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• Harrison Birtwistle (1934 - 2022)
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• Peter Bronder
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• Nicholas McGegan
• Laurence Cummings
• Mahan Esfahani
• Mhairi Lawson
• The Cardinall’s Musick
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• Matthew Brook
• Dame Emma Kirkby
• Omar Ebrahim and Elizabeth Atherton deliver ‘terrific intensity’ in Penderecki's St Luke Passion with the LPO
• Sam Furness and David Shipley nominated for International Opera Awards 2017
• Robert Levin appointed as inaugural AAM Hogwood Fellow
• New Artist: Cellist Pieter Wispelwey
• Katie Bray and Fflur Wyn are ‘breathtaking’ as Hansel and Gretel
• “Strong and moving”: Orpha Phelan’s Dead Man Walking at Royal Danish Opera
• Radical and gripping: Stephen Langridge’s pin-sharp Elektra in Gothenburg
• The Leonore Piano Trio ‘evoke the rainbow colours’ in Taneyev & Rimsky-Korsakov disc
• Sergey Romanovsky earns sensational reviews for his Covent Garden debut
• Birtwistle celebrated in a year long series of concerts in Porto
• The ‘brilliant’ Borodin Quartet performs ‘perfectly’ in Dresden under Vladimir Jurowski
• Job Vacancy: Assistant Artist Manager
• Sonoko wins Statoil Scholarship 2016
• Michael Berkeley composes new carol for King’s College Cambridge
• Tobias Ringborg turns Fedora into a “rich musical carpet”
• Rayfield Allied Artists receive Grammy Award 2017 Nominations
• Julia Jones conducts first concert as GMD in Wuppertal
• Rayfield Allied Advent Calendar
• Katie Bray named ‘performer of the season’ for her roles at ETO
• Nick Pritchard “in glorious voice” in ETO’s critically acclaimed Ulysses’ Homecoming
• Steve Reich celebrates 80th birthday in London
• Orpha Phelan’s Billy Budd for Opera North is “top notch”
• 11 RA artists in Gramophone’s top 50 Handel recordings
• Sonoko stars in Strad Magazine
• BBC Composer of the Week: Daniel Kidane
• ‘Outstanding interpretation’: three Rayfield Artists excel in Idomeneo at Göteborg
• Mahan Esfahani’s “hugely stimulating” Goldberg Variations released by DG
• David Parry conducts Hoffman in Wuppertal “with filigree allure and mighty climaxes”
• Jennifer Pike joins Rayfield Allied for General Management
• Critics acclaim new Michael Berkeley Violin Concerto at the BBC Proms
• The wit from the pit - David Parry’s Rossini “full of sparks and sparkle”
• Orpha Phelan’s production of “Powder Her Face” wins prestigious Reumert Award
• The Cardinall’s Musick’s latest Tallis CD - “singing of the highest standard”
• Daniel Kidane’s Sirens a"pulsating, foot-tapping” success
• Robert Levin made Honorary Member of American Academy of Arts and Letters
• Julia Jones appointed as General Music Director in Wuppertal
• Rayfield Allied at the BBC Proms 2016
• Edgy and gripping: Stephen Langridge’s new Hamlet
• Covent Garden season announced, featuring several Rayfield Allied artists
• Captivating, convincing, virtuosic staging: Orpha Phelan’s Powder Her Face
• Good Friday concerts throughout Europe feature Rayfield Allied artists
• Rayfield Allied artists nominated for 2016 International Opera Awards
• Steve Reich receives RCM Honorary Doctorate
• Three Rayfield Allied artists excel in live recording of Iphigénie en Tauride
• Venera Gimadieva makes her role debut as Giulietta in Bellini’s I Capuleti e i Montecchi
• Sam Furness wins WhatsOnStage Opera Poll 2016 award for Breakthrough Artist
• David Stout sings a critically acclaimed Figaro
• “Fresh, fizzy and vibrant” - Tobias Ringborg’s conducting makes Elixir of Love bubble with life
• New artist: Nick Pritchard
• Venera Gimadieva receives outstanding reviews for her Royal Opera House debut
• Nicholas McGegan triumphs in Glasgow
• Mahan Esfahani and Michala Petri win International Classical Music Award
• Simon Goldstone joins Rayfield Allied as Director: Opera
• Leonore Piano Trio’s new disc of Lalo trios is ‘terrific stuff’
• Birtwistle wins at BASCA
• Mahan Esfahani’s DG album named Sinfini Solo Instrumental Recording of 2015
• Five-star reviews for Laurence Cummings and Christopher Ainslie at Glyndebourne
• Mahan Esfahani’s Rameau album nominated Limelight’s Recording of the Year
• Michael Berkeley’s Anthem premiered at Wells Cathedral
• Stephen Langridge and Alison Chitty create “timeless” Theodora
• Borodin Quartet brings its ‘fierce and formidable’ playing to the USA
• Birtwistle receives prestigious Wihuri Sibelius Prize
• Impressive debut as Rosina for Katie Bray at Opera North
• Fflur Wyn and Robin Blaze “first-rate” in WNO’s Orlando
• Tobias Ringborg and Phillip Rhodes in Tosca: ‘Spellbinding!’
• Julia Sporsén “simply outstanding” in Folkoperan’s La Traviata
• Birtwistle recording exudes “vividness and explosive energy”
• Julia Jones in concert - a look back on the 2014/15 season
• Mahan Esfahani leads Rayfield Allied Gramophone Awards with three nominations
• “Delightful to hear and watch from start to finish”: Peter Harvey at the Bach Festival in Carmel
• Birtwistle’s Angel Fighter creates a “pungent and persuasive statement”
• Fflur Wyn an “enchanting” Lakmé at Opera Holland Park
• The Borodin Quartet “makes music flow as naturally as speech”
• Borodin Quartet honoured with International Shostakovich Award
• “Mozart of the highest quality”: Julia Jones wows with Così fan tutte in Vienna
• Birtwistle’s The Cure premieres in Aldeburgh and London
• Göttingen’s virtuosic Agrippina “well worth the journey”
• David Hill brings Yale and Juilliard to Europe
• Mahan Esfahani’s inaugural album for DG a “truly magical mash-up”
• Alison Chitty and David Parry steer ENO’s Pirates of Penzance to London success
• “True Verdian music-making”: Tobias Ringborg conducts Il Trovatore
• RPS Awards success for Birtwistle Festival
• Rayfield Allied artists in Gramophone Top 10 Mozart recordings
• Mahan Esfahani’s “dashing” debut with the Chicago Symphony Orchestra
• Adrian Dwyer “bold” and “bright” in Opera North’s Swanhunter
• Michael Berkeley’s Private Passions celebrates 20 years
• Mahan Esfahani wins BBC Music Magazine Award
• Laurence Cummings celebrates 10-years at Casa da Musica
• Laurence Cummings in full swing at London Handel Festival
• Passiontide at Rayfield Allied: Easter Tidings
• Borodin Quartet’s new Shostakovich CD out now!
