British Bass-baritone Dingle Yandell studied at the Guildhall School of Music and Drama and the National Opera Studio. He is an inaugural 'Rising Star' of the Orchestra of the Age of Enlightenment and recipient of a Sybil Tutton Opera Award administered by Help Musicians UK. Engagements in the 2018-19 season include a return to Scottish Opera (Speaker and Sarastro The Magic Flute) and his role debut as Fafner Das Rheingold (Grimeborn).
Engagements in the 2019-20 season include a return to Scottish Opera (Angelotti Tosca and Snug A Midsummer Night’s Dream) and concert performances of Plutone Orfeo and Mozart Vespers (L’Arpeggiata).
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Angelotti, Tosca
Scottish Opera, October 2019
… the smaller characters are all excellent, led by a superb Angelotti from Dingle Yandell. It’s time he was given some bigger roles.
Simon Thomson, The Times, 17 October 2019
Dingle Yandell gives capacious stature to the short-lived Angelotti.
Ken Walton, The Scotsman, 18 October 2019
The singing was superb from everyone on stage, but special mention must be made of Dingle Yandell’s all-too-brief but magnificently sung Angelotti.
Brett Herriot, ScotsGay Arts, 22 October 2019
Speaker, The Magic Flute
Scottish Opera, May 2019
It had a superb Speaker in Dingle Yandell, whose stage presence, vocal command and sheer dignity set the imagination racing about all the other (bigger) parts you'd love to hear him sing
Andrew Clark, Opera magazine, July 2019
Dingle Yandell's marvellous Speaker deserves a special mention too, making a lot from a tiny role
Simon Thompson, The Times, 6 May 2019
Of note are... Dingle Yandell's beautifully sung Speaker...
Lauren Humphreys, The Reviews Hub, 5 May 2019
Israel in Egypt
Orchestra of the Age of Enlightenment cond. William Christie at the BBC Proms, August 2017
There was fine solo singing, with Dingle Yandell standing out for sheer projection...
Erica Jeal, The Guardian, 3 August 2017
Doctor, Pelléas et Mélisande
Garsington Opera, June 2017
Dingle Yandell stands out in the small role of the Doctor, making out of it something memorable.
George Hall, The Stage, 17 June 2017
