Max Webster

Stage director

"dazzlingly original…sophisticated dramatic invention…an outstanding evening from a fine team, reinventing a great opera"

The Telegraph

"Re-discovers this old opera with a new excitement"

SR Kulturnytt

"The most fun you can have in an opera house"

The Express

"This energetic staging of Franz Lehar’s comic classic is a ribald treat"

The Times

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Tony and Olivier Award-nominated director Max Webster works internationally across theatre and opera. Renowned for his imaginative visual storytelling and his ability to draw detailed, emotionally compelling performances from actors and singers, his work combines theatrical scale with a strong focus on character and narrative.

Opera has been part of Max’s work since the beginning of his career. Most recently he directed Tchaikovsky’s Eugene Onegin at The Grange Festival, praised by The Stage for its “carefully calibrated acting and moving tableaux”. In 2027 he makes his Glyndebourne Festival debut with a new production of Rossini’s La Cenerentola. Previous opera includes La bohème for Göteborg Opera and The Merry Widow for English National Opera, and he began his career working as a staff director at houses including the Royal Opera House, Teatro alla Scala, Opéra de Lyon, Dutch National Opera and English National Opera.

In theatre, Max’s acclaimed productions include Life of Pi in the West End and on Broadway, Macbeth with David Tennant and Cush Jumbo, Henry V with Kit Harington and The Importance of Being Earnest with Stephen Fry at the National Theatre and in the West End.

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Eugene Onegin

Grange Festival Opera, June 2026


Dazzlingly original…sophisticated dramatic invention…an outstanding evening from a fine team, reinventing a great opera 

The Telegraph

The production illuminates Pushkin’s ideas of class and despair with satisfying vigour and impressive subtilty

The Stage

Completely unmissable

Bachtrack

La Bohème

Göteborg Opera, February 2020

It is magnificent... triggers the tear ducts

Expressen

Creative and powerful production

Borås Tidning

Invites you into a brilliant, magical world

Norran

A playfully shimmering reflection of the 1970s… impossible not to cry 

Svenska Dagblat

The Merry Widow

English National Opera, March 2019

Brings the house down

The Independent

The audience palpably loved every minute of the show

The Telegraph

This energetic staging of Franz Lehar’s comic classic is a ribald treat

The Times

The ENO have a hit on their hands

Bachtrack

The most fun you can have in an opera house

The Express

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