• Leonore Trio presents the Complete Beethoven Piano Trios at Kings Place
• The Legendary Borodin Quartet Signs to Decca
• David Hill conducts London Symphony Orchestra in Duruflé Requiem
• Laurence Cummings conducts major new Peter Sellars production at ENO
• Julia Sporsén makes “phenomenal” debut at Gothenburg Opera
• British composer Daniel Kidane signs with Rayfield Allied
• Borodin Quartet receives Lifetime Achievement Award
• Mahan Esfahani and Michala Petri’s Corelli disc Gramophone Editor’s Choice
• “Superstar” Mahan Esfahani releases “ravishing” Rameau
• Birtwistle in London
• Borodin Quartet: Sound Quality
• Borodin Quartet brings its “smooth, perfectly balanced sound” to the UK
• Birtwistle’s Responses receives world premiere
• Russian grand masters on tour in Australia and New Zealand
• David Hill to conduct the BBC Singers 90th Anniversary celebrations
• Langridge’s Figaro is “a sparkling tribute to humanism, empathy and love”
• Borodins play Beethoven in Bonn then head Down Under
• Mahan Esfahani wins Gramophone Award
• Mahan Esfahani signs to Deutsche Grammophon
• Gramophone Awards shortlist announced
• Julia Jones opens 50th Macerata Opera Festival with “dramatic and intimate” Aida
• Mahan Esfahani’s Wigmore Hall LIVE CD “beyond criticism”
• Birtwistle receives honorary degree from the University of Oxford
• Julia Jones conducts an “overwhelmingly successful” new Fidelio in Vienna
• New book and recordings celebrate Birtwistle at 80
• The Cardinall’s Musick celebrate their 25th Anniversary
• Ainslie and Sporsén “admirable” and “outstanding” in Thebans at ENO
• Birtwistle at 80 – Barbican Centre celebrates
• CPE Bach disc wins Diapason d’Or
• Rayfield Allied artists at the BBC Proms 2014
• Steve Reich Wins the Venice Biennale Leone d’Oro
• 2014/15 Season announced at Royal Opera House
• The Leonore Piano Trio’s debut CD is filled with “sumptuous breadth and beguiling warmth”
• Julia Jones returns to Bordeaux to conduct a new Bluebeard’s Castle
• Steve Reich receives Frontier of Knowledge Award for Contemporary Music
• Mahan Esfahani’s CPE Bach disc BBC ‘Recording of the Month’
• “Unbeatable Beethoven” with Robert Levin and Steven Isserlis
• Rayfield Allied artists in ‘The Best of’ Classical Music 2013
• “Magnificent” Mulroy “ravishing” in Sydney
• Artist recording highlights of 2013
• René Pape: “The ace of bass” in Parsifal at Covent Garden
• Matthew Brook “resplendent” in Hyperion’s Christmas Oratorio
• Stephen Langridge’s “contemporary but timeless” Parsifal triumphs in London
• Julia Jones returns to Bordeaux to conduct a new Otello
• New Parsifal for Covent Garden
• Berkeley on Britten on the BBC
• Standing ovation for Steve Reich at Rest is Noise Festival
• New Australian post for Nicholas McGegan
• David Hill conducts world premiere of Blitz Requiem at St Paul’s Cathedral
• Borodin Quartet joins Rayfield Allied for General Management
• New Artist: composer Michael Berkeley
• New Artist: Conductor David Hill
• Birtwistle’s Gawain triumphs in Salzburg
• Rayfield Allied artists perform at The Coronation Festival Gala
• Rayfield Allied artists shortlisted for Gramophone 2013 Awards
• Birtwistle celebrations continue in Salzburg
• The Cardinall’s Musick:  BBC Radio 3 “Building a Library” winner
• Major new Birtwistle song-cycle premieres in Aldeburgh
• Julia Sporsén: “vivid” debut as Nedda in Opera Holland Park’s Pagliacci
• Triumphant second festival for Laurence Cummings in Göttingen
• Rayfield Allied artists feature strongly as ENO’s new season announced
• Peter Bronder debut as Rienzi in Frankfurt
• Julia Jones makes “welcome return” to the Royal Opera House
• May Festival 2013 begins for Ensemble 360
• Rayfield Allied artists in BBC Proms 2013 Season
• Pierre-André Valade appointment with Ensemble Orchestral Contemporain
• New artist: Conductor Julia Jones
• Ensemble 360 to feature in BBC Radio 3 lunchtime concerts
• Steve Reich world premiere in London
• Nicholas Mulroy and Matthew Brook star in Gramophone and BBC Music “Recordings of the Month”
• Phillip Rhodes “ideal ” as Purcell’s Aeneas
• Mahan Esfahani completes triumphant US tour
• Ya-Fei Chuang triumphs at Boston piano recital
• Stunning reviews for The Cardinall’s Musick’s latest recording
• Birtwistle and Reich appear in major new BBC Four Series
• The Minotaur at Covent Garden: “The opera looks good, sounds overwhelming…”
• Stephen Langridge joins Rayfield Allied
• Mahan Esfahani named in The Best Classical Music of 2012
• Laurence Cummings conducts groundbreaking production in Zurich
• Harrison Birtwistle world premiere: The Moth Requiem
• Peter Bronder - debut at Deutsche Staatsoper Berlin under Barenboim
• Tobias Ringborg “thrills” with Don Giovanni
• Julia Sporsén “captivates” in ENO’s new production of Julietta
• Gramophone Awards 2012: Rayfield Allied artists in the short-list
• Mahan Esfahani returns to the Proms with a Bach premiere
• Katie Bray receives prestigious prize from Royal Academy of Music
• Steve Reich at Bloc Festival: “A towering titan of musical exploration”
• Pride of place at Thames Pageant for David Parry and LPO
• Harrison Birtwistle: “his music is a vital, essential, life force which you need to hear”
• Outstanding reviews for the “mercurial fingers of Robert Levin at the fortepiano”
• Exciting New Era at Göttingen International Handel Festival
• New CD Release: David Parry conducts Il Pirata
• English National Opera announce 2012/2013 Season
• 2012 BBC Proms season announced
• Harrison Birtwistle wins 2012 BBC Music Magazine Award
• The Cardinall’s Musick - Byrd Tour 2012 begins…
• Recording featuring Nicholas Mulroy, Matthew Brook and Annie Gill “a winner”
• Pierre-André Valade is appointed Artistic Co-Director of Athelas Sinfonietta
• “Engaging, Inspiring and Exciting”: Harrison Birtwistle in 2012
• ‘The unstoppable talent of Mahan Esfahani’: Early Music Today interview
• Nicholas McGegan’s latest CD nominated for Grammy
• René Pape and Harrison Birtwistle are selected in the Sunday Times Top 100 Albums of 2011
• Gemma Rosefield’s Stanford CD “first-class”
• WTC 9/11 “a truly profound work” (Gramophone)
• Robert Levin’s performance an “an astonishing revelation”
• Three new recordings from ‘impeccable’ Dame Emma Kirkby
• New Artists: Quatuor Mosaïques and Ensemble 360
• 2011 Gramophone Awards success
• “An impressive team achievement” for Nicholas Cleobury and MWO
• Rosefield and the Romantic Cello Concerto: Stanford in Scotland
• René Pape “simply magnificent” as Mephistopheles in Faust
• Harrison Birtwistle premieres
• Europe Celebrates Steve Reich’s 75th Birthday
• Alison Chitty returns to NT with Mike Leigh
• Adrian Dwyer’s “heroic” return to Opera Holland Park
• Julia Sporsén sings her first Gilda
• New Artist: Harpsichordist and Conductor Mahan Esfahani
• Matthew Brook debuts as Seneca in Florence
• Latest Handel recording from Matthew Brook
• Gemma Rosefield: Curating at the Crucible
• New Artist: cellist Gemma Rosefield
• Dame Emma Kirkby receives Her Majesty’s Medal for Music
• Scottish Opera announces 2010-11 season
• Gramophone Recording of the Month: Matthew Brook’s Polyphemus
• Matthew Brook’s Polyphemus is BBC Radio 3’s first choice
• Rayfield Artists at the 2009 Edinburgh Festival
• Matthew Brook “turns anything he sings to gold” - three new recordings
• “Monstrously satisfying”: Matthew Brook’s Polyphemus
• Rayfield Artists at the 2008 Edinburgh Festival
• Rayfield Artists at the 2008 Proms
• Matthew Brook’s “masterful” Matthew Passion
• Outstanding reviews for Julia Sporsén’s Donna Anna
• Emma Kirkby made a Dame in the Queen’s birthday honours
• Julia Sporsén’s “heavenly” Micaela at Opera Holland Park
• Julia Sporsén makes her Wigmore Hall recital debut
• Omar Ebrahim performs Snatches of a Conversation by Peter Eötvös
• Theatre of the Ayre perform Venus and Adonis
• Watch a performance of Daniel Kidane’s Foreign Tongues
• Nicholas Mulroy sings the Evangelist in Bach's St Matthew Passion
• Stephen Langridge directs Elektra
• Orpha Phelan directs Dead Man Walking
• Pieter Wispelwey plays Stravinsky’s Suite Italienne
• Pieter Wispelwey plays Schubert’s Variations on Trockne Blumen
• Pieter Wispelwey plays Bach’s Cello Suites
• The Leonore Piano Trio present their latest disc for Hyperion
• Brett Polegato sings “Mein Sehnen, Mein Wähnen” from Korngold’s Die tote Stadt
• Excerpts from the Leonore Piano Trio’s latest disc for Hyperion
• Phillip Rhodes sings "Te Deum" from Puccini's Tosca
• Sergey Romanovsky sings “Che vidi” from Rossini’s Zelmira at the Opéra de Lyon
• Listen to Birtwistle’s Night’s Black Bird
• David Shipley sings ‘Quoniam tu solus sanctus’, conducted by Sir John Eliot Gardiner
• David Hill presents the Blitz Requiem
• Laurence Cummings directs Handel’s Arminio
• Peter Harvey sings “Mache Dich mein Herze rein” from St Matthew Passion
• Tobias Ringborg records Song to the Moon
• Matthew Brook sings ‘Thus saith the Lord’
• David Stout sings “Now Heaven in fullest glory shown” from Haydn’s The Creation
• Quatuor Mosaïques plays Mozart’s String Quartet No.15
• Listen to Matthew Brook sing ‘Verdoppelt Euch Demnach’ from Bach’s Christmas Cantata BWV 63
• Watch Pierre-Andre Valade conduct at La Biennale di Venezia
• Jack Furness directs ‘Erwartung’ and ‘Twice through the Heart’ for Shadwell Opera (trailer)
• An excerpt of the Leonore Piano Trio’s disc of Piano Trios by Édouard Lalo
• Orpha Phelan directs Powder Her Face
• Borodin Quartet Perform Myaskovsky’s String Quartet No. 13 in A minor Op. 86
• The Borodin Quartet perform in Paris
• Venera Gimadieva sings Violetta at Glyndebourne
• Robert Levin plays Beethoven’s Piano Concerto no.5
• Jane Gibson in rehearsals with the dancers for La Traviata
• Gwyn Hughes Jones sings ‘E lucevan le stelle’ from Puccini’s Tosca
• Watch Fflur Wyn perform Oscar Bianchi’s Thanks to my Eyes
• David Parry conducts Walton’s Orb & Sceptre
• Peter Harvey sings Et In Spiritum Sanctum
• Listen to Jennifer Pike play Mendelssohn with Edward Gardner
• Listen to Jennifer Pike's recording of the Sibelius Violin Concerto with Sir Andrew Davis
• Jennifer Pike performs Tchaikovsky’s Violin Concerto at the BBC Proms
• Elizabeth Kenny and Robin Blaze perform Lawes
• Joshua Ellicott sings the Benedictus from Bach’s Mass in B Minor
• Stephen Langridge directs Theodora at the Théâtre des Champs-Élysées
• Sam Furness sings the title role of The Tales of Hoffmann for ETO
• Mhairi Lawson sings ‘Nun beut die Flur das frische Grün’ from Haydn’s Die Schöpfung
• Nicholas Mulroy sings “Thou Shalt Break Them” from Handel’s Messiah
• Peter Bronder sings Salome (1)
• Tobias Ringborg conducts Foroni’s Cristina Regina di Svezia
• Mhairi Lawson sings Venus in Blow’s Venus and Adonis
• Ya-Fei Chuang plays Rachmaninov
• The Borodin Quartet performs Shostakovich String Quartet No. 11
• Sergey Romanovsky sings Neapolitan song Core ‘ngrato
• Anna Harvey sings ‘Es ist vollbracht' from Bach's Johannes-Passion
• Sergey Romanovsky sings the “Song of the Young Gypsy” from Rachmaninov’s Aleko
• Pierre-André Valade lead the sixth London Sinfonietta Academy 2015
• Harrison Birtwistle on Responses
• Watch Emma Kirkby sing ‘Sweet was the Song the Virgin Sang’
• Peter Bronder sings Mime in Siegfried at La Scala
• Listen to Mahan Esfahani play an excerpt from Steve Reich’s Piano Phase
• Laurence Cummings conducts the overture to Handel's Siroe recorded at the Göttingen Handel Festival
• Joshua Ellicott sings Schubert’s Nacht und Träume, D.827
• David Parry conducts Pinocchio
• David Hill talks about his new Naxos recording of Howells’ Stabat Mater
• Listen to the Leonore Piano Trio plays Dvorak’s Trio No. 3, 1st mov.
