EXAUDI

Vocal Ensemble

"EXAUDI, the extraordinary ensemble of vocal virtuosi"

The Sunday Times

"12 musically superb and technically accomplished singers"

New York Times

"deftly convincing performances of dizzyingly complex works"

The Guardian

"the dazzle of EXAUDI’s vocal pyrotechnics"

Financial Times

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EXAUDI is one of the world’s leading vocal ensembles for new music. Founded by James Weeks (director) and Juliet Fraser (soprano) in 2002, EXAUDI is based in London and draws its singers from among the UK’s brightest vocal talents.

EXAUDI’s special affinity is for the radical edges of contemporary music, at home equally with maximal complexity, microtonality and experimental aesthetics. The newest new music is at the heart of its repertoire, and it has given national and world premières of Sciarrino, Rihm, Finnissy, Fox, Posadas, Oesterle, Crane, Eötvös, Ferneyhough, Gervasoni, Skempton, Ayres, Pesson, Poppe, Mažulis and Fox among many others. Through its commissioning scheme, EXAUDI is particularly committed to the music of its own generation and is proud to champion the work of significant voices including Aaron Cassidy, Evan Johnson, Bryn Harrison, Amber Priestley, Matthew Shlomowitz, Joanna Bailie, Cassandra Miller, Andrew Hamilton, James Weeks and Claudia Molitor.

EXAUDI is also strongly involved with the emerging generation of young composers, and regularly takes part in composer development schemes and residencies such as SaM Portfolio, Voix Nouvelles Royaumont, IRCAM Manifeste Academie and Aldeburgh composer residencies, as well as workshops at universities and conservatoires throughout the UK. EXAUDI has particularly strong links with the Guildhall School of Music & Drama and City, University of London, where it is an Ensemble in Residence.

EXAUDI’s many international engagements include Wittener Tage, Darmstadter Ferienkurse, Musica Viva (Munich), Muziekgebouw (Amsterdam), IRCAM (Paris), Festival d’Automne (Paris), Voix Nouvelles (Royaumont), Pharos (Cyprus), Musica (Strasbourg), MAfestival (Bruges), CDMC (Madrid), MITO Settembre (Milan/Turin), Fundaciò BBVA (Bilbao) and Quincena Musical (San Sebastiàn). The ensemble has also collaborated with many leading ensembles including musikFabrik, Ensemble Modern, L’Instant Donné, London Sinfonietta, BCMG, Talea (NY) and Ensemble InterContemporain.

EXAUDI has appeared at many leading UK venues and festivals, including Spitalfields, BBC Proms, Aldeburgh, City of London, Bath, FuseLeeds, Manchester International Festival and Huddersfield Contemporary Music Festivals, Wigmore Hall, Café OTO, Kings Place and South Bank. EXAUDI broadcasts regularly on BBC Radio 3 and European radio stations, and has released eleven critically acclaimed recordings on the NMC, ÆON, Métier, Winter&Winter, Mode, Confront and HCR labels. Their recent recordings of Gérard Pesson’s Cantate = Pays and Michael Finnissy’s Cipriano, Tom Fool’s Wooing, Kelir and Gesualdo: Libro Sesto will be released in 2018-19.

Future projects for 2018 include residencies at Time of Music (Viitasaari Finla), Voix Nouvelles (Royaumont) and hcmf, and recordings of Jürg Frey, Gesualdo and Sciarrino..

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James Weeks: Mala Punica, Walled Garden

Winter & Winter

finespun music by James Weeks, performed by his peerless vocal ensemble Exaudi and the excellent instrumentalists of the Netherlands-based Hortus Ensemble…There’s a refinement and definition to the writing that sounds just right in Exaudi’s chiselled-but-definitely-not-chaste delivery.

Kate Molleson, The Guardian

BBC Proms: Open Ear, Tanks at Tate Modern

September 2017

Standing head-and-shoulders above everything was Cassandra Miller’s Guide, which was inspired by a 1960 recording of a Southern Baptist hymn. The eight voices of the choir Exaudi recreated the hymn, each in their own way, creating a beautiful and moving sense of multitudes of voices raised in rapt, quiet praise.

John Allison, The Telegraph

Michael Finnissy: vocal works 1974-2015

Winter & Winter

Their breathtaking stamina never dies, no matter what contemporary composers hurl their way. Such as Michael Finnissy, a master of jagged onslaughts and the dissonant labyrinth, but a master too of the ruggedly expressive, certainly in his madrigal cycle Gesualdo: Libro Sesto, the new album’s highlight. Such is the power of these performances that after each work I felt I ought to plunge my head under a tap, then sit in silence for ten minutes.

Geoff Brown, The Times

Exaudi prove once again what a skilled ensemble they are, bringing vividly to life contemporary music of complexity, enabling listeners to understand and appreciate the composer’s vision.

Martin Cullingford, Gramophone (Editor's Choice)

This is one of those recordings where composer and performers seem uniquely matched. One senses a degree of commitment that is rare even from an ensemble that isn’t known for pulling its punches…the interplay of these sonorities really is extraordinary. That the essential character of all seven pieces can be recalled after just one hearing testifies to their impact and cogency. The cycle also shows that Exaudi’s virtuosity doesn’t just hit you between the eyes; it runs deep.

Fabrice Fitch, Gramophone

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