Michael Berkeley is represented by Rayfield Allied worldwide.

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Michael Berkeley

Composer

  • it bristles with wit and lyricism, while giving other composers and librettists a lesson in how to drape operatic tradition in modern clothes
    Andrew Clark, Financial Times
  • Cerebral, sometimes belligerent, though lightened with lyrical flights and delicate colours, it resounded splendidly through the Albert Hall.
    Geoff Brown, The Times
  • Berkeley's detailed and inventive score fizzed in frequent and sustained collision with the emotional charge of Rilke's verse
    Guy Dammann, The Guardian
  • Berkeley's imaginative orchestration holds the attention throughout
    George Hall, The Guardian
  • Michael Berkeley was born in 1948, the eldest son of the composer Sir Lennox Berkeley and a godson of Benjamin Britten. As a chorister at Westminster Cathedral, singing naturally played an important part in his early education.

    He studied composition, singing, and piano at the Royal Academy of Music but it was not until his late twenties, when he went to study with Richard Rodney Bennett, that Berkeley began to concentrate exclusively on composing. In 1977 he was awarded the Guinness Prize for Composition; two years later he was appointed Associate Composer to the Scottish Chamber Orchestra. Since then Berkeley’s music has been played all over the globe and by some of the world’s finest musicians.

    His work has been commissioned and performed by artists including Andre Previn, Sir Colin Davis, Mstislav Rostropovich, Heather Harper, John Harle, Nicholas Daniel, Huddersfield Festival, Cheltenham Festival, London Symphony Orchestra, BBC National Orchestra of Wales (where he was Composer in Association for three years), Carducci Quartet and Nash Ensemble. His music is regularly heard at the BBC Proms, where his commissions have included large-scale works The Garden of Earthly Delights, Songs of Awakening Love and Concerto for Orchestra.

    He has composed three operas; Baa Baa Black Sheep, premiered in 1993 and based on the childhood of Rudyard Kipling; Jane Eyre, his second collaboration with David Malouf, which has been produced in the UK, Australia and America; and most recently For You written to a libretto by Ian McEwan and commissioned by Music Theatre Wales which was also recorded by Signum Classics.

    Berkeley’s significant orchestral work, much of his chamber music and his operas, is available on CD as part of the Chandos Berkeley Edition.

    He has been was Artistic Director of the Cheltenham International Music Festival, where he premiered over a hundred new works and initiated a policy of having a contemporary work in every programme, built the music programme for the Sydney Festival in Australia for three years and, with Judith Weir and Anthony Payne, jointly directed the Spitalfields Festival. He has, for several years, been the featured composer for the New York Philharmusica. He currently presents Radio 3’s Private Passions, which won the Broadcasting Press Guild’s Radio Programme of the Year Award in 1996, and for nine years was Chairman of the Governors of The Royal Ballet until 2012. 

    Michael Berkeley was made a CBE for services to music in the Queen’s Birthday Honours published on June 16th 2012 and was appointed a non-party political member of the House of Lords in 2013.

    • ‘Haiku’ World Premiere, performed by pianist Clare Hammond
      Presteigne Festival, August 2016

      Michael Berkeley’s Haiku took the form of a series of sharply etched vignettes inspired by the contrasting movement of various birds encountered in the Welsh Marches. Astutely arranged, these glinting shards of material juxtaposed darting, hyperactive explosions of sound with more measured activity, ominously loitering.
      Musical Opinion
    • Clarion Call – Music for Septet and Octet
      Berkeley Ensemble, Resonus Classics (March 2014)

      The disc opens with the newest work, Michael Berkeley’ s 2013 Clarion Call and Gallop for septet which was written specially for the Berkeley Ensemble... A high spirited and buoyant piece, it has a very distinctive texture with much high clarinet writing against spikier textures from the other instruments with the whole having a lovely transparency and airiness, combined with a very strong character.
      Robert Hugill, Planet Hugill
    • Into the Ravine
      Carducci Quartet ,Signum Classics CD (February 2014)

      A study in the varied colours available from oboe and string quartet, reaching an intense unified climax.
      Anthony Burton, BBC Music Magazine
      Michael Berkeley’s finely wrought Oboe Quartet (2012) – a single movement spanning 18 minutes – is texturally transparent and plangent in expression.
      Edward Bhesania, The Strad
  • Michael Berkeley Catalougue

    Michael Berkeley Discography

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