• Ya-Fei Chuang plays Ravel’s “Ondine”
• Emma Kirkby sings Blow’s ‘Sappho’
• Harrison Birtwistle: Notes from the End of a Garden
• Mhairi Lawson sings Schubert’s La Pastorella D.528
• Watch Julia Sporsén sing a clip from A Flowering Tree
• Harrison Birtwistle and Alison Chitty on The Cure
• Michael Berkeley’s Organ Concerto
• A Restoration Tempest directed by Elizabeth Kenny
• Watch a trailer for Mahan Esfahani’s inaugural DG album
• Pierre-André Valade discusses conducting different repertoires
• Elizabeth Kenny performs Flying Horse
• Elizabeth Kenny performs Passacaille by Robert de Visée
• Robert Levin plays Beethoven Piano Concerto No. 1 mvt I
• Nicholas Mulroy sings "Mein Herz, in dem die ganze Welt" from St John Passion
• The Borodin Quartet plays Shostakovich String Quartet No. 8
• Nicholas McGegan conducts Berlioz’s Les Nuits d’été
• The Leonore Trio plays Beethoven Piano Trio No.5 Op.70 No.1 ‘Ghost’
• Listen to Daniel Kidane’s Tourbillon for recorder and harpsichord
• Listen to a track from Mahan Esfahani and Michala Petri’s latest Corelli disc
• Listen to Daniel Kidane’s Carceri
• Listen to Daniel Kidane’s Thrice Around the Cuckoo Clock
• Listen to Daniel Kidane’s 'Links'
• Listen to Daniel Kidane’s Entwined
• Laurence Cummings conducts Faramondo
• The Leonore Piano Trio plays Arensky’s Piano Trio No 1
• Robert Levin plays Beethoven Cello Sonata in F with Steven Isserlis
• Listen to Mahan Esfahani perform the Allegro from CPE Bach’s Württemberg Sonata in E Flat
• Watch the Borodin Quartet perform Prokofiev String Quartet No 2
• Harrison Birtwistle in rehearsal with The Opera Group
• Mahan Esfahani plays the Courante from Rameau’s Suite in e minor
• Watch Stephen Langridge discuss Le Nozze di Figaro
• Pierre-André Valade discusses his approach to music
• The Leonore Piano Trio plays Dvorak’s Trio No. 3, 4th mov.
• Laurence Cummings conducts Bach’s Brandenburg Concerto No. 3
• The Leonore Piano Trio plays Rachmaninov’s Vocalise
• Borodin Quartet plays Quintet for Piano and String Quartet by Bela Bartok
• Robert Levin plays Beethoven Cello Sonata in C with Steven Isserlis
• Borodin Quartet performs Nikolai Myaskovsky String Quartet no.13
• Borodin Quartet plays Haydn String Quartet in G op.33 no.5
• Borodin Quartet plays Alexander Borodin String Quartet no.1
• The Borodin Quartet plays Glinka Grand Sextet
• Matthew Brook sings Bach’s ‘Grosser Herr’
• Mahan Esfahani plays William Byrd
• David Hill talks about Delius A Mass of Life
• David Hill talks about The Bach Choir’s performance at the Royal Festival Hall
• Quatuor Mosaïques plays Schubert’s “Death and the Maiden”
• Leonore Piano Trio plays Mozart Piano Trio in G, K496
• Leonore Trio plays Simon Roland Jones Piano Trio ‘Holkham Beach
• The Leonore Piano Trio plays Schubert Adagio
• The Minotaur stage rehearsal at Covent Garden
• The Minotaur Sitzprobe at Covent Garden
• David Parry conducts Ullmann
• Mhairi Lawson sings “Si la gondola avere”
• Matthew Brook sings Handel’s Esther
• Harrison Birtwistle discusses his music on BBC Radio 3
• Ya-Fei Chuang plays Mendelssohn’s Lied ohne Worte
• Nicholas Mulroy sings the aria from Bach’s Cantata BWV 78
• Nicholas Mulroy sings the recitative from Bach’s Cantata BWV 78
• Ya-Fei Chuang plays Rachmaninov’s Second Piano Sonata, Movement 3
• Harrison Birtwistle accepts BBC Music Magazine Award
• David Parry conducts Bellini’s Il Pirata
• Quatuor Mosaïques plays Beethoven Op. 59 No.2
• Peter Bronder sings “Der letzte Freund” from Pfitzner’s Palestrina
• Harrison Birtwistle’s Aleatoric Pebble
• John Tusa interviews Harrison Birtwistle
• Peter Bronder sings Salome (3)
• Peter Bronder sings Salome (2)
• Peter Bronder in Boris Godunov (3)
• Peter Bronder in Boris Godunov (2)
• Peter Bronder in Boris Godunov (1)
• Quatuor Mosaïques plays Groß String Quartet No. 3 in F minor, Op. 37
• Robert Levin discusses keyboard development effect on Beethoven
• Laurence Cummings conducts Bach’s Suite No. 2
• Laurence Cummings conducts the Gigue from Carlos Seixas’ Concerto in F
• Laurence Cummings conducts Georg Muffat’s Concerto Grosso No. 8
• Laurence Cummings Bach French Suite No 5 in G major BWV816 – Gigue
• Wigglesworth and Birtwistle discuss The Shadow of Night and Night’s Black Bird
• Pierre-André Valade conducts Hurel’s Pour Luigi
• David Parry conducts Ermione
• Robert Levin performs Mozart’s Piano Concerto No. 15 mvt I Allegro with Christopher Hogwood and the AAM
• Robert Levin Mozart Lecture
• Laurence Cummings on ENO’s staging of Messiah
• Birtwistle on Birtwistle
• Birtwistle in conversation
• Matthew Brook sings ‘Invida sorte avara’
• Emma Kirkby - The Queen’s Music 2
• Emma Kirkby - The Queen’s Music 1
• Mhairi Lawson sings ‘On Mighty Pens’
• Mhairi Lawson sings Vivaldi’s ‘Sit nomen Domini’
• Mhairi Lawson sings Vivaldi’s ‘Lungi dal vago volto’
• Matthew Brook sings ‘I rage’
• Media
• Equality, Diversity and Inclusion
• Artists
• Sō Percussion
• Sō Percussion perform Steve Reich's Mallet Quartet
• Sō Percussion perform David Lang's 'man made' with the LA Philharmonic
• Sō Percussion's Tiny Desk Concert on NPR
• Matthew Brook “shows disarming musical ability” in Staatsteater Stuttgart’s Ariodante
• Listen to Elizabeth Kenny & Theatre of the Ayre perform Campion's Now hath Flora robb'd her bow'rs
• Listen to Mahan Esfahani play Variation 26 from his DG recording of The Goldberg Variations
• Hilary Hahn and Robert Levin are “a duo of rare and sensitive musicality”
• Julia Jones conducts Don Giovanni at Nederlandse Reisopera
• Passiontide at Rayfield Allied
• Leonore Piano Trio "stylish" and "technically impeccable" in David Matthews Piano Trios recording
• Martyn Brabbins meets Harrison Birtwistle
• Birtwistle's The Last Supper
• Listen to Mahan Esfahani perform Górecki's Harpsichord Concerto
• Royal Scottish National Orchestra premiere Daniel Kidane's 'Zulu'
• Mahan Esfahani wins the 2017 BBC Music Magazine Instrumental Award for his recording of the Goldberg Variations on DG
