A previous BBC New Generation Artist and Royal Academy of Music graduate, Irish tenor Robin Tritschler is acclaimed for his "radiantly lyrical" voice, garnering praise from critics and audiences alike.
This season Robin sings concert performances of Purcell’s King Arthur with Le Concert Spirituel and Hervé Niquet in Paris and Bordeaux, Bach's Christmas Oratorio with the Wiener Symphoniker and Fabio Biondi, Mozart's Great Mass in C minor with the Gulbenkian Orchestra and Sofi Jeannin and Mendelssohn’s Lobgesang with the Västerås Sinfonietta and Simon Crawford-Philips. Robin will also give a recitals with Magnus Svensson at the Konserthuset Stockholm and with Iain Burnside at Wigmore Hall and the Ludlow English Song Weekend.
Recent highlights have included Monteverdi’s Vespers with Ensemble Pygmalion and Raphaël Pichon, Beethoven’s 9th Symphony in the Paris Philharmonie, performances with Scottish Chamber Orchestra under Václav Luks, the Antwerp Symphony Orchestra, and Bartok’s Cantana Profana with the BBCSO under Dalia Stasevska. Robin made his debut at the Seoul Arts Center in the premiere of The Rising World and at the PyeongChang Festival with concerts of Britten’s Serenade and The Turn of the Screw. Robin also made his Australian recital debut at Ukaria with Olli Mustonen, and returned to Wigmore Hall, London.
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Recital | Jonathan Ware
Wigmore Hall / Jan 2025
A singer’s enchanting Greek odyssey
... the sweetness of Tritschler’s tone was revealed in Der zürnenden Diana, his dramatic flair in Atys. And while one might have wished for greater spontaneity, there was no faulting Tritschler’s crisp enunciation and Ware’s eloquent accompaniment.
The finest discoveries came in the second half and coincided with Tritschler finding fresh ease and flexibility that lifted the performance to its best.
Tritschler and Ware tapped into their turbulence, atmosphere and drama.
The Times
Bruckner Symphony no. 9 | Nathalie Stutzmann | London Symphony Orchestra
Barbican / Feb 2024
...and the tenor Robin Tritschler took his starring role with an appealing, Schubertian vitality, well supported by Lucy Crowe, Anna Stéphany and Alexander Tsymbalyuk.
Peter Quantrill, BachTrack
The quartet of soloists, led by Robin Tritschler’s powerfully projected tenor…
Erica Jeal, The Guardian
St Matthew's Passion | Alessandro de Marchi | Sinfonieorchester Basel
Theater Basel / Mar 2022
Robin Tritschler, the evangelist’s singer, acts as director, for whom his light tenor in the mixture of soft sound and concise articulation is ideal.
Arcgyworldys
Recording | Songs for Peter Pears | Signum Classics
Jun 2024
[Tritschler’s voice] is lovelier in timbre, brighter on top as well as lighter in weight—he is that rare bird nowadays, a real artist who understands words, articulates them clearly, and knows how to shape phrases in a way that is both musical and inherently dramatic...In short, he is an excellent singer and one whose work it is a distinct pleasure to listen to.
This is clearly the finest vocal recital disc of the year and one of the finest of this decade.
The Art Music Lounge
A hearty welcome to this exceptionally stimulating programme, devised – and essayed with penetrating insight – by Robin Tritschler. With his mellifluous tone, flawless technical prowess and impeccable diction, the Irish tenor covers himself in glory throughout.
...you have a release that is guaranteed to provide lasting rewards.
Gramophone
This is a powerful and rewarding release.
... I still listened with plenty of pleasure, buoyed by Tritschler’s intelligence, the music, and its multiple shades of feeling...
The Times
Recital | UKARIA 24 | Olli Mustonen
UKARIA, Adelaide Australia / Oct 2024
Singing this was Irish tenor Robin Tritschler, and what a wonderful artist he is. He painted a seething picture of the demigod Väinämöinen wrangling with various mythological creatures from the North with huge intensity.
In Review
Handel's Messiah | Hervé Niquet | Le Concert Spirituel
Théâtre des Champs Elysées / Dec 2024
The emotion generated by Robin Tritschler’s performances is justified not only by the accuracy of his singing and the sense of gravitas with which he imbues his live performances, but also by the humility and sincerity that emerge as he gives free rein to the expression of the different “voices” that come to life through his beautiful vocal instrument. A real bijou that we regret knowing so little about in France.
Opera Diary
Robin Tritschler's Concert repertoire
| J.S. Bach | Christmas Oratorio Magnificat Lutherian Masses 235, 236 Mass in B minor St John Passion St Matthew Passion |
|---|---|
| Beethoven | Mass in C major Symphony No. 9 |
| Berlioz | L’enfance du Christ |
| Britten | Canticle III Op 55 Canticle II Op 51 Les Illuminations Nocturne Saint Nicolas Serenade for Tenor, Horn and Strings War Requiem |
| Charpentier | Messe de Minuit pour Noel |
| Dvořák | Mass in D major Stabat Mater |
| Finzi | Dies Natalis |
| Gounod | Messe Solenelle |
| Handel | Acis and Galatea Dixit Dominus Israel in Egypt Messiah |
| Haydn | Acis and Galatea Dixit Dominus Israel in Egypt Messiah |
| Honegger | Le Roi David |
| Kverno | St Matthew Passion |
| Lehár | Fieber |
| Mozart | Mass in C KV 317 Mass in C KV 427 Requiem Mass Vesperae solennes de confessore |
| Rossini | Oratorio de Noel Petite Solenelle |
| Schubert | Mass in A flat Mass in E flat |
| Stainer | The Crucifixion |
| Stravinsky | In Memoriam Dylan Thomas |
| Williams | On Wenlock Edge |
Robin Tritschler's Opera repertoire
| Beethoven | Jaquino, Fidelio |
|---|---|
| Donizetti | Nemorino, L'elisir d'amore |
| Janáček | Janek, The Makropolous Case |
| Mozart | Belmonte, Die Entführung aus dem Serail Sultan Solimann, Zaïde Marzio, Mitridate Don Ottavio, Don Giovanni Ferrando, Così fan tutte |
| Rossini | Almaviva, Il barbiere di Siviglia |
| Richard Strauss | Narraboth, Salome |
| Verdi | Roderigo, Otello |
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