"Cummings has emerged as one of his generation's leading baroque-era specialists, at home in both opera house and concert hall"
Larry Fuchsberg, Star Tribune
"Conductor Laurence Cummings sets about every number with almost breathless enthusiasm"
Richard Fairman, Financial Times
"Laurence Cummings's conducting is witty and compassionate..."
Tim Ashley, The Guardian
"Laurence Cummings turns even the rawest musical material into gold"
Berta Joncus, BBC Music Magazine
"Vivaciously conducted by Laurence Cummings. The performance had the infectious advocacy of Cummings and his orchestra"
Andrew Clark, Financial Times
Artistic Director International Handel Festival Göttingen
Musical Director London Handel Festival
Music Director Orquestra Barroca Casa da Musica
Laurence Cummings is one of Britain’s most exciting and versatile exponents of historical performance both as conductor and harpsichord player. He has been Musical Director of the London Handel Festival since 1999 and Artistic Director of the Internationale Händel-Festpiele Göttingen since 2012, as well as acting as Music Director for Orquestra Barroca Casa da Musica Porto. He is the William Crotch Professor of Historical Performance at the Royal Academy of Music.
He has conducted productions for English National Opera, Opera North, Glyndebourne Festival Opera, Buxton Festival Opera, Gothenburg Opera, Opernhaus Zurich, Opera de Lyon, Garsington Opera, English Touring Opera and at the Linbury Theatre Covent Garden. He regularly conducts the English Concert and the Orchestra of the Age of Enlightenment and has worked with the Hallé, Bournemouth Symphony, Britten Sinfonia, Royal Northern Sinfonia, Royal Liverpool Philharmonic, Ulster Orchestra, Royal Scottish National Orchestra, Scottish Chamber Orchestra, Handel and Haydn Society (Boston), St Paul Chamber Orchestra (Minnesota), National Symphony Orchestra (Washington), Kansas City Symphony, Wiener Akademie, Musikcollegium Winterthur, Zurich Chamber Orchestra, Jerusalem Symphony, Moscow Chamber Orchestra, and Basel Chamber Orchestra.
His numerous recordings include the first recording of Handel’s newly discovered Gloria with Emma Kirkby, and Handel Arias with Angelika Kirschlager and the Basel Chamber Orchestra for Sony BMG.
Highlights of the 2017/18 season include The Rake’s Progress at Wilton’s Music Hall, Saul at Theater an der Wien and Glyndebourne Festival Opera, as well as collaborations with the Huddersfield Choral Society and the Bournemouth Symphony Orchestra, together with his commitments at Casa da Musica in Porto and the London and Göttingen Handel Festivals.
This biography is for information only and should not be reproduced.
Theater an der Wien (February 2017)
Yet again the Arnold Schoenberg Chor and the Freiburger Barockorchester gave excellent performances, with Laurence Cummings drawing out the miraculous colours of this wonderful score with as much sensuality and intensity as possible.
Gerhard Persché, Opera Magazine
Musically, the evening was in the hands of the Freiburg Baroque Orchestra under Laurence Cummings, who impressively and passionately translated the extraordinarily colorful score with the utmost precision and absolute eloquence, thus laying the foundation for a fine ensemble of singers.
Michael Wruss, öö Nachrichten
Laurence Cummings drives the flexible instrumentalists through bouncy rhythms without curtailing their freedom of phrasing. They breathe beautifully in the pit, with smooth, infinitely-variable dynamics. A Handel for intelligently sharpened ears, but also for enjoyment. "Saul" with soul.
The Rake's Progress
OperaGlass Works, Wilton's Music Hall (November 2017)
Laurence Cummings at the harpsichord, costumed as an arresting combination of Handel and Hogarth … led the players of the Southbank Sinfonia in a finely nuanced and detailed performance.
Henrietta Bredin, Opera Magazine
The Southbank Sinfonia is small – only one player to each string part – but stylish. The conductor is the baroque-music specialist Laurence Cummings, directing from the harpsichord and dressed in jacked and squishy velvet cap to look alarmingly like Handel. He paces things snappily and, as the evening progresses, increasingly gets in on the action.
Erica Jeal, The Guardian
Göttingen Handel Festival (May 2016)
…thanks to Cummings’ perfect pacing and the infectiously catchy phrasing he draws from his excellent orchestra and cast.
Shirley Apthorp, The Financial Times ****
Laurence Cummings has spent a career with this music, and his affection, understanding and excitement radiates out through the dancing energy of his instrumentalists and the emotional pitch of his singers.
Alexandra Coghlan, The Spectator
Opernhaus Zurich (February 2016)
The Overture had a completely different tint: led by Laurence Cummings, La Scintilla Orchestra played it with the warmth and softness that makes Purcell’s music come alive.
Susanne Kübler, Tages Anzeiger
The Indian Queen
English National Opera (February 2015)
With outstanding soloists, with the ENO chorus in coruscating form, and with Laurence Cummings and his period instrumentalists generating transcendent beauty in the pit, this is an evening in musical heaven.
Michael Church, The Independent *****
Stylishly conducted by Laurence Cummings.
Rupert Christiansen, The Telegraph ****
The ENO Orchestra under Laurence Cummings delivered Purcell’s score with the ideal balance of refinement and drama.
Owen Mortimer, Opera Now
Laurence Cummings Repertoire
B Minor Mass
Rap. di Anima e di Corpo
The Judgement of Paris
Aci, Gallatea e Polifemo
Incoronazione di Poppea
L'incoronazione di Dario