"From the first bars of the prelude it became evident that the favourable reviews weren’t exaggerated. When listening to Marciano, one felt in direct contact with the music and touched by its immediacy."
"Gianluca Marcianò conducted the BBC Concert Orchestra with a bright, clear, highly-energized zest that was Italian to the core."
"The show’s other main joy is Gianluca Marcianò’s unfailingly theatrical and idiomatic conducting."
Italian conductor Gianluca Marcianò has been increasingly in demand since his operatic debut with Croatian National Opera in 2007. Praised in the Sunday Times for his “unfailingly theatrical and idiomatic conducting”, Marcianò has strong ties with the opera houses in Oviedo, Minsk, Tbilisi and Yerevan, and within the UK, English National Opera, Grange Park Opera, Longborough Opera and the English Chamber Orchestra.
Marcianò is currently Principal Conductor of the Serbian National Theatre in Novi Sad, Serbia. He is also Artistic Director of the Al Bustan Festival in Beirut, where he has conducted works including Cherubini's Médée, Rossini's Stabat Mater and Berlioz' La Mort de Cléopâtre. He is also founder and Artistic Director of the Festival Suoni dal Golfo in Lerici and Principal Guest Conductor of the National Academic Bolshoi Theatre of Belarus.
Other recent engagements include Turandot and Nabucco for Ópera de Oviedo; La traviata, Madama Butterfly and La bohème for the Lithuanian National Opera; Tosca for Grange Park Opera; Nabucco for the Chelsea Opera Group; Elgar’s Symphony No. 1 in Tokyo; Pagliacci in Moscow and Ernani and La traviata for Lithuanian National Opera.
This biography is for information only and should not be reproduced.
Un ballo in maschera
Grange Park Opera, June 2018
Musically it’s smooth sailing, thanks in no small part to the superb playing of the Orchestra of English National Opera - in residence for the season - under the assured guidance of conductor Gianluca Marciano. Marciano wrings every ounce of drama from the score, from the quietest motivic and coloristic gestures to the most terrifying monumental climaxes, and he paces the drama discerningly; the dramatic sweep from Amelia’s drawing of the name of the conspirator who will be Riccardo’s assassin to the final tragic moments was compelling.
Claire Seymour, Opera Today
Gianluca Marcianò, who has virtually become Grange Park’s house conductor in the Italian repertoire, was able to put his trust in the ENO Orchestra’s inbuilt experience in accompanying singers, allowing them the space to shine. Marcianò not only drew out the score’s sonic subtleties but also paced its almost Shakespearean interplay of light and dark with admirable expertise.
Matthew Rye, Bachtrack
Marvels arose from the orchestra pit as the English National Opera Orchestra made its GPO debut under the assured baton of Gianluca Marciano.
Mark Valencia, WhatsOnStage
With ENO’s orchestra making its first appearance in the Grange Park pit this summer as part of a new collaboration, conductor Gianluca Marcianò brought genuine Verdian sweep to an interpretation equally notable for dynamism and precision.
George Hall, Financial Times