• Rayfield Allied at the 2017 BBC Proms
• Outstanding reviews for "trailblazing virtuoso" Pieter Wispelwey's latest release
• Orpha Phelan and Wojtek Gierlach nominated for Reumert Award
• Steve Reich appears at the new Elbphilharmonie Hamburg
• Julia Jones makes "impressive debut" at Seattle Opera
• Laurence Cummings presents his sixth season as Artistic Director of the Göttingen Handel Festival
• Ji-Min Park
• Katie Bray sings 'The Kingdom of Bones' by Philip Grange
• Nicholas Mulroy directs the Dunedin Consort to celebrate Monteverdi's 450th Birthday
• New artist: tenor Ji-Min Park
• Julia Sporsén sings the role of Elsa Lill in Herr Arnes penningar
• Valade and Herresthal perform Saariaho at the Bergen International Festival
• Sam Furness sings 'Dies Bildnis ist bezaubernd schön'
• Sam Furness sings "Kuda, kuda vï udalilis" from Eugene Onegin
• Deep Time is "one of Birtwistle’s finest orchestral achievements"
• Peter Bronder makes "flawless" New York Philharmonic debut
• Stuart Stratford
• Orpha Phelan's production of Dead Man Walking at Royal Danish Opera wins Reumert Award
• New artist: conductor Stuart Stratford
• Fantastic reviews for David Parry, Katie Bray and Luciano Botelho in Garsington 'Il Turco'
• Francesca Chiejina and David Shipley perform in Jette Parker Young Artist Programme Summer performance
• Omar Ebrahim brings his 'glorious baritone' to Committee... at the Donmar Warehouse
• Julia Sporsén makes "gripping" debut as Káťa Kabanová
• Mahan Esfahani performs the Allegro from C.P.E. Bach's Harpsichord Concerto in d minor wq23
• Elizabeth Kenny wins Gramophone Classical Music Award 2017
• "Rich, touching and funny": Orpha Phelan's 'Fiddler on the Roof' at Malmö Opera
• "Truly superhuman": Pieter Wispelwey wows Australian audiences with his "magical lightness"
• "A performance that stands out for its verve and clarity": Julia Jones's Die Zauberflöte at the ROH
• Rayfield Allied artists open Opera North's season of Little Greats
• Rayfield Allied artists give 'electric' Grange Festival performances
• René Pape sings Beethoven's Gellert Lieder, Op. 48
• René Pape sings Dvorak Biblical Songs, Op. 99
• René Pape sings Mussorgsky's Songs and Dances of Death
• This is Birtwistle at the Barbican
• Paul McCreesh
• Paul McCreesh conducts 'Libera me' from Britten's War Requiem
• Paul McCreesh conducts 'Thanks be to God' from Mendelssohn's Elijah
• Paul McCreesh conducts Beethoven with the Verbier Festival Chamber Orchestra
• Theatre of the Ayre
• Theatre of the Ayre rehearse their programme 'Sacred Theatre'
• New artist: conductor Paul McCreesh
• Adrian Dwyer makes "career-defining" house and role debut in Welsh National Opera's Khovanshchina
• Anna Harvey sings Ariodante’s aria Dopo notte
• The Borodin Quartet tours the US and Canada
• Paul McCreesh conducts Schubert's Symphony No. 9 with the Danish Radio Symphony Orchestra
• Trailer for Shadwell Opera's production of "The Lighthouse", directed by Jack Furness
• Quatuor Mosaïques play Beethoven's String Quartet No.13 in B flat major
• Fflur Wyn sings 'Da tempeste il legno infranto' from Handel's Giulio Cesare
• Fflur Wyn sings Sophie's Aria from Strauss' Der Rosenkavalier​
• Two premieres – first performances for new Michael Berkeley works in Moscow and London
• Anna Harvey sings 'Oh! la pitoyable aventure!' from Ravel's L'heure Espagnole
• Quatuor Mosaïques' disc of Beethoven's Late Quartets is a 'treasure'
• Preview of Leonore Piano Trio's latest recording of Pixis for Hyperion
• Rayfield Allied Advent Calendar: Who's behind the door today?
• Mhairi Lawson sings 'Chiome d'oro' from Monteverdi's Madrigals Book VI
• "Well and truly sparkling" and "full of Christmas spirit": Julia Jones's first opera as General Music Director in Wuppertal
• Nicholas Mulroy returns to Australia for Christmas
• Peter Harvey sings "Why do the gentiles tumult?" from Handel's Occasional Oratorio
• Pieter Wispelwey releases new recording of Mendelssohn's Piano Trio No. 2
• David Stout sings "Leave me John... This is the place" from John Joubert's Jane Eyre
• Listen to Daniel Kidane's 'Zulu' performed live by the Royal Scottish National Orchestra
• Venera Gimadieva makes her Vienna State Opera debut as Elvira in Bellini's I Puritani
• Adrian Dwyer sings the Astrologer's Arias
• Adrian Dwyer sings the Aria of the Worm
• Adrian Dwyer sings O Colombina
• Sergey Romanovsky sings "Che gelida manina" from La bohème
• “In a class of its own” – The Royal Opera’s The Return of Ulysses with Caitlin Hulcup, Francesca Chiejina, David Shipley, Nick Pritchard and Liz Kenny
• Borodin Quartet to perform with Vladimir Jurowski and the London Philharmonic Orchestra
• Anna Harvey sings Monique Krüs' 'Lunam ne quidem Lunam'
• Pieter Wispelwey and Paolo Giacometti release the fourth instalment of their complete Brahms duos
• Laurence Cummings 'impressively and passionately' brings out 'magnificent colours' in Theater an der Wien debut
• Sō Percussion perform "Life is (__)" by Jason Treuting
• Gwyn Hughes Jones, Adrian Dwyer, Wojtek Gierlach and David Stout at Welsh National Opera in 2018-19
• Morison, Levin and Brook star in the 2018 Edinburgh International Festival
• Joshua Ellicott sings the first movement from George Walker's 'Lilacs'
• London Handel Festival 2018 now in full swing
• Jones, Rhodes, Furness, Stout and Francis announced in Royal Opera House 2018/19 Season
• Gothic Voices sing Dufay's 'Vergene bella'
• Gothic Voices sing Dufay's 'Ecclesiae militantis'
• Sonoko Miriam Welde performs the Barber concerto under Edward Gardner
• "Truly magnificent": Julia Sporsén a "highlight" as Komponist at Scottish Opera
• David Hill, Yale Schola Cantorum principal conductor, warmly reviewed for Palestrina and Fauré discs
• Gothic Voices sing Hildegard of Bingen's 'Ave Generosa'
• Gothic Voices sing Joanne Metcalf's 'In nome del bel fior'
• Gothic Voices sing Andrew Smith's 'Stond wel, Moder, under rode - Part I'
• Gothic Voices sing 'Alleluia psallat / Alleluia concinat - Virga Jesse' (Anon.)
