"...the fine acoustics of the Theatre in the Woods allowed the score to ignite in a noisy, combustible performance under Gianluca Marcianò..."
"...the unstoppably inventive, crackingly energetic, multilingual, unblushingly enthusiastic and seemingly tireless Italian conductor Gianluca Marcianò."
"From the first bars of the prelude it became evident that the favourable reviews weren’t exaggerated. When listening to Marciano, one felt in direct contact with the music and touched by its immediacy."
Italian conductor Gianluca Marcianò has been increasingly in demand since his operatic debut with Croatian National Opera in 2007. Praised in the Sunday Times for his “unfailingly theatrical and idiomatic conducting”, Marcianò has strong ties with the opera houses in Oviedo, Minsk, Tbilisi and Yerevan, and within the UK, English National Opera, Grange Park Opera, Longborough Opera and the English Chamber Orchestra.
Marcianò is currently Artistic Director of the Al Bustan Festival in Beirut, where he has conducted works including Cherubini's Médée, Rossini's Stabat Mater and Berlioz' La Mort de Cléopâtre. He is also founder and Artistic Director of the Festival Suoni dal Golfo in Lerici and Principal Guest Conductor of the National Academic Bolshoi Theatre of Belarus.
Other recent engagements include Turandot and Nabucco for Ópera de Oviedo; La traviata, Madama Butterfly and La bohème for the Lithuanian National Opera; Tosca for Grange Park Opera; Nabucco for the Chelsea Opera Group; Elgar’s Symphony No. 1 in Tokyo; Pagliacci in Moscow and Ernani and La traviata for Lithuanian National Opera.
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Grange Park Opera, June 2019
Gianluca Marciano conducted with pace and insight, persuading the orchestra of English National Opera to show their best Italianate fervour. Crowd scenes and auto-da-fé proved overwhelming, while the private episodes were intense and communicative.
Fiona Maddocks, The Guardian, 15 June 2019
The English National Opera Orchestra under the baton of Gianluca Marcianò keeps a taut, flowing pace. Its exemplary support of the singers means that voices are never overwhelmed. The nuanced playing makes it possible to relish Verdi’s orchestration all the more, both when it melds with the singing and in the magnificent instrumental sections.
Valeria Vescina, Seen and Heard International, 8 June 2019
In the pit, Gianluca Marciano prized the impetus and impulse of this final version of the opera, and he and the orchestra kept the drama moving without ever making us feel rushed. The orchestra was on top form, thrilling in the big moments yet able to scale things back and the performance never threatened to overbalance what is essentially an intimate account of Verdi's grandest opera.
Robert Hugill, Opera Today, 10 June 2019
wonderfully supported by the orchestra of the English National Opera under the vibrant baton of Gianluca Marciano, who conducted the same production three years ago.
Mark Ronan, The Article, 10 June 2019
... no such imbalance came from the performance of the English National Opera Orchestra under the baton of Gianluca Marciano. In fact, the quality of the playing and the inspired direction were among the evening’s chief pleasures – along with the rose gardens all around, still idyllic despite the dripping rain.
Melanie Eskenazi, musicOMH, 17 June 2019
...the fine acoustics of the Theatre in the Woods allowed the score to ignite in a noisy, combustible performance under Gianluca Marcianò...
Mark Pullinger, Opera magazine, August 2019
The Hallé cond. Gianluca Marcianò / Momento Immobile
Rubicon; RCD1021 / release date 26 October 2018
The Halle, conducted by Gianluca Marciano, are sympathetic collaborators throughout
BBC Music Magazine, January 2019
Un ballo in maschera
Grange Park Opera, June 2018
Musically it’s smooth sailing, thanks in no small part to the superb playing of the Orchestra of English National Opera - in residence for the season - under the assured guidance of conductor Gianluca Marciano. Marciano wrings every ounce of drama from the score, from the quietest motivic and coloristic gestures to the most terrifying monumental climaxes, and he paces the drama discerningly; the dramatic sweep from Amelia’s drawing of the name of the conspirator who will be Riccardo’s assassin to the final tragic moments was compelling.
Claire Seymour, Opera Today
Gianluca Marcianò, who has virtually become Grange Park’s house conductor in the Italian repertoire, was able to put his trust in the ENO Orchestra’s inbuilt experience in accompanying singers, allowing them the space to shine. Marcianò not only drew out the score’s sonic subtleties but also paced its almost Shakespearean interplay of light and dark with admirable expertise.
Matthew Rye, Bachtrack
Marvels arose from the orchestra pit as the English National Opera Orchestra made its GPO debut under the assured baton of Gianluca Marciano.
Mark Valencia, WhatsOnStage
With ENO’s orchestra making its first appearance in the Grange Park pit this summer as part of a new collaboration, conductor Gianluca Marcianò brought genuine Verdian sweep to an interpretation equally notable for dynamism and precision.
George Hall, Financial Times