Dame Sarah Connolly

Mezzo-soprano

""Whatever she sings, you get singing straight from the heart.""

The Times

"Sarah Connolly made every word tell in all her notes."

The Arts Desk

"She has a mezzo-soprano voice that you suspect would sound excellent wherever you heard it, a wine-rich instrument with a shimmering, lustrous top and a throbbing lower register. She brings refinement and insight to everything she sings."

The Times

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Sarah Connolly was made a DBE in the 2017 Birthday Honours, having previously been awarded a CBE in the 2010 New Year Honours. In 2020 she was made an Honorary Member of the Royal Philharmonic Society in recognition of her outstanding services to music.

In 2023 she was awarded The King’s Medal for Music, an award given annually to an outstanding individual or group of musicians who have had a major influence on the musical life of the nation.

She has sung at the Aldeburgh, Edinburgh, Lucerne, Salzburg and Tanglewood Festivals and the BBC Proms where, in 2009, she was a soloist at the Last Night. Opera engagements have taken her around the world from the Metropolitan Opera to the Royal Opera House, the Paris Opera, La Scala Milan, the Vienna and Munich State Operas and the Bayreuth, Glyndebourne and Aix-en-Provence Festivals.

Highlights in her 2025/26 season include Jocasta Oedipus Rex for The Norwegian Opera & Ballet and Mrs. Patrick De Rocher Dead Man Walking for the English National Opera.

On the concert platform she sings Messiah with the Monteverdi Choir and Orchestra/Christophe Rousset, The Dream of Gerontius with the Tampere Philharmonic Orchestra/Matthew Halls, Mahler's Symphony no. 2 with the Naples Philharmonic Orchestra/Alexander Shelley and the Aalborg Symfoniorkester/Joshua Weilerstein and his Kindertotenlieder with the Slovenian Philharmonic Orchestra/Joel Sandelson and his Lieder eines fahrenden Gesellen with the Symphony Orchestra of India/Martyn Brabbins.

Dame Sarah is a Vocal Professor and Fellow at her alma mater the Royal College of Music, a Trustee of the Countess of Munster Musical Trust, and Ambassador for the Monteverdi Choir and Orchestras' Apprentices Programme.

This biography is for information only and should not be reproduced.

MENDELSSOHN Elijah

Barbican Centre, Jan 2024

"When was Elijah last so strongly cast? Dame Sarah Connolly is still the first name on the team-sheet for such works, her mezzo-soprano well able to encompass the designated alto roles with her usual care for the music’s meaning."

Bachtrack

"Mezzo-soprano Sarah Connolly brought warm tone, lovely flexibility and a sense of investment in the words"

Planet Hugill

"Sarah Connolly made every word tell in all her notes."

The Arts Desk

MAHLER Rückert-Lieder, Lieder eines fahrenden Gesellen, Kindertotenlieder

Signum Classics CD, Jul 2023

"Whatever she sings, you get singing straight from the heart."

The Times

"I am in awe of Connolly’s subtle variety of mood and feel across these songs."

The Arts Desk

"Sarah Connolly is perfectly attuned to Mahler’s music and consistently identifies with the words in an ideal fashion."

Music Web International

Elgar - Live at the Cutty Sark

Platoon EP, Apr 2020

"But the highlight of the programme - and the series - comes just before that, when Sarah Connolly sings Elgar's Sea Pictures. Connolly easily assumes the mantle of Janet Baker before her, finding meaning and colour in each word (every syllable is perfectly clear, even without subtitles)...Connolly soars nobly above - that shaded, effortlessly expressive mezzo sounding more heartfelt and eloquent than ever. The ending of 'Sabbath Morning at Sea' is positively exalted."

Richard Bratby, Gramophone

DVOŘÁK Rusalka (Ježibaba)

Royal Opera House, Feb 2023

"Connolly owned the role of her mystical, powerful character. Ježibaba requires a wide vocal range, too, and Connolly was magnificent throughout."

Colin Clarke, The Classical Explorer

"Ježibaba the witch becomes a “wise, eternal spirit” in Sarah Connolly’s splendidly vamp-like incarnation."

Nicholas Kenyon, The Telegraph

"Jezibaba, formerly known as a witch, becomes a “wise, eternal spirit”; her dignity suggested in Sarah Connolly’s restrained interpretation."

Barry Millington, Evening Standard

Dame Sarah Connolly's Opera repertoire

Bellini

Romeo, I Capuleti e i Montecchi

Berg

Geschwitz, Lulu

Berlioz

Didon, Les Troyens

Brett Dean

Gertrude, Hamlet

Charpentier

Title role, Medée

Donizetti

Title role, Maria Stuarda

Gluck

Title role, Orfeo

Handel

Title role, Agrippina


Ruggiero, Alcina


Cyrus, Belshazzar


Title role, Giulio Cesare


Sorge, Jephtha


Israelitish Man, Judas Maccabeus


Messiah


Irene, Theodora


Title role, Serse


David, Saul


Title role, Solomon

Holst

Savitri

Honnegger

Jeanne d’Arc au Bucher

J.S. Bach

Cantatas 


Christmas Oratorio 


St. John Passion 


St Matthew Passion

Janáček

The Diary of one who Disappeared

Massenet

Charlotte, Werther

Monteverdi

Nerone, L’incoronzazione di Poppea

Mozart

Sesto, La clemenza di Tito

Offenbach

Title role, Fantasio

Poulenc

Mère Marie - Dialogues des Carmélites

Puccini

Zia Principessa, Suor Angelica

Purcell

Dido, Dido & Aeneas

Rameau

Phèdre, Hippolyte et Aricie

Schoenberg

Waldtaube, Gurrelieder

Turnage

Susie, The Silver Tassie

Wagner

Waltraute, Götterdämmerung


Fricka, Das Rheingold


Fricka, Die Walküre

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Offenbach Fantasio
Rameau 'Hippolyte et Aricie' DVD
Bach St John Passion
Mahler Symphony no. 3
Mahler Symphony no. 2
Britten 'The Rape of Lucretia' DVD
Mendelssohn Elijah
Purcell 'Dido and Aeneas' DVD
'My True Love Hath My Heart'
Schumann 'Songs of Love and Loss'
Mahler Das Lied von der Erde
Elgar 'Sea Pictures' and 'The Music Makers'
Mahler Lieder eines Fahrenden Gesellen
Mahler Des Knaben Wunderhorn
Handel Giulio Cesare
Handel Saul
Handel Duets
Britten 'Phaedra' and 'A Charm of Lullabies'
Come to Me in My Dreams
The Complete Songs of Duparc
Frank Bridge and Benjamin Britten
Live at the Cutty Sark
Mahler Rückert-Lieder
The World Feels Dusty