• Rayfield Allied artists announced in Scottish Opera's 2018/19 season
• The Cardinall's Musick sing William Byrd's Infelix Ego
• The Cardinall's Musick sing William Byrd's Gaudeamus Omnes
• The Cardinall's Musick sing Thomas Tallis's Honor Virtus et Potestas
• Listen to an interview with Andrew Carwood about The Cardinall's Musick on Classic FM
• Andrew Carwood discusses The Cardinall's Musick's epic William Byrd Tour
• The Cardinall's Musick sing Palestrina's 'Gloria' from the 12-part Missa Cantantibus organis
• Francesca Chiejina participates in masterclasses with Joyce DiDonato at Carnegie Hall
• Rayfield Allied artists announced in BBC Proms 2018 season
• Jennifer Pike performs the UK premiere of Penderecki's Capriccio
• “Most impressive”: Peter Auty is “magnetic” and Stuart Stratford is “faultless” in Scottish Opera’s Eugene Onegin
• Amjad Ali Khan
• Listen to Daniel Kidane’s 'Dream Song'
• Amaan Ali Bangash and Ayaan Ali Bangash
• Amjad Ali Khan with Amaan and Ayaan Ali Bangash perform 'Nuit du raga' live at the Philharmonie de Paris
• Amjad Ali Khan with Amaan and Ayaan Ali Bangash perform at the Nobel Peace Prize concert
• Amaan Ali Bangash and Ayaan Ali Bangash perform Raga Rageshwari Composition in 14 beats time cycle
• Rayfield Allied welcomes Amjad Ali Khan, Amaan Ali Bangash and Ayaan Ali Bangash to our roster
• Katie Bray "in soul-searing form" in 'Effigies of Wickedness' for The Gate Theatre and English National Opera
• Watch Mahan Esfahani perform Anahita Abbasi's 'Intertwined Distances'
• Watch Mahan Esfahani perform works by Graham Lynch and Paul Ben-Haim
• Watch Mahan Esfahani perform Rameau's Suite in G Major
• Bjarte Eike
• Privacy Policy
• Bjarte Eike and Barokksolistene's recording 'The Image of Melancholy' for BIS Records
• The Alehouse Boys play two tunes by Henry Purcell
• Bjarte Eike and Barokksolistene perform 'Siwan: Castigo' with Jon Balke
• Bjarte Eike performs 'Neil Gow's Lament' with Barokksolistene
• Robert Levin receives the City of Leipzig 2018 Bach Medal
• Birtwistle's Keyboard Engine receives world premiere at Aldeburgh Festival
• Gothic Voices show "unparalleled technical and expressive perfection" in their new Dufay release
• Jörgen van Rijen
• Rodula Gaitanou
• New artist: trombonist Jörgen van Rijen
• Director Rodula Gaitanou talks about her revival production of Caval­leria rusticana & Pagli­acci at the Göteborg Opera
• New artist: stage director Rodula Gaitanou
• "The star of the evening": Julia Jones conducts Carmen at Oper Wuppertal
• Fflur Wyn sings 'Ye Men of Gaza, Hither Bring' from Handel's Samson
• Jennifer Pike performs Karłowicz Impromptu
• Katie Bray sings 'Non so piu' from Mozart's Le nozze di Figaro
• Katie Bray sings 'Va! Laisse couler mes larmes' from Massenet's Werther
• Katie Bray sings 'Ich hab in Penna' by Hugo Wolf
• Katie Bray sings 'Funeral Blues' by Benjamin Britten
• Gothic Voices sing Dufay's 'Apostolo Glorioso'
• Julia Sporsén’s Komponist "hits the spot" in Opera Holland Park's Ariadne auf Naxos
• Bjarte Eike and Barokksolistene
• 5* reviews for Laurence Cummings and "thrilling" Glyndebourne Saul
• Bjarte Eike and Barokksolistene join Rayfield Allied
• Barokksolistene perform "Haul Away Joe" from the Alehouse Sessions
• Stephen Langridge appointed Artistic Director of Glyndebourne
• Sam Furness and Jack Furness make their BBC Proms debuts in Trial by Jury
• Job Vacancy: Assistant Artist Manager
• Mahan Esfahani returns to Hyperion
• The Borodin Quartet are Down Under for a tour of New Zealand, Australia, Singapore and Hong Kong
• The Borodin Quartet plays the 1st movement of Shostakovich's String Quartet No. 1
• Harrison Birtwistle's Donum Simoni opens the LSO 18/19 Season
• Rayfield Allied artists in the redesigned Linbury Theatre
• "Impressively modern" - Stephen Langridge's new Tristan und Isolde opens in Hannover
• Borodin Quartet release new Complete Shostakovich Cycle on Decca
• Bernhard Hansky
• New artist: baritone Bernhard Hansky
• Bernhard Hansky sings Papageno's aria 'Ein Mädchen oder Weibchen' from Die Zauberflöte
• Francesca Chiejina sings the Ave Maria from Verdi's Otello
• Rayfield Allied cast impresses in Handel's Radamisto
• "Timeless but wholehearted and handsome": Rayfield Allied artists impress critics in Porgy & Bess at English National Opera
• "A sure sense of style" and "superb conducting": Tobias Ringborg's La bohème at New Zealand Opera
• David Parry and Phillip Rhodes receive high praise for their performances in Tosca with Nederlandse Reisopera
• “A superb performance”: Stuart Stratford receives glowing reviews for Lucia di Lammermoor at ENO
• Amjad Ali Khan, Amaan Ali Bangash and Ayaan Ali Bangash captivate at United Nations Headquarters
• "Fingers flying at the speed of light" in Mahan Esfahani's latest album for Hyperion 'The Passinge Mesures'
• Jennifer Pike performs Szymanowski's Sonata for violin and piano Op.9 at Wigmore Hall with Petr Limonov
• Mulroy, Brook and Pritchard St John Passion “one of the most satisfying you could hope to hear” at Ordway Concert Hall
• "Strong direction from Orpha Phelan": A Quiet Place with Opera Zuid
• Matthew Brook sings 'Thy Glorious Deeds' from Handel's Samson
• Matthew Brook sings 'How willing my paternal love' from Handel's Samson
• ‘Gripping’ Rheingold premiere in Gothenburg: Stephen Langridge, Alison Chitty and Olafur Sigurdarson
• Steve Reich Premiere: first orchestral piece in 30 years receives European premiere in London
• Orpha Phelan directs Billy Budd
• Orpha Phelan directs Fiddler on the Roof
• Orpha Phelan directs A Quiet Place
• Julia Jones conducts the Overture from Wagner's Tannhäuser
• Pieter Wispelwey and Paolo Giacometti to be awarded Brahms-Preis 2019
• Matthew Brook sings Herod's aria from Berlioz's L'enfance du Christ
• Rayfield Allied Advent Calendar 2018
• Omar Ebrahim "superb" in house debut at Boston Lyric Opera
• Stuart Stratford makes his New York debut at Brooklyn Academy of Music
• Eighth BASCA win for Sir Harrison Birtwistle
• Watch the trailer for Das Rheingold at Gothenburg Opera
• Listen to Daniel Kidane's 'Jungle'
• Matthew Brook sings 'Was dort Jesaias vorhergesehn' and 'Gold aus Ophir ist zu schlecht'
• Matthew Brook sings Bach's Cantata 'Der Friede sei mit dir'
• Matthew Brook sings 'O glückliche Veränderung' and 'Schleuß des Janustempels Türen'
• Matthew Brook sings 'Domine Deus' from Bach's Mass in F
• "The excellent David Parry" conducts world premiere of Jonathan Dove's Marx in London
• Julia Jones conducts a Luisa Miller "for aural gourmets"
• Alison Chitty's designs in the Royal Opera House trailer for Nabucco
• New Year's Honour for David Hill
• Jennifer Pike's "The Polish Violin" released by Chandos
• Orpha Phelan's production "A Quiet Place" is named Dutch Opera of the Year 2018
• Mahan Esfahani to make Seattle Symphony debut
• Elizabeth Kenny explains the fascinating history of the Baroque Theorbo
• Mahan Esfahani: Music for Electronics and Harpsichord Thursday 17 January 2019
• Anna Harvey sings 'Vor Edens Tor im Morgenprangen' from Schumann's Das Paradies und die Peri
• Anna Harvey sings 'Im Waldesgrün am stillen See' from Schumann's Das Paradies und die Peri
• Paul McCreesh nominated for 2019 BBC Music Magazine Awards
• Rayfield Allied artists announced in WNO's 2019/20 season
• Rodula Gaitanou nominated for Best Director at International Opera Awards 2019
• Venera Gimadieva sings the Brindisi from La Traviata at the Royal Opera House, Covent Garden
• Venera Gimadieva sings "Hymn to the Sun" from Rimsky Korsakov's The Golden Cockerel at Santa Fe Opera
• The Leonore Piano Trio's new Parry disc is 'exemplary' and 'richly rewarding'
• “Beautifully judged”: Gwyn Hughes Jones and Mary Elizabeth Williams impress in Welsh National Opera’s Un ballo in maschera
• Watch a trailer of Rodula Gaitanou Ariadne auf Naxos from The Göteborg Opera
• Stephan Loges
• Stephan Loges sings 'Was bekümmert ihr das Weib...' from J.S. Bach's St Matthew Passion
• Stephan Loges sings Bernstein's 'To what you said'
• ​Stephan Loges sings 'Peace' from 'Fields of the Fallen'​ by Ronald Corps
• Stephan Loges sings Schumann's op.37, 7 'Wanderung'
• Mahan Esfahani announced as new BBC Radio 3 presenter
• Watch a performance of sarod concerto 'Samaagam' composed by Amjad Ali Khan at UN Day 2018 at the United Nations Headquarters
• Stephan Loges joins Rayfield Allied for General Management
• Dame Emma Kirkby celebrates 70th birthday at Wigmore Hall
• Sonoko Miriam Welde makes her debut at London's Royal Festival Hall
• Katie Bray to represent England in BBC Cardiff Singer of the World 2019
• Amjad Ali Khan tours Australia and New Zealand with Amaan and Ayaan Ali Bangash
• "Russian grand masters": Borodin Quartet commences US tour
• Amjad Ali Khan, Ayaan Ali Bangash and Amaan Ali Bangash “stunning” at WOMAD festivals
• Venera Gimadieva sings Salammbo's Aria by Bernard Herrmann
• Venera Gimadieva sings 'Ah! Non giunge' from La Sonnambula
• Venera Gimadieva sings Estrellita by Manuel Ponce
• Pieter Wispelwey plays Bach's Cello Suites
• Mahan Esfahani Artist in Residence with the Royal Liverpool Philharmonic Orchestra
• Laurence Cummings conducts with "quintessential Baroque grace and verve" in Berenice at the Linbury Theatre, Covent Garden
• Harrison Birtwistle's new 'Duet for Eight Strings' premiered at Wigmore Hall
• Rayfield Allied artists featured in Scottish Opera's 2019-20 season
• BBC Music Magazine Award Winner: Paul McCreesh and the Gabrieli Consort
• Royal Danish Opera debuts: Caitlin Hulcup and Joshua Ellicott are 'more than extraordinary'
• Conductor Julia Jones delights with Le nozze di Figaro at Oper Wuppertal
• Daniel Kidane's new commission "Woke" to open the Last Night of the Proms with the BBC SO and Sakari Oramo
• "Sam Furness goes from strength to strength in his intensely sung Novice": Excellent reviews for Sam Furness's Royal Opera House debut
• Amjad Ali Khan returns to the Royal Festival Hall with Amaan Ali Bangash and Ayaan Ali Bangash
• John Chest stars as Heathcliff in Orpha Phelan's new production of Bernard Herrmann's Wuthering Heights
• Pieter Wispelwey and Paolo Giacometti release final instalment of their Schubert-Brahms pilgrimage
• "Powerful yet elegant and agile": Gemma Summerfield excels in her Scottish Opera debut as Pamina in The Magic Flute, conducted by Tobias Ringborg
• High praise for Orpha Phelan's French debut and John Chest's return to Opéra National de Lorraine in Bernard Herrmann's Wuthering Heights
• Rayfield Allied artists star in the Royal Opera House's 2019-20 season
• Pieter Wispelwey and Paolo Giacometti receive the 2019 Brahms-Preis
• Jennifer Pike and Mahan Esfahani tour Hong Kong and China
• Dingle Yandell
• Rodula Gaitanou and colleagues talk about the new production of Un ballo in maschera at Opera Holland Park
• Alexandra Oomens
• Dingle Yandell sings "Io di Roma il giove sono" from Handel's Agrippina
• *****"Rodula Gaitanou’s production is a winner”: Un Ballo in Maschera at Opera Holland Park
• Alexandra Oomens sings Semele's aria 'Myself I shall adore'
• "It's hard to forget the radiance of Francesca Chiejina's Clara": Excellent reviews for Francesca Chejina's Grange Park Opera debut
• New artist: bass-baritone Dingle Yandell
• New artist: soprano Alexandra Oomens
• Dingle Yandell sings "What power art thou" from Purcell's King Arthur
• ‘Responses’ for piano and orchestra receives Dutch premiere under Jurowski
• Helen Charlston
• Adrian Dwyer as 'nimbly crafted Mime' in Das Rheingold at Longborough Festival Opera
• Nicholas Mulroy sings 'Have you seen the bright lily grow?'
