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Conductor
- Mikhail Agrest
- Alexander Briger
- Nicholas Cleobury
- Francesco Corti
- Laurence Cummings
- Elias Grandy
- Marco Guidarini
- Elgar Howarth
- Julia Jones
- Nicholas Kok
- Robert Levin
- Andrea Licata
- Nicholas McGegan
- Andrew Parrott
- David Parry
- Geoffrey Paterson
- George Pehlivanian
- Emmanuel Plasson
- Thomas Rösner
- Tobias Ringborg
- Gennady Rozhdestvensky
- Yuri Simonov
- Philipp von Steinaecker
- Pierre-André Valade
- Composer
- Stage director
- Designer
- Movement
- Soprano
- Mezzo-soprano
- Countertenor
- Tenor
- Baritone
- Bass-baritone
- Bass
- Piano
- Harpsichord
- Violin
- Cello
- Clarinet
- Chamber Ensemble
- Vocal Ensemble
- Baroque Ensemble
Lorna Anderson is represented by Rayfield Allied worldwide.
Artist Manager:
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Lorna Anderson
Soprano
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Lorna Anderson firmly set down her credentials as a Handelian soprano of stature. This was lovely, radiant, intense and stylish singing
The Times
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As a renowned performer of the baroque repertoire, Lorna Anderson has sung with the Orchestra of the Age of Enlightenment, Les Arts Florissants, The Sixteen, English Concert, St. James Baroque, Collegium Musicum 90, London Classical Players, La Chapelle Royale and the Academy of Ancient Music under conductors such as William Christie, Harry Christophers, Trevor Pinnock, Ivor Bolton, Roger Norrington, Phillipe Herreweghe, Richard Egarr, Nicholas McGegan and Christopher Hogwood.
She has also established an important reputation in the standard concert repertoire, having sung with the BBC Orchestras, Royal Liverpool Philharmonic, Israel Camerata, RAI Turin, New World Symphony Miami, Houston Symphony, Scottish Chamber Orchestra, Ensemble InterContemporain under Pierre Boulez, London Sinfonietta under Sir Simon Rattle and at the Salzburg, Edinburgh and Aldeburgh Festivals.
In opera her performances include productions for Halle Handel Festival, Glyndebourne Touring Opera, Gottingen Festival and Netherlands Opera.
Her numerous and varied recordings include The Fairy Queen under Harry Christophers, Haydn Masses under Richard Hickox, and for Hyperion she has recorded Britten Folksong Settings with Malcolm Martineau, Handel’s L’Allegro with Robert King and she joined Graham Johnson’s complete Schubert Edition. Further releases include recordings of Haydn’s Scottish Folksong Arrangements with Haydn Trio Eisenstadt and the complete Poulenc song cycle with Malcolm Martineau.
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Debussy: Songs, Vol 2
HyperionAnderson effortlessly glides through Debussy’s limpid , lengthy phrases…Anderson’s rich tone and control is striking in the lower passages of songs like ‘En sourdine’ and ‘La chevelure’, and radiant in her more crystalline upper register
Christopher Dingle, BBC Music Magazine [4 ****]the performances by sopranos Lorna Anderson and Lisa Milne are consistently beautiful, alert to the implications of Debussy’s word-setting, whether ecstatic or subdued, and instinctive in the vocal colour used to summon up poetic images and emotions...Debussy’s response to his divers range of poets is both precise and captivating, features that these performances convey with a wonderful feel for the natural contours and flow of the vocal lines, crystallising incidents or states of mind along the way but with a spontaneity that speaks of thorough immersion in Debussy’s idiom.
Geoffrey Norris, Gramophone -
Poulenc: The Complete Songs
Vol 3Lorna Anderson is joined by Thomas Oliemans, which brings most beautiful singing in a nostalgic love duet…with eight outstanding singers and the pianist all on top form, this is the most attractively inviting of these Poulenc anthologies so far issued.
