"Among other standouts in the excellent cast were the bright tenor Hubert Francis as the preening, self-assured Drum Major;"
Anthony Tommasini, New York Times
"Hubert Francis’s sinister Spoletta caught the eye."
"Le ténor Hubert Francis, avec sa voix puissante et bien projetée, parvient à élever le personnage de Goro au dessus de la caricature."
Emmanuel Andrieu, Classiqueinfo.com
"Hubert Francis, dressed in an absurd golfing outfit, performed well as the Drum Major, Marie’s lover."
Peter McMullin, Whatsonstage
"On relèvera également la belle prestation de Francis Hubert en Goro des plus sournois."
Claudio Poloni, Concertonet
"Hubert Francis (Goro) was excellent."
Nicolas Blanmont, Opera Magazine
"...Hubert Francis repeated (his) sharply etched Spoletta."
"The other standout of the night is the Herod of Hubert Francis, impeccably sung, with a clownish charisma and exuberant physicality."
Ewart Shaw, The Advertiser
"Hubert Francis negotiated Mao Tse-tung’s high tessitura with fluent ease."
Ian Fox, Opera
UK-based Australian tenor, Hubert (Hugh) Francis begins the 2016-17 season with several ensemble roles in a new production of The Nose at The Royal Opera House, Covent Garden; he later takes on the challenging parts of Lucas and Raoul (c) The Exterminating Angel also at Covent Garden .
Highlights of recent seasons include his appearance with Karita Mattila as the Hauptmann Wozzeck at Helsinki Festival; the role of Herod Salome at State Opera of South Australia; and as Chairman Mao Nixon in China for Opera Wide Open’s inaugural production in Dublin. He won outstanding reviews for his performance as Shuisky Boris Godunov with the Philharmonia Orchestra under the baton of Jakub Hrůša.
Other recent successes include his appearance in the role of Herod Salome in a production by State Opera of South Australia, and his engagement at De Nederlands Opera as First Croupier The Gambler in a new production by Andrea Breth. He appeared in Dublin in the role of Chairman Mao Nixon in China for Opera Wide Open’s inaugural production.
Enjoying a long relationship with The Royal Opera House Covent Garden, the artist began his career there in 2002-04 as a member of the young artist programme, appearing as Male Chorus The Rape of Lucretia, Harlekin Der Kaiser von Atlantis, Trin La Fanciulla del West, Third Jew/Second Jew Salome and Loge (c) Das Rheingold in Keith Warner’s recent Ring Cycle. Since then his ROH appearances have been frequent, and include First Croupier The Gambler, Toby Higgins The Rise and Fall of the City of Mahagonny, Der Bucklige Frau ohne Schatten, Shuisky (c) Boris Godunov and Lajos Oedipe. Perhaps his most notable appearance is as Spoletta Tosca, a role he sings often and which can be seen on DVD in Covent Garden’s new production starring Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel.
This biography is for information only and should not be reproduced.
Oedipe, Royal Opera House
Hubert Francis played a dignified Laios.
Opera Now July/August 2016, Owen Mortimer
Wozzeck, Helsinki Festival
Hubert Francis had the most physical role as the grotesquely fidgeting captain.
Jukka Isopuro, HS (30 Aug 2015)
Boris Godunov, Philharmonia Orchestra
The tenor of Hubert Francis was delectably slimy and slithery as Shuysky ... This daring and accomplished semi-staging, strong as a shot of vodka...
Hilary Finch, The Times
The singer who made the biggest impression was Hubert Francis in the role of the slippery boyar Prince Shuisky. Rolling his tongue around the Russian text with relish, he presented exactly the extrovert characterisation required. His manipulation of Boris, informing him of a Pretender to the throne, was deliciously wicked.
Mark Pullinger, bachtrack
It was tenor Hubert Francis who most convincingly inhabited his role as the sinister and slightly mincing Prince Shuysky, his delivery on occasion like a pantomime villain threatening to upstage Ivashchenko.
