-
Conductor
- Alexander Briger
- Nicholas Cleobury
- Francesco Corti
- Laurence Cummings
- Andrew Griffiths
- Marco Guidarini
- Elgar Howarth
- Nicholas Kok
- Robert Levin
- Andrea Licata
- Nicholas McGegan
- Andrew Parrott
- David Parry
- Geoffrey Paterson
- George Pehlivanian
- Emmanuel Plasson
- Thomas Rösner
- Tobias Ringborg
- Gennady Rozhdestvensky
- Yuri Simonov
- Pierre-André Valade
- Composer
- Stage director
- Designer
- Movement
- Soprano
- Mezzo-soprano
- Countertenor
- Tenor
- Baritone
- Bass-baritone
- Bass
- Piano
- Harpsichord
- Violin
- Viola
- Cello
- Clarinet
- Chamber Ensemble
- Vocal Ensemble
- Baroque Ensemble
Nicholas Mulroy is represented by Rayfield Allied worldwide.
Artist Manager:
.(JavaScript must be enabled to view this email address)
Artist Manager:
.(JavaScript must be enabled to view this email address)
Nicholas Mulroy
Tenor
-
tenor Nicholas Mulroy was a persuasive, airy-sounding Evangelist
Erica Jeal, The Guardian
-
Born in Liverpool, Nicholas Mulroy studied at Clare College Cambridge and Royal Academy of Music.
He regularly appears with leading ensembles throughout Europe, including Monteverdi Choir with Sir John Eliot Gardiner, Le Musiciens du Louvre with Marc Minkowski, Les concerts d’Astrée with Emmanuelle Haïm, Gabrieli Consort with Paul McCreesh as well as concerts with Orchestra of the Age of Enlightenment, Koelner Akademie, Dunedin Consort, Staatskapelle Dresden, Royal Scottish National Orchestra, English Chamber Orchestra, BBC Philharmonic, BBC Proms and Spitalfields Festival. Other conductors he has worked with include Laurence Cummings, Trevor Pinnock, Sir Colin Davis and Nicholas Kraemer.
On stage he has worked with Glyndebourne Festival Opera and on Tour, Opera Comique Paris and Theatre Capitole de Toulouse
Recordings include a Gramophone Award-winning Messiah with Dunedin Consort on Linn, and releases with Exaudi on NMC, King’s Consort on Hyperion and I Fagiolini on Chandos.
Future plans include performances with Gabrieli Consort, Polyphony, OAE, Copenhagen Philharmonic, Wroclaw Philharmonic and at the Opera de Lille.
-
-
St Matthew Passion
Dunedin ConsortIn his story-teller, he [Butt] has found an Evangelist with the candid vulnerability of Helmut Krebs. Yes Nicholas Mulroy brings his own striking naturalness of delivery, clarity of diction and honesty... The coloration explores, in microcosm, the Evangelist's own heartfelt identification with the drama into which he seems unwittingly drawn, and which heightens, almost unbearably, as the work unfolds
Jonathan Freeman-Attwood, Gramophone… his eight remarkable singers match spine-tingling tone with astonishing maturity. Nicholas Mulroy as Evangelist has a powerful dramatic sense, sometimes floating free of Bach's note values – he is mercilessly harsh when Jesus is spat upon – elsewhere meticulous: Peter’s denial would move the hardest heart... all confirmation of this as my new benchmark
BBC Music MagazineLed by Nicholas Mulroy's intensely dramatic yet compassionate Evangelist... In sum, a St Matthew of disarming emotional and dramatic immediacy
Richard Wigmore, The Daily Telegraph -
Christmas Oratorio
Monteverdi Choirthe tenor Nicholas Mulroy was a poignant Evangelist
Geoffrey Norris, Daily TelegraphI'd defy anyone to deny the Incarnation after hearing the tenor Nicholas Mulroy narrate that unique moment in powerfully persuasive recitative
Hilary Finch, The Timestenor Nicholas Mulroy was a persuasive, airy-sounding Evangelist
Erica Jeal, The GuardianNicholas Mulroy (tenor/Evangelist) narrated the Christmas story with crystalline diction and a pleasingly plangent tone
Hugh Canning, Sunday Times -
Acis and Galatea
Dunedin ConsortAll the soloists sing the chorus parts. The result is a wonderfully intimate reading, which bounces along with the spring and precision of a chamber performance. There is some world-class singing here: <...> Nicholas Mulroy makes an affecting Acis
Stephen Pritchard, The GuardianSusan Hamilton and Nicholas Mulroy successfully painted the bliss of the titular lovers in the first act through their succession of sweetly idyllic airs
Rowena Smith, The GuardianThe Act One love duet (Happy We) was cloudlessly voiced, and Mulroy was mellifluous in his aria Love In Her Eyes Sits Playing.
Conrad Wilson, Glasgow HeraldNicholas Mulroy's Acis is resonant and suave, combining muscularity and elegance.
David Vickers, Gramophone
-
-
Nicholas Mulroy’s Discography
Nicholas Mulroy’s Repertoire List
- BRITTEN
-
- Billy Budd (Novice)
- Albert Herring (Albert)
- Turn of the Screw (Peter Quint)
- Church Parables (various)
- Midsummer Night’s Dream (Flute)
- HANDEL
-
- Theodora (Septimius)
- Rodelinda (Grimoaldo)
- Ariodante (Lurcano)
- MONTEVERDI
-
- L’Orfeo (Orfeo, Pastore)
- L’Incoronazione di Poppea (Arnalta, Lucano)
- MOZART
-
- Magic Flute (Tamino, Monostatos)
- Cosi fan tutte (Ferrando)
- Don Giovanni (Don Ottavio)
- Die Entführung aus dem Serail (Belmonte)
- La Finta Giardiniera (Belfiore)
- POULENC
-
- Les Dialogues des Carmélites (Le Chevalier)
- PROKOFIEV
-
- Betrothal in a Monastery (Novice)
- RAMEAU
-
- Castor et Pollux (Castor)
- Dardanus (Dardanus)
- ROSSINI
-
- La Cenerentola (Ramiro)
- Il Barbiere di Siviglia (Almaviva)
- WEIR
-
- A Night at the Chinese Opera (Tenor Actor)
-
Photos
-