"Ronan Collett impresses with a brilliant performance."
Werner Müller-Grimmel, Schwäbische Zeitung
Ronan is currently a member of Oper Stuttgart’s solo ensemble, where recent and current roles include Marcello La Bohème, Guglielmo Così fan tutte , Harlekin Ariadne auf Naxos, English Clerk Death in Venice, Marullo Rigoletto as well as appearances in Fidelio and Carmen.
Performances elsewhere this season include his role debut as Don Giovanni at Oper Wuppertal, the world premiere of Benjamin Ellin’s One Before Zero with Orchestre de Picardie and a recital of Shakespeare songs to mark the 400th anniversary of the Bard’s death. Plans beyond the current season include an ‘alternative Winterreise’ programme as part of Internationale Hugo-Wolf-Akademie’s Schubert recital series.
Recently, Ronan performed a recital with Marcelo Amaral marking the 100th anniversary of the First World War, which was broadcast on Deutschlandradio Kultur, Ein deutsches Requiem in Liederhalle, Stuttgart, Elijah at the Berliner Dom, and a series of performances of Fauré’s Requiem with the Stuttgarter Ballet in homage to choreographer Kenneth MacMillan.
Ronan was a member of the BBC New Generation Artists scheme between 2006-2008, was awarded a Borletti-Buitoni Trust Fellowship in 2006 and the Priz Thierry Mermod at Verbier Festival. During his time on the scheme, he performed with various conductors including Andris Nelsons, James Judd and Mikhail Agrest, and with orchestras including BBC Philharmonic, BBC Symphony and BBC NOW. In October 2014, Ronan was awarded the Trude Eipperle Rieger Preis; he was made an Associate of the Royal Academy of Music in 2015.
Opera roles include the title role of Eugene Onegin for Iford Arts, Count Almaviva for Classical Opera Company, Morales for English National Opera, English Clerk in Death in Venice conducted by Martyn Brabbins, Aeneas with Gabrieli Consort, Pandolfe Cendrillon, Nardo La finta giardiniera, and Kilian Der Freischütz conducted by Sir Charles Mackerras at Edinburgh International Festival. In 2011 he made his debut at La Monnaie as Maurevert in Olivier Py’s production of Les Huguenots conducted by Marc Minkowski.
On the concert platform, Ronan has performed extensively in Europe, Australia and Japan. In 2010 he made his Paris recital debut in Auditorium du Louvre. Other engagements include a recital with Mitsuko Uchida in Berlin Philharmonie, Trouble in Tahiti with Münchner Rundfunkorchester conducted by Ulf Schirmer in Munich and L’enfance du Christ with the Scottish Chamber Orchestra conducted by Robin Ticciati. He has also performed the baritone solo part in Britten’s War Requiem at the Perth International Festival and in Sydney Opera House. It is a role he is becoming especially identified with having performed it last year in Berliner Dom and last October in Liederhalle, Stuttgart.
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London Philharmonic Orchestra - Fidelio (Don Fernando)
Ronan Collett was a commanding and elegantly sung Fernando.
Peter Reed, Opera Magazine
Oper Stuttgart - Così fan tutte (Guglielmo)
Hearty baritone Ronan Collett in his debut as Guglielmo is one of the discoveries of the evening.
Jürgen Kanold, Südwestpresse
Ronan Collett sang Guglielmo with a round baritone of gorgeous timbre.
Ronan Collett sings Guglielmo masterfully.
Susanne Benda, Stuttgarter Nachrichten
Ronan Collett's Guglielmo with his sturdy baritone proved to be the only one who was vocally rock-solid.
Badische Neueste Nachrichten
Guglielmo (harmonious in timbre: Ronan Collett).
Alexander Walther, Der Neue Merker
Ronan Collett in the role of Guglielmo acts the sly seducer believably and impresses vocally with force and agility.
Armin Knauer, Reutlinger Generalanzeiger
Guglielmo, whom Ronan Collett furnishes with soft, lyric baritonal timbre...
Eckhardt Britsch, Mannheimer Morgen
Ronan Collett shone as daredevil Guglielmo, who was barefoot throughout the show and got to show his stripy red underwear several times.
Peter Jungblut, BR klassik
Ronan Collett stood out as Guglielmo with the pleasant natural timbre of his voice and vocal sure-footedness throughout all registers.
Thomas Gehrig, Klassik.com Magazin
Ronan Collett ... [is] convincing, both vocally and in his acting.
Werner Grimmel, Schwäbische Zeitung
Ronan Collett as Guglielmo with an agile baritone voice...
Dietholf Zerweck, Ludwigsburger Kreiszeitung
Ronan Collett (Guglielmo) and Gergely Németi (Ferrando), too, are a good choice vocally.
Rebekka Sambale, Die Rheinpfalz
Young English baritone Ronan Collett was an appropriately vigorous and boasting Guglielmo.
Ronan Collett’s Opera Repertoire
|BERNSTEIN||Candide (Pangloss (Candide)
Trouble in Tahiti (Jazz Singer)
|BRITTEN||Rape of Lucretia (Tarquinius)
Death in Venice (English Clerk)
|DOVE||The Adventures of Pinocchio (Pantelone/Kohlenhändler)|
|GLUCK||Iphigénie en Aulide (Calchas)|
|JANACEK||The Cunning Little Vixen (Harasta)
|MEYERBEER||Les Huguenots (Maurevert)|
|MOZART||Così fan tutte (Guglielmo)
Die Zauberflöte (Papageno)
Don Giovanni (Masetto)
La finta giardinera (Nardo)
Le Nozze di Figaro (Count Almaviva)
|POULENC||Dialogues des Carmelites (Thierry /Dr Javelinot /Le geôlier)|
|PUCCINI||La Bohème (Marcello/Schaunard)|
|PURCELL||Dido and Aeneas (Aeneas)|
|STRAUSS||Adriane auf Naxos (Harlekin)|
|TCHAIKOVSKY||Eugene Onegin (title role)|
|VERDI||La Traviata (Barone Douphol)
Nabucco (Il Gran Sacerdote)
|WEBER||Kilian (Der Freischütz)|
|WEIR||A Night at the Chinese Opera (Chao Lin)|
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