Tony and Olivier Award-nominated director Max Webster works internationally across theatre and opera. Renowned for his imaginative visual storytelling and his ability to draw detailed, emotionally compelling performances from actors and singers, his work combines theatrical scale with a strong focus on character and narrative.
Opera has been part of Max’s work since the beginning of his career. Most recently he directed Tchaikovsky’s Eugene Onegin at The Grange Festival, praised by The Stage for its “carefully calibrated acting and moving tableaux”. In 2027 he makes his Glyndebourne Festival debut with a new production of Rossini’s La Cenerentola. Previous opera includes La bohème for Göteborg Opera and The Merry Widow for English National Opera, and he began his career working as a staff director at houses including the Royal Opera House, Teatro alla Scala, Opéra de Lyon, Dutch National Opera and English National Opera.
In theatre, Max’s acclaimed productions include Life of Pi in the West End and on Broadway, Macbeth with David Tennant and Cush Jumbo, Henry V with Kit Harington and The Importance of Being Earnest with Stephen Fry at the National Theatre and in the West End.
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Eugene Onegin
Grange Festival Opera, June 2026
Dazzlingly original…sophisticated dramatic invention…an outstanding evening from a fine team, reinventing a great opera
The Telegraph
The production illuminates Pushkin’s ideas of class and despair with satisfying vigour and impressive subtilty
The Stage
Completely unmissable
Bachtrack
La Bohème
Göteborg Opera, February 2020
It is magnificent... triggers the tear ducts
Expressen
Creative and powerful production
Borås Tidning
Invites you into a brilliant, magical world
Norran
A playfully shimmering reflection of the 1970s… impossible not to cry
Svenska Dagblat
The Merry Widow
English National Opera, March 2019
Brings the house down
The Independent
The audience palpably loved every minute of the show
The Telegraph
This energetic staging of Franz Lehar’s comic classic is a ribald treat
The Times
The ENO have a hit on their hands
Bachtrack
The most fun you can have in an opera house
The Express
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