Ivan March, Gramophone
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Lorna Anderson’s Oratorio and Concert Repertoire
- Andriessen
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- De stijl
- Bach
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- Magnificat (1st and 2nd sopranos)
- St. John passion
- St. Matthew passion
- B minor mass (2nd soprano)
- Christmas oratorio, parts I-III
- Cantata numbers 1, 11, 38, 51, 63, 140, 146, 202, 208
- Beethoven
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- "Choral" Symphony no.9
- Mass in C
- Berg
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- Sieben frühe Lieder
- Altenberglieder
- Der Wein
- Berlioz
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- Les nuits d’été
- Boulez
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- Le soleil des eaux
- Brahms
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- Requiem
- Britten
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- Les illuminations
- Debussy
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- Trois ballades de François Villon
- Le Martyre de San Sebastian
- Duruflé
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- Requiem
- Elgar
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- Coronation ode, op.44
- The Spirit of England
- Fauré
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- Requiem
- Messe basse
- Gounod
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- Messe solonelle St. Cecile
- Handel
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- Messiah
- Let the bright seraphim
- Silete venti
- German arias
- Hasse
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- Te deum
- Haydn
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- The creation
- The seasons
- Nelson mass
- Missa cellensis
- Paukenmesse
- St. Nicholas mass
- Theresienmesse
- Harmonienmesse
- Jenkins
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- The armed man: a mass for peace
- Knussen
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- Ocean de Terre
- Kodaly
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- Missa brevis
- Liszt
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- Via crucis
- Missa choralis
- Mahler
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- Symphony no. 2
- Symphony no. 4
- Mendelssohn
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- Elijah
- Hear my prayer
- Messiaen
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- La mort du nombre
- Mozart
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- Requiem
- Ch'io mi scordi di te, K.505
- Vado, ma dove?, K.583
- Exsultate jubilate
- Coronation mass
- Sparrow mass
- Mass in C minor
- Missa brevis in D
- Missa brevis in F
- Laudate dominum
- Pergolesi
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- Magnificat
- Poulenc
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- Gloria
- Mass in G
- Rachmaninov
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- Vocalise
- Rutter
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- Psalms
- Schubert
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- Mass in E flat
- Mass in G
- Mass in B flat
- Speare
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- The angels
- Strauss
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- Vier Letzte Lieder
- Stravinsky
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- Mass
- Les noces
- Threni
- Tippett
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- A child of our time
- A vision of Saint Augustine
- Varese
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- Offrandes
- Vaughan Williams
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- "Sea" Symphony
- "Antarctic" Symphony
- Mass in G minor
- Serenade to Music
- Dona Nobis Pacem
- Verdi
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- Requiem
- Four Sacred Pieces
- Vivaldi
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- Gloria (1st and 2nd sopranos)
- Nulla in mundo pax sincera
- Wiegold
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- Perfume of the desert
- Zemlinsky
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- Lyric Symphony
Lorna Anderson’s Opera Repertoire
- Birtwistle
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- The Corridor (Eurydice)
- Bizet
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- Carmen (Micaela)
- Britten
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- Rape of Lucretia (Female Chorus)
- A Midsummer Night's Dream (Helena)
- Turn of the Screw (Governess)
- Gassmann
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- L’Opera Seria (La Stonatrilla)
- Gluck
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- Iphigénie en Tauride(Iphigénie)
- Handel
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- Alcina (Alcina)
- Amadigi (Melissa)
- Saul (Merab)
- Holst
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- Savitri (Savitri)
- Monteverdi
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- Il Ritorno d’Ulisse in Patria (Minerva)
- Mozart
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- Idomeneo (Ilia)
- Marriage of Figaro (La Contessa)
- Magic Flute (Pamina)
- Don Giovanni (Donna Elvira)
- Così fan Tutte (Fiordiligi)
- Purcell
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- Fairy Queen(Caroline)
- Ravel
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- L’heure Espagnole (Conception)
- Vaughan Williams
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- Riders to the Sea (Cathleen)
- Riders to the Sea (Nora)
- Verdi
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- Don Carlos (Thibault)
- Weill
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- Dreigroschenoper (Polly)
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Photos
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