"the tenor Nicholas Mulroy was a poignant Evangelist"
Geoffrey Norris, Daily Telegraph
"Nicholas Mulroy's Acis is resonant and suave, combining muscularity and elegance"
David Vickers, Gramophone
"tenor Nicholas Mulroy was a persuasive, airy-sounding Evangelist"
Erica Jeal, The Guardian
Born in Liverpool, Nicholas Mulroy studied at Clare College Cambridge and Royal Academy of Music.
He regularly appears with leading ensembles throughout Europe, including Monteverdi Choir with Sir John Eliot Gardiner, Le Musiciens du Louvre with Marc Minkowski, Les concerts d’Astrée with Emmanuelle Haïm, Gabrieli Consort with Paul McCreesh as well as concerts with Orchestra of the Age of Enlightenment, Koelner Akademie, Dunedin Consort, Staatskapelle Dresden, Royal Scottish National Orchestra, English Chamber Orchestra, BBC Philharmonic, BBC Proms, Copenhagen Philharmonic, Wroclaw Philharmonic and Spitalfields Festival. Other conductors he has worked with include Laurence Cummings, Trevor Pinnock, Sir Colin Davis and Nicholas Kraemer.
On stage he has worked with Glyndebourne Festival Opera and on Tour, Opéra Comique Paris, Théâtre Capitole de Toulouse and at the Opéra de Lille.
Recordings include a Gramophone Award-winning Messiah with Dunedin Consort on Linn, and releases with Exaudi on NMC, King’s Consort on Hyperion and I Fagiolini on Chandos. He recently featured on two versions of the St John Passion singing the arias for Stephen Layton/Polyphony on Hyperion and Evangelist and arias for John Butt/Dunedin Consort on Linn.
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Bach’s B minor Mass with Musikkollegium Winterthur; cond. Laurence Cummings
Stadthaus Winterthur; November 2016
Nicholas Mulroy shaped the “Benedictus” with beautiful, lyric expression.
Thomas Schacher, Neue Zürcher Zeitung
J.S. Bach: Christmas Oratorio with Dunedin Consort
linn CKD 499; released October 2016
Nicholas Mulroy and Thomas Hobbs both make assured and communicative Evangelists.
Lindsay Kemp, Gramophone
King Arthur with the Gabrieli Consort
Beaune Festival, July 2015
There were also some outstanding individual contributions, including a mellifluously stylish ‘How blest are shepherds’ from the tenor Nicholas Mulroy.
Brian Robins, Opera Magazine
Bach’s St Matthew Passion with the Saint Paul Chamber Orchestra, conducted by Paul McCreesh
Ordway Concert Hall, Saint Paul; October 2015
Nicholas Mulroy was an excellent Evangelist, the work’s narrator. With his wide-ranging, expressive tenor, Mulroy displayed a deep involvement in the story. It was as if he were a reporter on location, describing with growing urgency the scenes he was witnessing.
Michael Anthony, Minneapolis Star Tribune
Deserving high praise is tenor Nicholas Mulroy, who sang the role of the Evangelist (the work's narrator) with a sense of drama bordering on the operatic.
Rob Hubbard, Twin Cities online
Purcell’s Birthday Odes for Queen Mary II with the Gabrieli Consort
Wigmore Hall, May 2015
Nicholas Mulroy stood out for tackling Purcell’s high-flying tenor writing with exceptional ease.
Tim Ashley, The Guardian ****
Nicholas Mulroy also excelled.
Richard Fairman, The Financial Times ****
St John Passion with the Dunedin Consort
Wigmore Hall, April 2015
To be set against this driven, hectic intensity were many subtle things, not least the combination of forthright emotional candour and tenderness of the Evangelist Nicholas Mulroy.
Ivan Hewett, The Telegraph ****
St Matthew Passion with the Dunedin Consort
Scottish Tour, March 2015
Much praise is due to the brilliantly paced, lucidly articulated narration of Nicholas Mulroy’s Evangelist: he seems to get better every time.
Kate Molleson, The Guardian ****
We were spellbound on Friday. At the heart of this hard-hitting, quasi-operatic, fast-action interpretation, Nicholas Mulroy’s Evangelist was a magnetic all-consuming presence, all the more powerful for it being sung “off the score”.
Kenneth Walton, The Scotsman
Handel Messiah, Dunedin Consort
Kings Place, London (December 2016)
The outstanding solo contributions came from [...] tenor Nicholas Mulroy. [...] Mulroy, his voice blazing with conviction, was extraordinarily moving both as harbinger of peace in Comfort Ye and in the ferocious way he delivered Thy Rebuke Hath Broken His Heart.
Tim Ashley, The Guardian *****
The four soloists — soprano Mhairi Lawson, countertenor James Laing, tenor Nicholas Mulroy and bass Matthew Brook, sounding on refulgent form.
Richard Fairman, The Financial Times ****
Australian Chamber Orchestra (December 2013)
He is 'the most sought-after evangelist of his generation'. It is a big call, but to hear him sing there is no doubt. He is a cogent story-teller, with a radiant sound that just gets more ravishing as it gets higher. It is hard to imagine anyone singing it better.
Harriet Cunningham, The Sydney Morning Herald
St John Passion
Auckland Philharmonia (August 2014)
English tenor Nicholas Mulroy sang from memory as the Evangelist. He outlined the piece's sorrowful trajectory with a remarkable range of emotions.
William Dart, New Zealand Herald
Nicholas Mulroy’s Repertoire List
|BERLIOZ||Les Troyens (Iopas, Hylas)|
|BRITTEN||Billy Budd (Novice)
Albert Herring (Albert)
Turn of the Screw (Peter Quint)
Church Parables (various)
Midsummer Night’s Dream (Flute)
|DONIZETTI||Don Pasquale (Ernesto)|
|MONTEVERDI||L’Orfeo (Orfeo, Pastore)
L’Incoronazione di Poppea (Soldato, Liberto, Arnalta, Lucano)
Il Ritorno d'Ulisse (Telemaco)
|MOZART||Magic Flute (Tamino, Monostatos)
Cosi fan tutte (Ferrando)
Don Giovanni (Don Ottavio)
Die Entführung aus dem Serail (Belmonte)
La Finta Giardiniera (Belfiore)
|POULENC||Les Dialogues des Carmélites (Le Chevalier)|
|PROKOFIEV||Betrothal in a Monastery (Novice)|
|RAMEAU||Castor et Pollux (Castor)
Hippolyte et Aricie (Hippolyte, le Suivant de l'Amour, 1er Parque)
|ROSSINI||La Cenerentola (Ramiro)
Il Barbiere di Siviglia (Almaviva)
L'Italiana in Algeri (Lindoro)
Il Turco in Italia (Narciso)
|WEIR||A Night at the Chinese Opera (Tenor Actor)|
Nicholas Mulroy’s Discography