"playful, open-hearted, a total delight"
"a colourist in love with the infinite variety a piano can produce"
"Tiempo finally unleashed the full force of his pianistic arsenal, leaving his listeners in a breathless daze"
Sergio Tiempo is regarded as one of the most individual and thought-provoking pianists of his generation. He made his professional debut at the Amsterdam Concertgebouw aged fourteen and soon became internationally renowned for his raw energy and musical versatility, from Brahms to Villa-Lobos and Ginastera.
Born in Caracas, Venezuela, Sergio Tiempo began his piano studies with his mother, Lyl Tiempo. Whilst at the Fondazione per il Pianoforte in Como, Italy, he worked with Dimitri Bashkirov, Fou Tsong, Murray Perahia and Dietrich Fischer-Dieskau. He continues to receive frequent musical guidance and advice from Martha Argerich and Nelson Freire and performs regularly with fellow-countryman and friend Gustavo Dudamel.
Recent highlights have included an eight-concert tour across US and Europe with the Los Angeles Philharmonic and Gustavo Dudamel, performing Ginastera’s First Piano Concerto in the composer’s centenary year.
Further orchestral collaborations include the Orchestre Philharmonique de Radio France, Brussels Philharmonic, Orquestra Nacional do Porto, Simón Bolívar Orchestra, Singapore Symphony, BBC Symphony, City of Birmingham Symphony, Royal Northern Sinfonia, St Petersburg Symphony, Auckland Philharmonia, Queensland Symphony Orchestra, Buenos Aires Philharmonic, Zurich Chamber and Stavanger Symphony Orchestras alongside eminent conductors such as Claudio Abbado, Myung Whun Chung, Thierry Fischer, Emmanuel Krivine, Alondra de la Parra, and Leonard Slatkin.
A committed recitalist, engagements have included a sell-out recital debut at the Queen Elizabeth Hall in London’s International Piano Series, the Vienna Konzerthaus, the Wigmore Hall, the Berlin Philharmonie and Edinburgh International Festival as well as return visits to the Oslo Chamber Music Festival, Warsaw Chopin Festival, Music Days in Lisbon, and recital tours in China, Korea, Italy, and South America. Sergio Tiempo performed at the Martha Argerich Festival in Lugano each year, with recital partners including the formidable Mischa Maiski, Nelson Freire, and fellow pianist and sister Karin Lechner.
Sergio Tiempo has made a number of highly distinctive and acclaimed recordings. On EMI Classics, he recorded Mussorgsky Pictures at an Exhibition, Ravel Gaspard de la Nuit and three Chopin Nocturnes for 'Martha Argerich Presents', and on Deutsche Gramophon he has recorded several discs with Mischa Maisky, including a disc of Rachmaninov which was awarded five stars by Classic FM and the BBC Music Magazine. Sergio Tiempo and Karin Lechner recorded Tango Rhapsody, a new work for two pianos and orchestra by Argentinean composer Federico Jusid, commissioned especially for the duo and the RSI Lugano. Further recordings with Karin Lechner include a disc of French music Avanti Classic entitled ‘La Belle Epoque’ released on Avanti Classic, a label with whom Sergio Tiempo will be releasing two separate duo recordings with his musical mentors Martha Argerich and Nelson Freire. January 2018 sees the release of Sergio Tiempo's newest solo recording with Avanti Classic, entitled Legacy, which includes diverse repertoire such as Beethoven, Debussy, Villa-Lobos and Piazzolla.
This biography is for information only and should not be reproduced.
Queensland Symphony Orchestra Residency: 'An Emotional Rollercoaster'
Queensland Symphony Orchestra, April 2018
To say that Sergio Tiempo, the orchestra’s current artist-in-residence, is an exciting player is an understatement. His take on Ginastera’s blistering First Piano Concerto with its folksy intent, dancerly currents and pointy challenge was extraordinary. In the cadenza of the first movement, the brass interacted with Tiempo’s fiery figurations with aplomb. The pianist’s seamless shifts between tenderness and fury, incisive commentary and treacherous chases up and down the length and breadth of the piano in the variations dovetailed superbly with a precision powered orchestra. His thrilling prowess in theToccata Concertata with its slashed, punched and ferociously crunched rhythm was breathtaking...this concert was unforgettable, a stunner.
Gillian Wills, Limelight Magazine *****
Solo recital recording: 'Legacy'
Avanti Classic, January 2018
Tiempo is at his most irrepressibly original in the Piazzolla and Ginastera works, where his alternately impetuous and relaxed pianism is given full rein. Both showcase his remarkably adroit repetitions of both single notes and chords. Subtle touch and brightly coloured textures characterize the piquantly atmospheric selections from the first book of Villa-Lobos’s A prole do bebe… Debussy’s Reflets dans l’eau is most appealing. Tiempo’s enormous resources of touch create textures that seem truly liquid.
