Hubert Francis is represented by Rayfield Allied worldwide.

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Hubert Francis

Tenor

  • Hubert Francis’s sinister Spoletta caught the eye.
    Whatsonstage
  • Hubert Francis (Goro) was excellent.
    Nicolas Blanmont, Opera Magazine
  • Le ténor Hubert Francis, avec sa voix puissante et bien projetée, parvient à élever le personnage de Goro au dessus de la caricature.
    Emmanuel Andrieu, Classiqueinfo.com
  • ...Hubert Francis repeated (his) sharply etched Spoletta.
    Opera Magazine
  • Hubert Francis, dressed in an absurd golfing outfit, performed well as the Drum Major, Marie’s lover.
    Peter McMullin, Whatsonstage
  • On relèvera également la belle prestation de Francis Hubert en Goro des plus sournois.
    Claudio Poloni, Concertonet
  • Among other standouts in the excellent cast were the bright tenor Hubert Francis as the preening, self-assured Drum Major;
    Anthony Tommasini, New York Times
  • The other standout of the night is the Herod of Hubert Francis, impeccably sung, with a clownish charisma and exuberant physicality.
    Ewart Shaw, The Advertiser
  • UK-based Australian tenor, Hubert (Hugh) Francis, begins the 2013-14 Season with his appearance in the role of Herod Salome in a production by State Opera of South Australia. He travels to Amsterdam to join De Nederlands Opera as First Croupier The Gambler in a new production by Andrea Breth. He returns to the Royal Opera House, Covent Garden, for the role of Der Buckliger Frau ohne Schatten and travels to Dublin to sing the role of Chairman Mao Nixon in China for Opera Wide Open’s inaugural production. Mr Francis completes the season with his annual appearance as Spoletta Tosca at Covent Garden, a role he previously committed to DVD with Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel.

    Recent successes include his appearance as Vitek The Makropoulos Case, a role and house debut at Finnish National Opera, followed by a tour of Germany and North America with London’s Philharmonia Orchestra as Drum Major Wozzeck under the baton of Esa-Pekka Salonen and his return to the Grand Théâtre de Genève as Goro Madama Butterfly and Gamekeeper Rusalka; his appearance with Singapore Opera in his debut as Herod Salome, his return to De Nederlandse Opera for the role of The Bear Handler in The Legend of the Invisible City of Kitezh and the Maiden Fevroniya, and his appearance as the Second Jew Salome at Royal Opera House, Covent Garden.  Mr Francis also appeared in Amsterdam as Thibault in a new production of Verdi’s Les Vêpres Siciliennes directed by Christof Loy, a role he repeated at the Grand Théâtre de Genève. 

    Mr. Francis studied at Royal Northern College of Music and was a member of the Jette Parker Young Artists Programme at the Royal Opera House, Covent Garden 2002-04. Past engagements at Covent Garden include Male Chorus The Rape of Lucretia, Spoletta Tosca, Harlekin Der Kaiser von Atlantis, Trin La Fanciulla del West, Third Jew in David McVicar’s new production of Salome conducted by Philippe Jordan, and Loge (cover) Das Rheingold in Keith Warner’s recent Ring under the musical direction of Antonio Pappano.

    Significant appearances include the Drum Major for Welsh National Opera in Richard Jones’ award winning production of Wozzeck.  Returning to the Royal Opera House, Covent Garden, Mr. Francis appeared as First Croupier The Gambler and as Third Jew Salome

    International roles include Yannakos in David Pountney’s production of The Greek Passion at the Janáček Theatre in Brno; Shabby Peasant Lady Macbeth of Mtsensk (directed by Paul Curran) for Canadian Opera Company; Terry Bond Playing Away (David Pountney), Ferdinand Karl V (Uwe-Eric Laufenberg) at the Bregenz Festival and Kedril/Hlas From the House of the Dead at Teatro Massimo in Palermo.

    Other UK credits include Chekalinsky The Queen of Spades (Alexander Polianichko) with Welsh National Opera; Don Basilio Le nozze di Figaro and Marquis des Grieux The Gambler  (André de Ridder) at Grange Park Opera; Ivan The Nose for The Opera Group and Poole Burning Waters at Buxton Festival.

    In concert, Mr. Francis sang the role of Junge Diener Elektra with Opera North (Richard Farnes), Florestan Fidelio with The Edinburgh Symphony Orchestra; Beethoven’s Ninth Symphony with the Royal Philharmonic Orchestra; Beethoven’s An die ferne Geliebte, Mahler’s Lieder eines fahrenden Gesellen, Vaughan Williams’ Songs of Travel, Finzi’s A Young Man’s Exhortation, Dvořák’s The Gypsy Songs and ROH2’s highly acclaimed Nitro Project in The Crush Room at Royal Opera House.

    • Tosca, Royal Opera House
      June 2014

      For once the smaller parts, especially …the fiendishly efficient, though subservient, Spoletta of Hubert Francis, added greatly to the fascinatingly gloomy realism of this Tosca.
      Jim Pritchard, Seen and Heard International
    • Nixon in China, RTE NSO, Dublin
      May 2014

      Hubert Francis captures the erratic and authoritarian side of Chairman Mao.
      Pat O'Kelly, Irish Independent
      Hubert Francis' Mao is poised and articulate.
      Terry Blain, Bachtrack
      We had a sensitive performance from Hubert Francis as Mao Tse-tung
      Keris Nine, Opera Journal
    • Salome, Opera South Australia
      August 2013

      The other standout of the night is the Herod of Hubert Francis, impeccably sung, with a clownish charisma and exuberant physicality.
      Ewart Shaw, The Advertiser
    • Tosca,  ROH
      July 2013

      Jeremy White and Hubert Francis repeated their sharply etched Sacristan and Spoletta.
      Opera Magazine
    • Madama Butterfly, Grand Théâtre de Genève
      March 2013

      Le ténor Hubert Francis, avec sa voix puissante et bien projetée, parvient à élever le personnage de Goro au dessus de la caricature.
      Emmanuel Andrieu, Classiqueinfo.com
  • Photos