Rowan Hellier is represented by Rayfield Allied worldwide.

Artist Manager:
.(JavaScript must be enabled to view this email address)

Assistant Artist Manager:
.(JavaScript must be enabled to view this email address)

Rowan Hellier

Mezzo-soprano

  • Sung with fierce sweetness by Hellier
    Anna Picard, The Independent
  • There was a real intensity here, from the almost aggressive purity of Rowan Hellier's Lucretia
    Robert Thicknesse, Opera Now
  • sung with a real sense of celebration by Rowan Hellier
    The Independent
  • In the title role, Rowan Hellier switched from long-suffering devotion, to impassioned rejection of Tarquinius's demands, to all-consuming guilt, her maturing Mezzo richly expressive
    Margaret Davies, Opera Magazine
  • And at the centre of everything, the Lucretia of the young Scottish mezzo Rowan Hellier is totally gripping, neurotically yet credibly acted, superbly sung in a rich, expressive contralto-like timbre
    Richard Morrison, The Times
  • Rowan Hellier gave a stand-out performance as the Drummer.
    Rebecca Schmid, Opera Today
  • Rowan Hellier as Cherubino gave a fine performance and genuinely seemed to be enjoying all the frivolity of her role – even the masquerade
    Primi Divi
  • Scottish Mezzo Soprano Rowan Hellier is currently a member of the International Opera Studio at the Berlin Staatsoper Unter den Linden.  She studied at both the Royal Scottish Academy of Music and Drama and the Guildhall School of Music and Drama.

    Rowan recently made her debut at the Berlin Staatsoper in the role of Zweite Dame Die Zauberflöte. She has also sung Annina La Traviata for the Berlin Staatsoper, Cecilio in Mozart’s Lucio Silla for the Classical Opera Company, Dido Dido and Aeneas at the Queen’s Chapel, London, Lucretia in The Rape of Lucretia for British Youth Opera, Cherubino Le Nozze di Figaro for Welsh National Opera, Sesto Giulio Cesare with the Orchestra of the Age of Enlightenment at the Santiago de Compostela Festival, Mercedes Carmen with Diva Opera and Haddo House Opera, and covered the roles of Dorabella Cosi fan tutte, Hänsel Hänsel und Gretel, Sesto Giulio Cesare and Kitchen Boy Rusalka for Glyndebourne Festival Opera. Whilst at the Guildhall she sang the roles of Zweite Dame, Mazet La Colombe, Balkis La Rencontre Imprevue and Lola Cavalleria Rusticana in the Barbican Hall. She has worked with leading conductors such as Laurence Cummings, Julien Salemkour, Nicholas Collon, Omer Meir Wellber, Stephen Barlow and Vladimir Jurowski.

    Rowan is an active recitalist and concert artist. She performed Elgar’s incidental music for Grania and Diarmid with the BBC Symphony Orchestra for BBC Radio 3, Judith Weir’s woman.life.song at both the Bregenz Festival (recorded for Austrian and German radio broadcast) and LSO St. Luke’s (recorded for BBC Radio 3 broadcast). She has given recitals for Opéra de Lille, the Oxford Lieder Festival singing Mahler’s Des Knaben Wunderhorn and Schumann’s Frauenliebe und Leben, and Perth Festival of the Arts. Oratorio performances include Handel’s Messiah, Rossini’s Stabat Mater, Verdi’s Requiem and Beethoven’s Missa Solemnis.

    Recent and future engagements include the role of Hirt Tosca and Kate Pinkerton Madama Butterfly, Der Trommler Der Kaiser von Atlantis and the title role in Vanitas for the Berlin Staatsoper, including a performance at the Hamburg Staatsoper.

    • Der Kaiser von Atlantis (The Drummer)
      Staatsoper Berlin (February 2013)

      Rowan Hellier gave a stand-out performance as the Drummer.
      Rebecca Schmid, Opera Today
      The Drummer, the almost dramatically haunting contralto Rowan Hellier, was played like a fragile action figures.
      Irene Constantin, Neues Deutschland
      [Rowan Hellier as] the singing Drummer was vocally excellent
      Udo Badelt, Der Tagesspiegel
      There was excellent support from mezzo-soprano Rowan Hellier as the Drummer.
      Ingrid Wanja, Der Opernfreund
    • Carmen (Carmen Highlights), The Gannochy Trust’s 75th Birthday Concert
      Perth Concert Hall (June 2012)

      Rowan Hellier, dressed in a bright scarlet satin dress carrying a red carnation, sang the Habanera and Seguedilla simply beautifully.
      David Smythe, BachTrack
      Extracts from Bizet's Carmen, featuring superb Perth-born mezzo Rowan Hellier in the title role.
      Michael Tumelty, The Herald Scotland
    • Cecilio (Mozart’s Lucio Silla), Classical Opera Company,
      Cadogan Hall, London (March 2012)

      Rowan Hellier as Cecilio is a strongly focused, bright-hued mezzo.
      Hilary Finch, The Times
      Rowan Hellier, as Cecilio, delivered the other really excellent performance of the evening and was the singer that impressed me the most. She possesses a wide mezzo range, with a dark edge in the lower register and clear, easy high notes in the top of her voice, which she is capable of sustaining above the orchestra with remarkable ease. Her tone is warm and varied and she also displayed an elegant, delicate legato line, particularly during her final aria.
      Margarida Mota-Bull, Seen and Heard International
      [Rowan Hellier’s] mezzo…was agile, characterful and almost casually virtuosic.
      Peter Reed, Classical Source
      Rowan Hellier as the hero Cecilio...won over the audience completely with her extraordinarily warm voice, which has an astonishingly beautiful and introspective quality to it.
      Tullia Giersberg, British Society for Eighteenth-Century Studies
    • Lucretia (The Rape of Lucretia), British Youth Opera
      (September 2011)

      And at the centre of everything, the Lucretia of the young Scottish mezzo Rowan Hellier is totally gripping, neurotically yet credibly acted, superbly sung in a rich, expressive contralto-like timbre.
      Richard Morrison, The Times
      There was a real intensity here, from the almost aggressive purity of Rowan Hellier's Lucretia
      Robert Thicknesse, Opera Now
      In the title role, Rowan Hellier switched from long-suffering devotion, to impassioned rejection of Tarquinius's demands, to all-consuming guilt, her maturing Mezzo richly expressive.
      Margaret Davies, Opera Magazine
      Sung with fierce sweetness by Hellier
      Anna Picard, The Independent
      Rowan Hellier manages the even harder feat of representing the violated Lucretia in terminal meltdown.
      George Hall, The Guardian
    • Cherubino (Le Nozze di Figaro)
      WNO

      ...a fine Cherubino from Rowan Hellier
      Crackerjack
      Rowan Hellier as Cherubino gave a fine performance and genuinely seemed to be enjoying all the frivolity of her role – even the masquerade
      Primi Divi
    • Oxford Lieder Festival
      (October 2009)

      Hellier’s sublime performance of Brahms’s famous lullaby was a highlight...Hellier demonstrated both vocal and dramatic prowess to give compelling accounts of these songs
      The Oxford Times
    • woman.life.song (by Judith Weir)
      Barbican

      sung with a real sense of celebration by Rowan Hellier
      The Independent
  • Photos

    • Photographer credit: Eric Richmond Photography
      Photographer credit: Eric Richmond Photography
    • Photographer credit: Eric Richmond Photography
      Photographer credit: Eric Richmond Photography
    • Photographer credit: Eric Richmond Photography
      Photographer credit: Eric Richmond Photography
    • Photographer credit: Eric Richmond Photography
      Photographer credit: Eric Richmond Photography