• New artist: mezzo-soprano Helen Charlston
• Stephan Loges sings Tarquinius in Britten's Rape of Lucretia
• This week: Katie Bray represents England in BBC Cardiff Singer of the World
• Katie Bray wins the Dame Joan Sutherland Audience Prize at BBC Cardiff Singer of the World 2019
• Mahan Esfahani discusses his recording of the Bach's Toccatas ahead of release on 2 August
• Phillip Rhodes makes his Royal Opera House debut as Escamillo in Bizet’s Carmen
• Richard Burkhard
• L'Arlesiana: Dane Lam and Fflur Wyn return to Opera Holland Park to great acclaim
• The Toccatas: "Unbeatable performances" in Mahan Esfahani's new CD released by Hyperion
• Elizabeth Kenny performs Ciaconna by by Alessandro Piccinini
• Elizabeth Kenny performs Cycle from Nico Muhly's Berceuse with Seven Variations
• Bjarte Eike Artist in Residence at Nordland Music Festival and other summer concerts 2019
• Listen to an extract of Parry's Piano Trio No. 1 in E minor (I. Allegro appassionato), from the Leonore's first disc of Parry Trios
• Listen to an extract from Parry's Piano Trio No. 2 in B minor (IV. Maestoso - allegro con moto) from the Leonore Trio's second disc of Parry Trios
• Listen to an extract from Parry's Piano Quartet (II. Presto) from the Leonore Trio's latest disc of Parry Trios, released on Hyperion.
• Watch Nicholas Mulroy perform Bach's cantata BWV 36 with the Netherlands Bach Society
• Nicholas Mulroy performs Evangelist in St John Passion at the BBC Proms
• New artist: baritone Richard Burkhard
• Matthew Brook sings Bach's Cantata 'Jesu, der du meine Seele'
• Daniel Kidane's latest composition "Woke" opens the Last Night of the Proms
• "Exquisite": Sam Furness shines in his house and role debut as Albert Gregor in The Makropulos Case at Opernhaus Zurich
• Elizabeth Kenny performs Passacaglia della vita with Ed Lyon and Theatre of the Ayre
• The Leonore Piano Trio’s second Parry disc is “Every bit as good and rewarding as the first”
• Mahan Esfahani shortlisted for Royal Philharmonic Society Instrumentalist Award
• Harrison Birtwistle's 'The Mask of Orpheus' returns to the stage at English National Opera
• Job Vacancy: Finance Assistant and Office Manager
• Emma Kirkby wins Lifetime Achievement Gramophone Award
• “Utterly glorious”: Gwyn Hughes Jones impresses as Cavaradossi in Scottish Opera’s Tosca, conducted by Stuart Stratford
• European premiere for exhilarating Steve Reich and Gerhard Richter collaboration at the Barbican
• Elizabeth Kenny performs 'Canaries' by Giovanni Girolamo Kapsperger
• Recent CD release: '17th Century Playlist' featuring the 'flexible and innovative' Theatre of the Ayre
• Gothic Voices perform Ther is no rose
• Gothic Voices perform Edi be thu, heven queene
• ​Mahan Esfahani and Paul McCreesh nominated for Limelight’s Recording of the Year
• Laurence Cummings "at the height of today's Handel interpretation" in Belshazzar for Opernhaus Zürich
• David Stout sings "Schwüles Gedünst schwebt in der Luft" from Das Rheingold with Sir Mark Elder and The Hallé
• "A musical delicacy of the highest class": Julia Jones conducts La bohème
• "...three delightful hours of enthralling entertainment": Orpha Phelan's La Cenerentola captivates critics
• "A real coup for the company": Tobias Ringborg's debut at the State Opera of South Australia with Madama Butterfly
• Joshua Ellicott, Matthew Brook & Fflur Wyn impress critics in the Dunedin Consort's Samson disc
• Rayfield Allied artists nominated for International Classical Music Awards 2020
• Adrian Dwyer sings Herodes' arias
• Adrian Dwyer sings "Wenn der Himmel hell wird... Nur die Nacht"
• Adrian Dwyer sings "Wer hälfe mir"
• David Hill celebrates his 10th anniversary as Bournemouth Symphony Orchestra's Associate Guest Conductor
• Matthew Brook sings 'Just Are the Ways of God to Man' from Handel's Samson
• Welcome to the Rayfield Allied Advent Calendar 2019
• Die Walküre premieres in Gothenburg for Stephen Langridge, Alison Chitty and Julia Sporsen
• Francesca Chiejina sings 'O mio babbino caro' from Puccini's Gianni Schicchi
• “Immensely involving and stylish singing, beautifully recorded”: high praise for Gothic Voices’s new Christmas disc
• Jörgen van Rijen takes MacMillan's trombone concerto to Japan for premiere with Martyn Brabbins
• Watch Sonoko Miriam Welde perform Mozart's Violin Sonata in B-flat Major, K454 (I) at the Bergen Festival
• Watch Sonoko Miriam Welde perform Mozart's Violin Sonata in B-flat Major, K454 (II) at the Bergen Festival
• Watch Sonoko Miriam Welde perform Mozart's Violin Sonata in B-flat Major, K454 (III) at the Bergen Festival
• Brett Polegato sings "Recht so! Habt Dank!" from Parsifal
• Brett Polegato sings "Nein! Lasst ihn unenthullt!" from Parsifal
• Joshua Ellicott sings Florestan in Act 3 of Beethoven's Leonore
• Helen Charlston sings Agnus Dei from Bach's B minor mass
• Orpha Phelan directs La Cenerentola
• An "electrifying" Saül at Théâtre du Châtelet conducted by Laurence Cummings with Christopher Ainslie as David
• Fflur Wyn, Phillip Rhodes and Alexandra Oomens impress critics in The Marriage of Figaro at Opera North
• Helen Charlston sings Polinesso's aria Dover, giustizia, amor'
• Helen Charlston sings Orfeo's aria 'Che farò senza Euridice'
• Helen Charlston sings Anastasio's aria 'Vedrò con mio diletto'
• Watch Pierre-André Valade conduct the premiere of Silvia Colasanti's new opera 'Proserpine'
• Listen to extracts from the Leonore Piano Trio's new recording of Litolff's Piano Trios Nos 1 & 2
• "Absolute sensation": glowing reviews for Julia Sporsén and David Stout in Nixon in China at Scottish Opera
• "Vibrant" and "lively": Tobias Ringborg conducts Orphée aux enfers at Malmö Opera
• Sonoko Miriam Welde performs Barber's Violin Concerto
• Watch the trailer for Die Walküre at Gothenburg Opera, designed by Alison Chitty and directed by Stephen Langridge
• Katie Bray performs Freya Waley-Cohen's Spellbook with the Britten Sinfonia
• Watch Julia Sporsén perform Ingeborg in Fritiofs Saga at Gothenburg Opera
• Watch Harrison Birtwistle in conversation with Baldur Brönnimann and Pedro Lima for Casa da Música
• BBC Music Magazine Recording of the Year: Paul McCreesh's 'Purcell King Arthur'
• Amjad Ali Khan and sons release 'Strings for Peace' recording with Sharon Isbin
• David Hill’s latest Howells disc is “one of this year’s most significant choral recordings”
• Katie Bray performs 'Where shall I fly?' from Handel's Hercules at Cardiff Singer of the World 2019
• "Kenny’s lute spinning a translucent spider’s web": Kenny and Davies Wigmore Hall recital
• Job Vacancy - Assistant Artist Manager
• Harrison Birtwistle’s ‘Panic’ features on First Night of the Proms 2020
• Watch the world premiere of Daniel Kidane's Dappled Light
• "A theatrical listening experience": Mahan Esfahani's latest CD "Musique?" is released by Hyperion
• New ENO Harewood artist: soprano Alexandra Oomens
• Helen Charlston's 'Isolation Songbook' premiere on 29th July
• Jennifer Pike’s five-star Elgar and Vaughan Williams recording is “an irresistible release”
• Gramophone Classical Music Awards 2020 Shortlist announced
• Laurence Osborn
• Laurence Osborn: Automaton
• Laurence Osborn: Me and 4 Ponys
• Laurence Osborn: Kindertotenspiel
• New Artist: Composer Laurence Osborn
• RA artists perform in Lammermuir Festival’s 2020 online edition
• Phillip Rhodes sing the Toreador Song from Carmen
• Rayfield Allied artists taking part in the first virtual Oxford Lieder Festival