Patrick Rucker, Gramophone
Sincere and authentic renderings of music that have a great deal of meaning to the artist in question... Tiempo’s playing is exciting, with plenty of jewel-like poetry and playfulness... For us piano fans, this is the kind of album that will be spun red-hot and devoured avidly on a regular basis, such is its verve and life-enhancing atmosphere.
Dominiy Clements, MusicWeb International
LA Philharmonic: Tchaikovsky Piano Concerto No. 1
Walt Disney Concert Hall, 8-10th December 2017
Tchaikovsky’s Piano Concerto No. 1 featured the flashy Venezuelan pianist Sergio Tiempo as soloist. He’s a lot of fun in the way he dashes off fancy finger work. Every passage offers him something with which to show off.
Mark Swed, LA Times
Sergio Tiempo is the real deal. When a pianist can take a work as familiar as Tchaikovsky’s 1874 First Piano Concerto and turn it into an exciting Olympic event, I’m more than sold. Appearing at a packed Disney Hall this morning (in a program that runs through Sunday), the very cool and jovial Venezuelan was down to some serious business ... The power he provoked from the piano alone was worth the price of admission, but consider his savvy, authoritative, crisp virtuosity: He didn’t overcompensate with the pedal, instead sustaining chords at the end of an arpeggio; he performed some runs nearly twice as fast as I’ve previously encountered, but it never felt rushed; and he’s introspective without laboring on the quieter passages ... This is a very well-balanced program, but you’ve simply got to see Sergio Tiempo.
Tony Frankel, Stage and Cinema
Federico Jusid's Tango Rhapsody with Karin Lechner and Queensland Symphony Orchestra, cond. Alondra de la Parra
Queensland Performing Arts Centre, August 2017
The pianists show off virtuosity and dazzling technique around the passions displayed in the narrative [...] Clever and beautifully presented with each artist in total control, this was a brilliant piece of showmanship from two fine young pianists who gave us an entirely fresh way to look at composition and delivery. They followed it with a stunning encore of a skilfully freestyled variation on Paganini’s Variations for two pianos which was perfectly played and technically assured.
Suzannah Conway, Limelight Magazine ****1/2
The onstage tantrums, sulking, and mid-performance frock change are all part of the act, none of which distracts from the virtuosity of the brother-and-sister pianists Sergio Tiempo (a regular with QSO) and Karin Lechner.
Kartin Buzacott, The Australian
Ginastera Piano Concerto No.1
Los Angeles Philharmonic conducted by Gustavo Dudamel (March 2016)
[The] drama was brilliantly realised with the extraordinary Sergio Tiempo at the keyboard [...] Tiempo’s performance was astonishing by its combination of unbuttoned wildness and fastidious precision.
Michael Church, The Independent *****
Best of all was the rare performance of Alberto Ginastera’s First Piano Concerto [...] Dudamel was joined by his fellow Venezuelan Sergio Tiempo, an astonishing soloist who played with fearless attack and commanded the complex score from memory.
John Allison, The Telegraph
The massive solo part, fearlessly played by Sergio Tiempo, ranges from hauntingly jazzy bits to great bursts of keyboard colour that the Venezuelan pianist seemed born to reveal.
Mark Swed, The LA Times
Ginastera’s Piano Concerto No. 1 has a fiendish solo part that the undaunted Sergio Tiempo dispatched with fierce control.
Neil Fisher, The Times
The Argentinian composer Alberto Ginastera’s rarely heard first piano concerto [was] played with authoritative dexterity by Sergio Tiempo.
Martin Kettle, The Guardian ****
Sergio Tiempo played with grand vivacity.
Zachary Woolfe, The New York Times
Beethoven Choral Fantasy / Gustavo Dudamel / Simon Bolivar Symphony Orchestra / Bogota Philharmonic
The pianist Sergio Tiempo gave a virtuous version of the Choral Fantasy [...] a lively and exciting interpretation.
Liszt and Tchaikovsky with the Orchestra Della Svizzera Italiana
(Avanti Classic : 5414706 10382)
Virtuoso glowing, but especially [an] inventor of new sounds: listen how suddenly he transforms his piano dulcimer in the Totentanz of Liszt [...] And in terms of style, [...] could teach Martha Argerich herself.
Jean-charles Hoffelé, ARTAMAG'
Solo Recital at the Queen Elizabeth Hall, London
Playful, open-hearted, a total delight.
Richard Fairman, The Financial Times
Sergio Tiempo’s Concerto Repertoire
Concerto for Two Pianos in C minor, BWV 1062
No. 1 in C major, Op.15
No. 1 in E minor, Op.11
Concerto in A minor, Op.16
No. 1 in E-flat major, S.124
Concerto for Two Pianos and Orchestra, H292
Concerto for Two Pianos in A flat major, MWV O 6
No. 21 in C major, K. 467
Concerto for Two Pianos and Orchestra in D minor, FP 61
No. 2 in C minor, Op. 18
Concerto in G major, M. 83
Le carnaval des animaux
Concerto in A minor, Op. 54
No. 1 in B flat minor, Op. 23