Ronan Collett


"Ronan Collett’s Travel Agency Clerk who is bursting with vigour."

Nikolaus Schmidt, Badische Neueste Nachrichten

"Ronan Collett was a commanding and elegantly sung Fernando."

Peter Reed, Opera Magazine

"Ronan Collett impresses with a brilliant performance."

Werner Müller-Grimmel, Schwäbische Zeitung

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Ronan Collett was recently a member of Oper Stuttgart’s solo ensemble, where he appeared as Count Almaviva Le nozze di Figaro and Papageno Die Zauberflöte last season, and where other recent and roles include Marcello La Bohème, Guglielmo Così fan tutte and Harlekin Ariadne auf Naxos, as well as Marullo Rigoletto, Morales Carmen (previously for English National Opera), English Clerk Death in Venice (which he previously sang under Martyn Brabbins), and Don Fernando Fidelio. He also sang Don Giovanni at Oper Köln, having made his debut in the role at Oper Wuppertal last season. In the 2018/19 season, he returns to the role of Count Almaviva in Le Nozze di Figaro at Pfalztheater Kaiserslautern.

Outside Stuttgart, highlights have included the world premiere of Benjamin Ellin’s One Before Zero with the Orchestre de Picardie and his debut with the London Philharmonic Orchestra as Don Fernando with Vladimir Jurowski.

Ronan was a member of the BBC New Generation Artists scheme between 2006-2008, was awarded a Borletti-Buitoni Trust Fellowship in 2006 and the Priz Thierry Mermod at Verbier Festival. During his time on the scheme, he performed with various conductors including Andris Nelsons, James Judd and Mikhail Agrest, and with orchestras including BBC Philharmonic, BBC Symphony and BBC NOW. In October 2014, Ronan was awarded the Trude Eipperle Rieger Preis; he was made an Associate of the Royal Academy of Music in 2015.

Opera roles include the title role of Eugene Onegin for Iford Arts, Count Almaviva for Classical Opera Company, Morales for English National Opera, English Clerk in Death in Venice conducted by Martyn Brabbins, Aeneas with Gabrieli Consort, Pandolfe Cendrillon, Nardo La finta giardiniera, and Kilian Der Freischütz conducted by Sir Charles Mackerras at Edinburgh International Festival. In 2011 he made his debut at La Monnaie as Maurevert in Olivier Py’s production of Les Huguenots conducted by Marc Minkowski.

On the concert platform, Ronan has performed extensively in Europe, Australia and Japan. In 2010 he made his Paris recital debut in Auditorium du Louvre. Other engagements include a recital with Mitsuko Uchida in Berlin Philharmonie, Trouble in Tahiti with Münchner Rundfunkorchester conducted by Ulf Schirmer in Munich and L’enfance du Christ with the Scottish Chamber Orchestra conducted by Robin Ticciati. He has also performed the baritone solo part in Britten’s War Requiem at the Perth International Festival and in Sydney Opera House. It is a role he is becoming especially identified with having performed it last year in Berliner Dom and last October in Liederhalle, Stuttgart.

This biography is for information only and should not be reproduced.

Oper Stuttgart - Die Zauberflöte (Papageno)

April 2018

The Papageno baritone by Ronan Collett is convincing with an intense warm timbre.

Alexander Walther, Online Merker

KammermusikKöln Recitals

December 2017

The excellent baritone Ronan Collett offered both an intense and intimate interpretation [of Butterworth’s song cycle “Love blows as the wind blows”] … Claude Debussy’s song “Noel des Enfants”, written in December 1915, is a lament of the sorrow caused by the German troups in France, full of flaming patriotism. This haunting music was stirringly performed by Ronan Collett and Nicholas Rimmer.

Matthias Nofze, General-Anzeiger

Oper Stuttgart - Death in Venice (Clerk)

July 2017

"Ronan Collett, as the English travel clerk, made a strong impression"

Rolf Fath, Opera Magazine

“Georg Nigl’s … dark and round baritone… is rivalled vocally by Ronan Collett’s Travel Agency Clerk who is bursting with vigour.”