David Truslove, Classical Source
Jeremy White and Hubert Francis repeated their sharply etched Sacristan and Spoletta.
Nixon in China, RTE NSO, Dublin
Hubert Francis captures the erratic and authoritarian side of Chairman Mao.
Pat O'Kelly, Irish Independent
Hubert Francis' Mao is poised and articulate.
Terry Blain, Bachtrack
We had a sensitive performance from Hubert Francis as Mao Tse-tung
Keris Nine, Opera Journal
Hubert Francis negotiated Mao Tse-tung’s high tessitura with fluent ease.
Opera, Ian Fox
Salome, Opera South Australia
The other standout of the night is the Herod of Hubert Francis, impeccably sung, with a clownish charisma and exuberant physicality.
Ewart Shaw, The Advertiser
Madama Butterfly, Grand Théâtre de Genève
Le ténor Hubert Francis, avec sa voix puissante et bien projetée, parvient à élever le personnage de Goro au dessus de la caricature.
Emmanuel Andrieu, Classiqueinfo.com
Tosca, Royal Opera House
Hubert Francis is a brilliantly nasty Spoletta.
Anna Picard, The Times (11 Jan 2016)
... the smaller parts which have been strongly cast: ... the ruthlessly efficient, servile, Spoletta of Hubert Francis, all added significantly to the tension-filled realism of this Tosca.
Jim Pritchard, Seen and Heard International (12 Jan 2016)
... Hubert Francis’ appropriately nasal Spoletta ...
Dominic Wells, Opera Britannia (11 Jan 2016)
[This revival] maintains solid dramatic standards, with some of the secondary roles – ... Hubert Francis’s watchful spy Spoletta ... – particularly strong.”
George Hall, The Stage (11 Jan 2016 )
As always, the ROH has done the smaller roles proud, with ... Hubert Francis’ all-too-convincing Spoletta...
Melanie Eskenazi, musicOMH (10 Jan 2016)
Hubert Francis as Spoletta is a distinct solid role in the supporting cast.
Gustavo Gabriel Otero, L’Ape Musicale, (20 Jan 2016)
Hubert Francis, reprised his unpleasant and menacing Spoletta…
Claire Seymour, Opera Today, (22 Jan 2016)
Hubert Francis’ Opera Repertoire
|ADAMS||Nixon in China (Chairman Mao)|
|BERG||Wozzeck (Captain, Drum Major)|
|BRITTEN||The Rape of Lucretia (Male Chorus)|
|JANÁČEK||From the House of the Dead (Kedril/Hlas)
The Makropoulos Case (Vitek)
|KEABLE||Burning Waters (Poole)|
|KRENEK||Karl V (Ferdinand)|
|MARTINŮ||The Greek Passion (Yannakos)|
|MASON||Playing Away (Terry Bond)|
|MOZART||The Marriage of Figaro (Don Basilio)|
|MUSSORGSKY||Boris Godunov (Shuisky)|
|PROKOFIEV||The Gambler (Marquis, 1st Croupier)|
|PUCCINI||La fanciulla del West (Trin)
Madama Butterfly (Goro)
|RIMSKY-KORSAKOV||The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (The Bearhandler)|
|SHOSTAKOVICH||Lady Macbeth of the Mtsensk District (Shabby Peasant)
The Nose (Ivan)
|STRAUSS||Die Frau ohne Schatten (Hunchback)
Elektra (Young Servant)
Salome (Herod, 1st Jew, 2nd Jew, 3rd Jew)
|TCHAIKOVSKY||The Queen of Spades (Hermann, Chekalinsky)|
|ULLMANN||Der Kaiser von Atlantis (Harlekin)|
|VERDI||Les vêpres siciliennes (Thibault)|
|WAGNER||Das Rheingold (Loge)|
|WEILL||The Rise and Fall of the City Mahagonny (Toby Higgins)|