Jennifer Pike is represented by Rayfield Allied worldwide.

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Jennifer Pike

Violin

  • Simply spectacular... Britain's foremost young fiddler
    The Independent
  • Renowned for her unique artistry and compelling insight into music from the Baroque to the present day, Jennifer Pike has established herself as one of today’s most exciting instrumentalists.

    She first gained international recognition when, aged 12, she became the youngest-ever winner of the BBC Young Musician of the Year and the youngest major prizewinner in the Menuhin International Violin Competition.

    Performing extensively as soloist with major orchestras worldwide, highlights have included concertos with the all the BBC orchestras, London Philharmonic, Brussels Philharmonic, City of Birmingham Symphony, Strasbourg Philharmonic, Oslo Philharmonic, Royal Liverpool Philharmonic, Philharmonia, Royal Scottish National Orchestra, Hallé, Tampere Philharmonic, Malmö Symphony, Royal Stockholm Philharmonic, Auckland Philharmonia, Singapore Symphony and Nagoya Philharmonic orchestras. She has also appeared as a guest director with the BBC Philharmonic and Manchester Camerata.

    Eminent conductors with whom she has worked include Jirí Belohlávek, Martyn Brabbins, Sir Mark Elder, James Gaffigan, Richard Hickox, Christopher Hogwood, Juanjo Mena, Andris Nelsons, Sir Roger Norrington, Jukka Pekka Saraste, Leif Segerstam, Tugan Sokhiev and John Storgårds.

    As a recitalist and chamber musician, Jennifer Pike has collaborated throughout Europe with artists including Anne-Sophie Mutter, Nikolaj Znaider, Adrian Brendel, Nicolas Altstaedt, Maxim Rysanov, Ben Johnson, Igor Levit, Martin Roscoe, Tom Poster and Mahan Esfahani.

    She has recorded for Chandos, Sony and ABC Classics. Her recent recording of the Mendelssohn Violin Concerto with the City of Birmingham Symphony and Edward Gardner for Chandos was acclaimed in the Observer for her “innate musicality and mercurial technique”.

    Jennifer Pike plays a 1708 violin by Matteo Goffriller.

    • Dvořák Violin Concerto
      Royal Stockholm Philharmonic (January 2017)

      Jennifer Pike shaped the lyrical sections with vocal quality and grace… There was a lively beauty to the fiery finale. She showed clarity and poise throughout technical passages and was very well received by her audience.
      Lars Hedblad, Svenska Dagbladet
    • The Lark Ascending
      Chamber Orchestra of New York (Naxos)

      With so many recordings of The Lark Ascending available, a new one has to offer something special to soar clear of the crowd. Jennifer Pike’s playing – at once forthright and beautifully yearning, with technique to match – puts her contribution into that category.
      Malcolm Hayes, BBC Music Magazine ****
    • Tchaikovsky Violin Concerto – BBC Concert Orchestra
      William Alwyn Festival, Aldeburgh (October 2016)

      The concert also included a wonderfully fluent performance of Tchaikovsky’s Violin Concerto by Jennifer Pike. Still only 26, the British violinist has turned from child prodigy to superbly graceful virtuoso without airs or affectation.
      Richard Morrison, The Times ****
    • Jennifer Pike interview by James Naughtie
      BBC Music Magazine (September 2016)

      Read the full interview here.
    • Mendelssohn Violin Concerto
      City of Birmingham Symphony Orchestra (January 2016)

      Jennifer Pike allies the luminous beauty of her tone to her innate musicality and mercurial technique to produce an exceptionally lyrical interpretation of the evergreen Violin Concerto in E minor.
      Stephen Pritchard, The Observer
      Edward Gardner and Jennifer Pike have given it a re-think and complete re-fit... I felt I was hearing it for the first time. Pike’s playing sings the concerto: it is breathtakingly beautiful, and the sophistication of orchestral thinking and playing is out of this world.
      Michael Tumelty, Sunday Herald
      With her sweet, singing tone and graceful phrasing, (Jennifer Pike) walks in the footsteps of many illustrious predecessors.
      Roger Nichols, BBC Music Magazine
      Jennifer Pike's interpretation is dramatic, passionate and always nuanced....This performance is certain to become one of the great standard recordings.
      John France, Music Web International
    • Sibelius Violin Concerto
      Bergen Philharmonic (March 2014)

      One of the finest ever actual recordings, the richness and clarity of SACD sound revealing a wealth of detail and scale from the superb Bergen orchestra, and giving Jennifer Pike's violin a tremendous sense of presence. And she plays it with impressive mastery.
      Michael Scott Rohan, BBC Music Magazine *****
      This is an exceptionally fine reading of a testing concerto from a young British prodigy who has been unfussily maturing into a compelling violinist. She catches the sinuous ethereality of Sibelius's vision, and the loneliness as well, but there's plenty of passion where it matters and tremendous technical skill. The Bergen Philharmonic and Andrew Davis also offer a kind of Your Hundred Best Sibelius Tunes, including Karelia and Finlandia.
      Richard Morrison, The Times
      Of special note here is a gripping interpretation of the Violin Concerto by Jennifer Pike. The concerto's technical hurdles are surmounted consummately, but, even more important, Pike delves into the substance of the music to project its distinctive traits of emotional expression. The chill rhapsodising start gives way to shifts of darkness and light... Intensity, strength and malleability of tone, breadth of line and firmly focused bravura coalesce in the central Adagio and in the fearsome virtuosity of the finale, always underpinned by secure, stylistically aware musicianship.
      Geoffrey Norris, The Telegraph ****
    • Miklós Rózsa Violin Concerto
      BBC Philharmonic (December 2012)

      Jennifer Pike immediately evokes memories of Heifetz with her silver purity of sound and quicksilver agility, inflected by a narrow, medium-fast vibrato. What sets her apart, however, is the gentle cushioning of her lifted strokes, her enhanced dynamic range and radiantly seductive playing during the more lyrical episodes. Where Heifetz verges on the relentless in his virtuoso intensity and brilliance, Pike gives us more light and shade, especially welcome in the finale's playful dance rhythms, making this her finest recording yet.
      Julian Haylock, BBC Music Magazine *****
      Any collector looking for a thoroughly persuasive modern version of this lovely concerto need to look no further… Pike's way with this music is exceptionally satisfying.
      International Record Review
  • Photos

    • Photography Credit: Tom Barnes
      Photography Credit: Tom Barnes
    • Photography Credit: Tom Barnes
      Photography Credit: Tom Barnes
    • Photography Credit: Tom Barnes
      Photography Credit: Tom Barnes
    • Photography Credit: Tom Barnes
      Photography Credit: Tom Barnes
    • Photography Credit: Tom Barnes
      Photography Credit: Tom Barnes