• Jörgen van Rijen's "virtuosic" premieres of Bryce Dessner's new Trombone Concerto
• Jennifer Pike awarded MBE for services to classical music
• Rayfield Allied artists shortlisted for prestigious Royal Philharmonic Society Awards
• Julia Sporsén "sensational" and "brilliant" in her role debut as Isolde in Stockholm
• Mahan Esfahani gives world premiere of Michael Berkeley’s ‘Insects’ at Snape Maltings
• Stephen Langridge's "witty" production of In The Market For Love at Glyndebourne
• Jennifer Pike and Paul McCreesh nominated for Limelight Recordings of the Year
• Helen Charlston joins Le Jardin des Voix academy with Les Arts Florissants
• Pierre-André Valade and Laura Bowler perform at Klang Festival in Copenhagen
• Rayfield Allied artists featured in Olivier Award winners and nominations
• Nicholas Mulroy appointed Associate Director of the Dunedin Consort
• Stuart MacRae and Harrison Birtwistle nominated for Ivors Composer Awards 2020
• Jennifer Pike and Tim Morgan give virtual concerts at Southrepps Festival
• Mahan Esfahani performs with Michala Petri and Hille Perl at The Royal Library in Copenhagen
• Laurence Cummings appointed Music Director of the Academy of Ancient Music
• Presto Classical Recordings of the Year: Rayfield Allied finalists
• Jennifer Pike wins Limelight Chamber Recording of the Year for disc of British sonatas
• Daniel Kidane's world premiere of new poem by Poet Laureate Simon Armitage with the Huddersfield Choral Society
• Extracts from Howells' Missa Sabrinensis recording on Hyperion
• Rayfield Allied Advent Calendar 2020
• Joshua Ellicott sings Beethoven's An die ferne Geliebte
• Rayfield Allied artists in Gramophone Recordings of the Year 2020
• Daniel Kidane's new work 'Be Still' premieres by Manchester Camerata and San Francisco Symphony
• "A velvety and haunting portrayal": Francesca Chiejina receives glowing reviews as Miss Jessel in The Turn of the Screw
• The Leonore Trio play Haydn and Dvořák for Oxford Coffee Concerts
• Portraits of Harrison Birtwistle and Daniel Kidane raise money for AT The Bus arts charity
• “Expertly played and lovingly conducted”: Scottish Opera’s Hansel and Gretel with David Parry and Phillip Rhodes
• Sergey Romanovsky sings "Asile Héreditaire" from Guillaume Tell in Wexford Opera Festival's Remote Voices gala
• Konstantin Shushakov
• Konstantin Shushakov sings "Ya vas lyublyu" from The Queen of Spades at the 2011 Operalia Competition
• Helen Charlston sings Purcell’s ‘When I am Laid’ from Dido and Aeneas
• Helen Charlston's visually captivating remake of Dido's lament
• "The Best Samson Ever": BBC Music Magazine award nomination for RA artists
• Nicholas Mulroy sings "Si dolce e'l tormento" from his Cubaroque programme
• New artist: baritone Konstantin Shushakov
• Omar Ebrahim performs Liza Lim's 'tongue of the invisible'
• Omar Ebrahim performs the title role in 'Schoenberg in Hollywood' for Boston Lyric Opera
• So Percussion’s new album with experimental indie rock duo Buke & Gase is “a most magical pairing”
• Svetlana Kasyan
• Listen to the premiere of Daniel Kidane's 'Be Still' performed by the Manchester Camerata
• Svetlana Kasyan sings Lise's aria "Utzh polnoch blizitsya" from The Queen of Spades
• Svetlana Kasyan sings "Nel dì della vittoria" from Verdi's Macbeth
• New artist: soprano Svetlana Kasyan
• Watch Francesca Chiejina sing Shirley Thompson's "Psalm to Windrush" at the African Concert Series London
• Listen to Sergey Romanovsky sing "Della cieca fortuna un triste esempio" from Rossini's Elisabetta, regina d'Inghilterra
• "A triumph of simplicity and clarity": Rodula Gaitanou's La Clemenza di Tito for Bergen National Opera
• So Percussion are “outstanding”, “at the height of their powers” in Caroline Shaw’s ‘Narrow Sea’ song cycle on Nonesuch Records
• Langridge and Chitty’s Ring Cycle for Gothenburg Opera continues online with Siegfried premiere
• Laurence Cummings to conduct Messiah for English National Opera on BBC 2
• Rayfield Allied recognised in the second round of the Government’s Culture Recovery Fund
• Sonoko Miriam Welde performs Heifetz's arrangement of Brahms 'Wie Melodien zieht es mir, op 105 no 1'
• Sonoko Miriam Welde performs Kreisler's arrangement of Dvorak's Songs My Mother Taught Me op.55
• Amjad Ali Khan, Ayaan Ali Bangash and Amaan Ali Bangash appointed Wigmore Hall Associate Artists
• Alexandra Oomens sings Handel's 'Neghittoso or voi che fate' from Ariodante
• Alexandra Oomens sings Adelaide's Aria from Jonathan Dove's "The Enchanted Pig"
• Rayfield Allied artists nominated for 2021 International Opera Awards
• Dingle Yandell sings Purcell's "What Power Art Thou" in the latest of the OAE's music video remake films
• "Vividly intelligible in every scene in which he appears": Joshua Ellicott sings Grimoaldo in The English Concert's Rodelinda CD
• Laurence Osborn premieres his new work 'Coin Op Automata' with Mahan Esfahani and Manchester Collective
• Rayfield Allied artists at the 2021 BBC Proms: Daniel Kidane, Mahan Esfahani, Nick Pritchard, Francesca Chiejina and Dingle Yandell
• Mahan Esfahani releases Bach's six Partitas in latest disc for Hyperion
• Rayfield Allied artists featured throughout Royal Opera House 2021/22 season
• '“Remember me,” he sings. And we will': Matthew Brook impresses audiences in Wallen's Dido's Ghost
• '...this is world-class opera': Rodula Gaitanou's captivating La Traviata at Opera Holland Park
• Sonoko Miriam Welde performs Invierno Porteno from Astor Piazzolla's Four Seasons at the Bergen Festival 2021
• Julia Sporsén: Artist in Residence 21/22 at Kulturhuset Spira
• BBC R3 New Generation Artists: Helen Charlston 2021-2023
• 'Capturing lightning in a bottle': New Sō Percussion disc with Caroline Shaw released on Nonesuch
• Job Vacancy: Assistant Artist Manager
• Nick Pritchard sings 'Sanfte soll mein Todeskummer' from J.S. Bach's Easter Oratorio
• Julia Jones makes Bregenz Festival debut conducting Rigoletto
• "Bray makes a fine Isolier": Le Comte Ory at Garsington Opera
• Liam Bonthrone
• "… their diction and commitment is exemplary": Adrian Dwyer (title) & Stephan Loges (Berezovsky) in The Life and Death of Alexander Litvinenko
• Svetlana Kasyan sings "Vissi d'arte" from Tosca
• Carolyn Sampson
• "What we see on stage is genuinely spectacular": Scottish Opera's Falstaff, with Stuart Stratford, Phillip Rhodes, Gemma Summerfield and Elgan Llŷr Thomas
• Francesca Chiejina sings Melissa's aria "Ah! Spietato" from Handel's Amadigi
• Ruby Hughes
• Robin Johannsen
• Hilary Summers
• Xavier Sabata
• Garry Walker
• Christian Curnyn
• Barrie Kosky
• Christian Curnyn & OAE: Handel - Messiah 'Lift Up Your Heads'
• Christian Curnyn & OAE: Handel - Messiah 'Ev'ry Valley' with tenor Hugo Hymas
• Ruby Hughes - Schumann Muttertraum (BBC New Generation Artist 2012)
• Ruby Hughes performs Bach "Mein Herze schwimmt im Blut" BWV 199: Aria "Tief gebückt und voller Reue"
• Ruby Hughes & Julius Drake - Fauré: 'Clair de lune'
• Ruby Hughes performs Chausson - 'Le temps des lilas' from Poème de l'amour et de la mer
• Ruby Hughes sings Berg - 5 orchestral songs on postcard texts of Peter Altenberg opus 4
• "Shattering in its impact": Jack Furness's production of Don Giovanni at Nevill Holt Opera, with Seán Boylan, Aoife Miskelly and Dingle Yandell
• Ruby Hughes performs Britten's 'Phaedra'
• Ruby Hughes performs Rhian Samuel - Clytemnestra Mvt II
• Ruby Hughes - Album trailer: Heroines of Love and Loss Trailer
• Ruby Hughes: Grime - 'Council Offices' from Bright Travellers with Joe Middleton
