Hubert Francis is represented by Rayfield Allied worldwide.

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Hubert Francis

Tenor

  • The other standout of the night is the Herod of Hubert Francis, impeccably sung, with a clownish charisma and exuberant physicality.
    Ewart Shaw, The Advertiser
  • Hubert Francis (Goro) was excellent.
    Nicolas Blanmont, Opera Magazine
  • Hubert Francis’s sinister Spoletta caught the eye.
    Whatsonstage
  • Hubert Francis, dressed in an absurd golfing outfit, performed well as the Drum Major, Marie’s lover.
    Peter McMullin, Whatsonstage
  • Hubert Francis negotiated Mao Tse-tung’s high tessitura with fluent ease.
    Ian Fox, Opera
  • Le ténor Hubert Francis, avec sa voix puissante et bien projetée, parvient à élever le personnage de Goro au dessus de la caricature.
    Emmanuel Andrieu, Classiqueinfo.com
  • Among other standouts in the excellent cast were the bright tenor Hubert Francis as the preening, self-assured Drum Major;
    Anthony Tommasini, New York Times
  • ...Hubert Francis repeated (his) sharply etched Spoletta.
    Opera Magazine
  • On relèvera également la belle prestation de Francis Hubert en Goro des plus sournois.
    Claudio Poloni, Concertonet
  • UK-based Australian tenor, Hubert (Hugh) Francis begins the 2015-16 season appearing with Karita Mattila as the Hauptmann Wozzeck at Helsinki Festival.  He appears as First Jew Salome with the Bournemouth Symphony Orchestra and returns to the Royal Opera House Covent Garden as Spoletta Tosca, a role he sings often and which can be seen on DVD in their new production starring Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. A past member of the esteemed young artist ensemble at Covent Garden (2002-2004), he returns regularly and continues the season as Shuisky (cover) Boris Godunov and Lajos Oedipe.

    Last season, he appeared in Covent Garden’s new production as Toby Higgins The Rise and Fall of the City of Mahagonny, and won outstanding reviews as Shuisky with the Philharmonia Orchestra under the baton of Jakub Hrůša.

    Other recent highlights include his appearance in the role of Herod Salome in a production by State Opera of South Australia, and his engagement at De Nederlands Opera as First Croupier The Gambler in a new production by Andrea Breth. He appeared in Dublin in the role of Chairman Mao Nixon in China for Opera Wide Open’s inaugural production.

    • Oedipe, Royal Opera House
      May 2016

      Hubert Francis played a dignified Laios.
      Opera Now July/August 2016, Owen Mortimer
    • Tosca, Royal Opera House
      January 2016

      Hubert Francis is a brilliantly nasty Spoletta.
      Anna Picard, The Times (11 Jan 2016)
      ... the smaller parts which have been strongly cast: ... the ruthlessly efficient, servile, Spoletta of Hubert Francis, all added significantly to the tension-filled realism of this Tosca.
      Jim Pritchard, Seen and Heard International (12 Jan 2016)
      ... Hubert Francis’ appropriately nasal Spoletta ...
      Dominic Wells, Opera Britannia (11 Jan 2016)
      [This revival] maintains solid dramatic standards, with some of the secondary roles – ... Hubert Francis’s watchful spy Spoletta ... – particularly strong.”
      George Hall, The Stage (11 Jan 2016 )
      As always, the ROH has done the smaller roles proud, with ... Hubert Francis’ all-too-convincing Spoletta...
      Melanie Eskenazi, musicOMH (10 Jan 2016)
      Hubert Francis as Spoletta is a distinct solid role in the supporting cast.
      Gustavo Gabriel Otero, L’Ape Musicale, (20 Jan 2016)
      Hubert Francis, reprised his unpleasant and menacing Spoletta…
      Claire Seymour, Opera Today, (22 Jan 2016)
    • Wozzeck, Helsinki Festival
      August 2015

      Hubert Francis had the most physical role as the grotesquely fidgeting captain.
      Jukka Isopuro, HS (30 Aug 2015)
    • Boris Godunov, Philharmonia Orchestra
      April 2015

