Leonore Piano Trio is represented by Rayfield Allied Worldwide.

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Leonore Piano Trio

Chamber Ensemble

  • powerful with an expansive lush sound
    Waikato Times
  • sumptuous breadth and beguiling warmth […]Revelatory playing
    The Observer
  • Hard to imagine playing of a greater empathy […] The Leonores play with truly glorious affection and security
    Gramophone Magazine
  • Formed in 2012, the Leonore Trio brings together three internationally acclaimed artists whose piano trio performances as part of Ensemble 360 were met with such enthusiastic responses that they decided to form a piano trio in its own right.

    The Trio has since played throughout the UK, Italy and in New Zealand. Whilst in New Zealand they played to and coached a group of young musicians as part of the Sistema Aotearoa programme, and were adjudicators of the Royal Over-Seas League New Zealand Chamber Music Competition. Their concert in Hamilton was broadcast on Radio New Zealand.

    Recent highlights include recitals at Wigmore Hall, at the Stamford Arts Centre and at the Presteigne and Little Missenden Festivals, as well as the release of the Trio’s debut recording for Hyperion of the piano trios of Anton Arensky in March 2014. The disc received critical acclaim both nationally and internationally with praise for the Trio’s “revelatory playing” (The Observer) and “impressively wide range of timbres” (Limelight Magazine).

    The Leonore Trio’s members are keen exponents of contemporary music: they gave the first performance of Holkham Beach, a piece written for and dedicated to the Trio by Simon Rowland-Jones; and they play the piano trios of distinguished composers including David Matthews, Harrison Birtwistle and Huw Watkins.

    In 2015 the Trio performs the complete Beethoven Piano Trios at Kings Place and embarks on an even broader project including all the works by Beethoven for piano trio, piano and violin, and piano and cello, a selection of which they will perform in a series of six concerts as part of a Martin Randall weekend in Taunton. The Trio will play the complete cycle for Music in the Round in Sheffield later in the year.

    Future highlights also include UK recitals in London, Nottingham, Norwich and Leicester at venues including Wigmore Hall, Kings Place, and the Crucible Studio in Sheffield; and international dates at Bergen International Festival and at Oslo Concert Hall. The Leonore Trio’s second disc for Hyperion – a recording of Lalo’s piano trios – will be released in the summer.

    • Beethoven - Complete Piano Trios I and David Matthews’s Piano Trio No.1
      Kings Place, March 2015

      This was a fine performance, not least when the playing of the three musicians was so admirably dovetailed into the ensemble as a whole.
      Richard Whitehouse, Classical Source
    • Presteigne Festival
      August 2014

      The Leonore Trio’s concert gave us the energetic and virtuosic drama of Blackwood-born Huw Watkins’ Piano Trio (with the composer at the piano). But it was Mendelssohn’s First Piano Trio, which ended the programme that burnt itself into the memory. Fleet, nimble, light as a soufflé yet also exploding into searing drama and passion, it was a performance in a thousand, bringing a roar of approval from the audience at the close
      Peter Reynolds, Wales Online
    • Arensky’s Piano Trios Hyperion CDA68015
      3 March 2014

