National, Bryce Dessner, and many others.
Sō Percussion’s original productions – including From Out A Darker Sea, Where (we) Live, and Jason Treuting’s Amid the Noise – employ a distinctively 21st century palette of original music, artistic collaboration, theatrical production values and visual art, yielding powerful explorations of the human experience.
In December 2019, Sō Percussion made a triumphant return to Carnegie Hall for a sold-out performance of “A Percussion Century,” a sprawling exploration of the modern percussion repertoire including works by composers Cage, Lang, Reich, and Xenakis, as well as works by Carlos Chávez, Johanna Beyer, and the New York premiere of Sō’s newest commission, Forbidden Love, a string quartet by Julia Wolfe. Other 19/20 highlights include a Miller Theatre Composer Portrait of frequent Sō collaborator, Caroline Shaw (with whom Sō has a new album due this season); David Lang’s man made and Lully’s Le Bourgeois gentilhomme with Louis Langrée and the Cincinnati Symphony; dates in Paris, Lithuania, and throughout the US. Sō also collaborated with choreographer John Heginbotham on a new ballet, RACECAR, premiered as part of The Washington Ballet’s season-opening production, NEXTsteps.
This season Sō celebrates its sixth year as the Edward T. Cone Performers-in-Residence at Princeton University and welcomes the appointment of flutist, composer, and vocalist Nathalie Joachim as the ensemble’s inaugural Andrew W. Siegel Composition Fellow. 19/20 also marks the release of album collaborations with Dan Trueman and the JACK Quartet (Songs that are Hard to Sing, from New Amsterdam), and with indie duo Buke and Gase.
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This group plays with an irresistible vitality
The Washington Post
If percussionists are, as proclaimed elsewhere, the new princes of the realm of virtuosity, then these four young, steel-wristed, Brooklyn-based Yale graduates wear the crown with panache.
The Financial Times
The range of colors and voices that So Percussion coaxes from its menagerie is astonishing and entrancing
This ensemble has set the New York standard for percussion innovation
The New Yorker
The weekend’s electrifying percussion pieces deserve a cheer too. The So Percussion group were a knockout in Steve Reich’s Mallet Quartet…
Sō Percussion have [Steve Reich’s Mallet Quartet] nailed, finding both the inner glow and the outer edge, and never letting the tapestry lapse into the flat or routine
BBC Music Magazine