      The tenor of Hubert Francis was delectably slimy and slithery as Shuysky ... This daring and accomplished semi-staging, strong as a shot of vodka...
      Hilary Finch, The Times
      The singer who made the biggest impression was Hubert Francis in the role of the slippery boyar Prince Shuisky. Rolling his tongue around the Russian text with relish, he presented exactly the extrovert characterisation required. His manipulation of Boris, informing him of a Pretender to the throne, was deliciously wicked.
      Mark Pullinger, bachtrack
      It was tenor Hubert Francis who most convincingly inhabited his role as the sinister and slightly mincing Prince Shuysky, his delivery on occasion like a pantomime villain threatening to upstage Ivashchenko.
      David Truslove, Classical Source
    • Tosca, Royal Opera House
      June 2014

      For once the smaller parts, especially …the fiendishly efficient, though subservient, Spoletta of Hubert Francis, added greatly to the fascinatingly gloomy realism of this Tosca.
      Jim Pritchard, Seen and Heard International
    • Nixon in China, RTE NSO, Dublin
      May 2014

      Hubert Francis captures the erratic and authoritarian side of Chairman Mao.
      Pat O'Kelly, Irish Independent
      Hubert Francis' Mao is poised and articulate.
      Terry Blain, Bachtrack
      We had a sensitive performance from Hubert Francis as Mao Tse-tung
      Keris Nine, Opera Journal
      Hubert Francis negotiated Mao Tse-tung’s high tessitura with fluent ease.
      Opera, Ian Fox
    • Salome, Opera South Australia
      August 2013

      The other standout of the night is the Herod of Hubert Francis, impeccably sung, with a clownish charisma and exuberant physicality.
      Ewart Shaw, The Advertiser
    • Tosca,  ROH
      July 2013

      Jeremy White and Hubert Francis repeated their sharply etched Sacristan and Spoletta.
      Opera Magazine
    • Madama Butterfly, Grand Théâtre de Genève
      March 2013

      Le ténor Hubert Francis, avec sa voix puissante et bien projetée, parvient à élever le personnage de Goro au dessus de la caricature.
      Emmanuel Andrieu, Classiqueinfo.com
  • Hubert Francis’ Opera Repertoire

    ADAMS
    • Nixon in China (Chairman Mao)
    BEETHOVEN
    • Fidelio (Florestan)
    BERG
    • Wozzeck (Captain, Drum Major)
    BRITTEN
    • The Rape of Lucretia (Male Chorus)
    DVOŘÁK
    • Rusalka (Gamekeeper)
    ENESCU
    • Oedipe (Lajos)
    JANÁČEK
    • From the House of the Dead (Kedril/Hlas)
    • The Makropoulos Case (Vitek)
    KEABLE
    • Burning Waters (Poole)
    KRENEK
    • Karl V (Ferdinand)
    MARTINŮ
    • The Greek Passion (Yannakos)
    MASON
    • Playing Away (Terry Bond)
    MOZART
    • The Marriage of Figaro (Don Basilio)
    MUSSORGSKY
    • Boris Godunov (Shuisky)
    PROKOFIEV
    • The Gambler (Marquis, 1st Croupier)
    PUCCINI
    • La fanciulla del West (Trin)
    • Madama Butterfly (Goro)
    • Tosca (Spoletta)
    RIMSKY-KORSAKOV
    • The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (The Bearhandler)
    SHOSTAKOVICH
    • Lady Macbeth of the Mtsensk District (Shabby Peasant)
    • The Nose (Ivan)
    STRAUSS
    • Die Frau ohne Schatten (Hunchback)
    • Elektra (Young Servant)
    • Salome (Herod, 1st Jew, 2nd Jew, 3rd Jew)
    TCHAIKOVSKY
    • The Queen of Spades (Hermann, Chekalinsky)
    ULLMANN
    • Der Kaiser von Atlantis (Harlekin)
    VERDI
    • Les vêpres siciliennes (Thibault)
    WAGNER
    • Das Rheingold (Loge)
    WEILL
    • The Rise and Fall of the City Mahagonny (Toby Higgins)
  • Photos