      the Leonore Trio do much to persuade us to listen anew to Arensky – too often dismissed as a lightweight Tchaikovsky – playing with sumptuous breadth and beguiling warmth in the first trio, and with appropriate seriousness of intent in the altogether graver second. Revelatory playing from Benjamin Nabarro, violin, Gemma Rosefield, cello, and Tim Horton, piano.
      The Observer ****
      The Leonores play with truly glorious affection and security, and it is hard to imagine playing of a greater empathy. Balance (there is no artificial highlighting) and sound are ideal.
      Gramophone ‘Choice’
      The Leonore Piano Trio offer an all-Arensky adventure [...] Masterly performance, handsomely recorded , with a range of tone-colours from pianist Tim Horton and a specially lovely lead back into the main melody of the F minor’s Romance from violinist Benjamin Nabarro
      BBC Music Magazine****
      These works make an admirable CD and one must applaud the performances of the Leonore ensemble in both, for it manages to capture their subtly varied essence and style ideally. The musicians here manage to hold the underlying pulse of the first movement of the D minor together without making it appear stiff or unnatural, at the same time as applying those myriad touches of refinement and expression without appearing contrived. In other words, in this difficult long movement (14 minutes) the attention is fully held, and in the succeeding three movements their playing is equally admirable – especially in the elegiac Adagio, where in the closing passage Gemma Rosefield’s cello tone is first-rate and in the finale displaying an admirable combination of varied emotional strengths and architectural expression. […] The Leonore Trio manages to extract an underlying vein of passionate commitment that sheds fresh light on the familiar, endlessly melodic line. The result is indeed fine.
      International Record Review 'Outstanding'
      Britain’s Leonore Piano Trio is outstanding in the two Arensky Piano Trios (Hyperion CDA68015). Anton Arensky’s Piano Trio No.1 in D minor Op.32 was written in 1894 and, in keeping with the commemorative nature of the piano trio form established by Tchaikovsky some 12 years earlier, was conceived as a memorial to the cellist Karl Davidoff, the director of the St. Petersburg Conservatory during Arensky’s student days there. The cello consequently has a very prominent part in the Trio. Pianist Tim Horton sets the stage with a beautiful opening; violinist Benjamin Nabarro adds a warm, sweet tone, especially in the lower register; and cellist Gemma Rosefield’s passionate playing leaves nothing to be desired. The Piano Trio in F Minor Op.73 dates from the early 1900s, not long before Arensky’s death in 1906 and at a time when the composer was in poor health. It’s another terrific work, and one that draws more outstanding playing from the Leonore ensemble. Among Arensky’s pupils in his harmony class at the Moscow Conservatory was Sergei Rachmaninov, and the latter’s Vocalise is presented here in an arrangement by Rachmaninov’s friend Julius Conus, who was also one of Arensky’s students at the Conservatory. Everything about this outstanding CD is just right: the works themselves; the great ensemble playing; the interpretations; the excellent dynamics and phrasing; and the real passion and sensitivity displayed throughout. Add the excellent balance and sound quality, and it’s a real winner.
      TheWholeNote.com
      [Arensky's] first piano trio is passionately performed – Benjamin Nabarro’s fine violin playing is particularly emotive throughout, giving the melodies just the right lilt. Arensky’s second trio is a darker and more serious work, giving the Leonore Trio plenty of opportunities to demonstrate nuanced playing [...] showcasing all three instrumentalists’ impressively wide range of timbres. Rachmaninov’s famous Vocalise is given a stirring performance here. I wholeheartedly look forward to the Leonore Piano Trio’s next CD!
      Paul Ballam-Cross, Limelight Magazine (Australia)
    • Gallagher Academy of Performing Arts, New Zealand
      14 November 2012

      The Royal Over-Seas League enables the best chamber music groups from universities to compete for a very substantial scholarship. This was the sixth consecutive year that the competition has been held at the Academy. It is tradition that some from the adjudicating panel perform at the opening concert; this year the judges performing were the Leonore Trio of Timothy Horton, Benjamin Nabarro and Gemma Rosefield. Haydn’s Piano Trio No 27 was played with all the characteristics of classical style; elegance, clarity, crispness and a sense of elastic tempi as Horton sparkled his way through the virtuoso piano part, allowing the accompaniment to meld into the background. In Ravel’s Piano Trio the ethereal hues and the reflective nuances captured the poignant moments. The Pantoum was exciting, while the Passacaille portrayed a bleaker terrain. The Finale was beautifully opulent with its warm lustres and full-bodied optimism. Holkham Beach by Simon Rowland-Jones was characterful as it traversed many moods which flowed almost seamlessly from one to the other; from the bleak to the scampering, from insecurity to fortitude and with a Presto full of energy and drama. Dvořák’s Piano Trio Op.65 was powerful with an expansive lush sound where Nabarro and Rosefield created a lovely blend and balance with the tuneful grazioso. The warmness and delicate phrasing of the Poco Adagio with its long legato lines were tinged with melancholy. The varieties of colours, energy and drive in the Allegro con brio were finely paced so that it built layers to its final climax. A great programme, a marvelous performance, what music making is all about. Make time to hear the finalists and scholarship winners in their concert on Friday 16th.
      Andrew Buchanan-Smart ,Waikato Times
  • Photos

    • Photographer credit: Eric Richmond
      Photographer credit: Eric Richmond
    • Photographer credit: Eric Richmond
      Photographer credit: Eric Richmond
    • Photographer credit: Eric Richmond
      Photographer credit: Eric Richmond