Nikolaus Schmidt, Badische Neueste Nachrichten

“From the ensemble, which had numerous demands placed upon it and was poignantly directed down to the smallest role, Ronan Collett deserves a particular mention: he brought the travel clerk’s account of the spreading epidemic to life, imbuing it with meaning with a sensitive voice.”

Udo Klebes, Online Merker

“Amongst the numerous other consistently excellent artists who had been given solos, baritone Ronan Collett, playing a pithy English Clerk in the travel agency, should be highlighted.”

Der Klassikkritiker

"Standouts from the smaller solo were ... Ronan Collett (Clerk in the travel agency) through [his] vocal and acting presence. Ronan Collett, incidentally, stood out not only because of his beautiful voice, but also because of his excellent diction."

Hermann Becke, Der Opernfreund

London Philharmonic Orchestra - Fidelio (Don Fernando)

January 2017

Ronan Collett was a commanding and elegantly sung Fernando.

Peter Reed, Opera Magazine

Oper Stuttgart - Così fan tutte (Guglielmo)

May 2015

Hearty baritone Ronan Collett in his debut as Guglielmo is one of the discoveries of the evening.

Jürgen Kanold, Südwestpresse

Ronan Collett sang Guglielmo with a round baritone of gorgeous timbre.

Frank Armbruster

Ronan Collett sings Guglielmo masterfully.

Susanne Benda, Stuttgarter Nachrichten

Ronan Collett's Guglielmo with his sturdy baritone proved to be the only one who was vocally rock-solid.

Badische Neueste Nachrichten

Guglielmo (harmonious in timbre: Ronan Collett).

Alexander Walther, Der Neue Merker

Ronan Collett in the role of Guglielmo acts the sly seducer believably and impresses vocally with force and agility.

Armin Knauer, Reutlinger Generalanzeiger

Guglielmo, whom Ronan Collett furnishes with soft, lyric baritonal timbre...

Eckhardt Britsch, Mannheimer Morgen

Ronan Collett shone as daredevil Guglielmo, who was barefoot throughout the show and got to show his stripy red underwear several times.

Peter Jungblut, BR klassik

Ronan Collett stood out as Guglielmo with the pleasant natural timbre of his voice and vocal sure-footedness throughout all registers.

Thomas Gehrig, Magazin

Ronan Collett ... [is] convincing, both vocally and in his acting.

Werner Grimmel, Schwäbische Zeitung

Ronan Collett as Guglielmo with an agile baritone voice...

Dietholf Zerweck, Ludwigsburger Kreiszeitung

Ronan Collett (Guglielmo) and Gergely Németi (Ferrando), too, are a good choice vocally.

Rebekka Sambale, Die Rheinpfalz

Young English baritone Ronan Collett was an appropriately vigorous and boasting Guglielmo.

GBOpera Magazine

Ronan Collett’s Opera Repertoire


Fidelio (Fernando)


Candide (Pangloss (Candide)
Trouble in Tahiti (Jazz Singer)


Carmen (Morales)


Billy Budd (Title role) *
Death in Venice (English Clerk)
Rape of Lucretia (Tarquinius)


The Adventures of Pinocchio (Pantelone/Kohlenhändler)


Iphigénie en Aulide (Calchas)


The Cunning Little Vixen (Harasta)
Osud (Verva)


Cendrillon (Pandolfe)


Les Huguenots (Maurevert)


Così fan tutte (Guglielmo)
Die Zauberflöte (Papageno)
Don Giovanni (Title role/Masetto)
La finta giardinera (Nardo)
Le Nozze di Figaro (Count Almaviva)


Dialogues des Carmelites (Thierry /Dr Javelinot /Le geôlier)


La Bohème (Marcello/Schaunard)


Dido and Aeneas (Aeneas)


Adriane auf Naxos (Harlekin)


Eugene Onegin (title role)


La Traviata (Barone Douphol)
Nabucco (Il Gran Sacerdote)


Kilian (Der Freischütz)


A Night at the Chinese Opera (Chao Lin)

*in preparation

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