• Listen to Ruby Hughes perform Handel's Messiah: "Rejoice Greatly" with Musica Saeculorum
• Robin Johannsen sings 'O nox dulcis, quies serena' from Handel's Saeviat tellus inter rigores HWV 240
• Listen to Robin Johannsen perform Scipione Africano 'In dolce amore'
• Watch Robin Johannsen in Purcell's King Arthur "Saint George"
• Robin Johannsen in Handel's PARNASSO IN FESTA (Clio)
• Robin Johannsen Bach Kaffeekantate - Aria "Ei, wie schmeckt der Coffee süsse"
• Robin Johannsen sings Piacere's aria 'Lascia la spina, cogli la rosa', Handel
• Robin Johannsen sings 'Un pensiero nemico di pace', Handel
• Robin Johannsen - Bach: St John Passion - Ich folge dir gleichfalls
• Watch Carolyn Sampson sing 'Let me weep' from Purcell's The Fairy Queen
• Carolyn Sampson sings 'The Nightingale and the Rose' by Benjamin Britten
• Hilary Summers - Handel: 'But hark! The heav'nly sphere turns round' from Semele
• Hilary Summers - Boulez: 'Bourreaux De Solitudes' from Le Marteau sans Maître
• Hilary Summers - Stravinsky Oedipus rex (Jocasta)
• Garry Walker – Conductor Profile
• Garry Walker conducts Auckland Philharmonia Orchestra - Elgar's Enigma Variations
• Xavier Sabata - Highlights from recording sessions of "5 Countertenors" and "Bad Guys"
• Xavier Sabata - Vivaldi: Il Farnace - Gelido in ogni vena
• Nicki Wenham joins Rayfield Allied as Director, bringing ten artists to the roster
• Ruby Hughes - Mahler: Ich bin der welt abhanden gekommen from the Rückert Lieder
• Ruby Hughes sings Bach - Cantata 'Mein Herze schwimmt im Blut', BWV 199: I. Recitativo
• Ruby Hughes: Songs for New Life and Love, Trailer
• Ruby Hughes releases "Songs for New Life and Love" with BIS
• Clare Hammond
• Watch Clare Hammond perform Rachmaninoff's Sonata No. 2 at Wigmore Hall
• NEW ARTIST: pianist Clare Hammond joins the Rayfield Allied roster for general management
• Rayfield Allied artists shortlisted for 2021 Gramophone Awards
• "A Leicester with great class": Sergey Romanovsky impresses in Elisabetta, regina d'Inghilterra at the Rossini Opera Festival, Pesaro
• Daniel Norman
• Laurence Cummings bids farewell to International Handel Festival Göttingen
• NEW ARTIST: tenor Liam Bonthrone joins the Rayfield Allied roster for general management
• NEW ARTIST: tenor Daniel Norman joins the Rayfield Allied roster for general management
• Daniel Norman sings 'The Choirmaster's Burial' from Britten's Winter Words Op. 52 No. 5
• NEW ARTIST: soprano Carolyn Sampson joins the Rayfield Allied roster for general management
• Carolyn Sampson sings Pastourelle from Chants d'Auvergne (Canteloube)
• Elizabeth Kenny performs Benjamin Oliver's 'Extending from the Inside'
• New Release! Carolyn Sampson - Canteloube, Chants d’Auvergne CD
• NEW ARTIST: conductor Christian Curnyn joins the Rayfield Allied roster for general management
• Christian Curnyn conducts OAE: Handel - Messiah 'Amen Chorus'
• NEW ARTIST: contralto Hilary Summers joins the Rayfield Allied roster for general management
• NEW ARTIST: soprano Robin Johannsen joins the Rayfield Allied roster for general management
• Julia Sporsén sings Wagner's Dich Teure Halle with Jönköpings Sinfonietta
• NEW ARTIST: conductor Garry Walker joins the Rayfield Allied roster for general management
• Xavier Sabata sings RUGGIERI - 'Vinto son'
• NEW ARTIST: countertenor Xavier Sabata joins the Rayfield Allied roster for general management
• NEW ARTIST: soprano Ruby Hughes joins the Rayfield Allied roster for general management
• NEW ARTIST: director Barrie Kosky joins the Rayfield Allied roster for general management
• “bright and tonal, energetic and clean”: Critical acclaim for the world premiere of Daniel Kidane’s Revel at the BBC Proms
• Laurence Cummings opens his tenure as Music Director of Academy of Ancient Music
• Garry Walker debuts as Opera North's Music Director
• Phillip Rhodes sings the Father's aria from Hansel and Gretel at Scottish Opera
• Two world premieres by Michael Berkeley in October
• "David Stout was an imposing Foreman": outstanding reviews for the Royal Opera House's new production of Jenůfa
• Jennifer Pike releases Vol.2 of her critically acclaimed Polish Violin discs for Chandos
• "accurate, immersive, beautiful": Gothic Voices' 'Echoes of an Old Hall' on Linn Records
• Phillip Rhodes as Escamillo is “king of the entertainers” in Opera North’s Carmen, conducted by Garry Walker in his debut as Music Director
• William Towers is “sensuous and affecting” and Francesca Chiejina is “captivating” in English Touring Opera’s Amadigi
• Watch Sergey Romanovsky sing "Della cieca fortuna..." at the Rossini Opera Festival
• James Way
• NEW ARTIST: tenor James Way joins the Rayfield Allied roster for general management
• James Way performs 'E ben folle quel nocchier' from Handel Il Trionfo with FBO
• James Way performs 'Urne Voi' from Handel Il Trionfo with FBO
• James Way sings Jonathan Dove 'My Love is Mine' from the Ojai Music Festival 2019
• James Way sings 'Ev'ry Valley' from Handel Messiah with OAE & Mogens Dahl Chamber Choir
• James Way as Sellem in Stravinsky's The Rake's Progress at Paris Philharmonie
• James Way as Sellem in The Rake's Progress with Blackheath Halls Opera
• Phillip Rhodes sings the Toreador Song from Carmen at Opera North
• Traveler's Prayer: new Steve Reich piece premieres in Europe
• Barrie Kosky's Musical Stages on BBC Sounds
• Helen Charlston sings Erbarme Dich from Bach's St Matthew Passion
• Listen to Michael Berkeley's Oboe Quintet 'Into the Ravine', played by Nicholas Daniel and the Carducci Quartet
• Matthew Brook sings Ich habe genug
• Glowing reviews for Elgan Llŷr Thomas, Alexandra Oomens and Hilary Summers in ENO's production of HMS Pinafore
• Dingle Yandell sings "Eilt, ihr angefochtnen Seelen" from Bach's St John Passion
• Helen Charlston sings Purcell's Evening Hymn
• "Just as ravishing as its predecessor": stunning reviews for Jennifer Pike's Polish Violin follow-up
• "Staggering mastery": Jörgen van Rijen's world premiere of Tan Dun's "Three Muses in Video Games" receives outstanding reviews
• Rayfield Allied's Artists on Oxford Lieder Digital Concert Hall
• Helen Charlston wins the The Ferrier Loveday Song Prize
• Listen to Sonoko Miriam Welde play the second movement from Barber's Violin Concerto from her debut album
• Listen to Sonoko Miriam Welde play the third movement from Bruch's Violin Concerto from her debut album
• Mahan Esfahani’s recording of Bach’s Partitas is “uniquely captivating”, “a revelation”
• "Lost opera" Frédégonde opens at Theater Dortmund with Sergey Romanovsky as Mérowig - free live stream available!
• Sonoko Miriam Welde releases debut disc with the Oslo Philharmonic
• Sō Percussion and Caroline Shaw’s "exquisite" Narrow Sea nominated for a Grammy Award
• Listen to Jörgen van Rijen's stunning world permiere of Tan Dun's "Three Muses in Video Game" at the Concertgebouw Amsterdam
• Happy 10th Birthday, Rayfield Allied!
• Job Vacancy: Finance and Office Manager
• Listen to Bernhard Hansky in Haydn - Die Schöpfung - Gleich öffnet sich...Nun steht in vollem Glanze
• Langridge and Chitty complete their Gothenburg Opera Ring cycle with Götterdämmerung premiere
• Mahan Esfahani gives world premiere of Daniel Kidane's new work "Movement for Harpsichord and Strings" in USA
• Watch a beautiful performance by Bjarte Eike & Barokksolistene of Mysterie No.1 - The Annunciation from Biber's Rosary Sonatas
• BBC Music Magazine chooses the best recordings of Harrison Birtwistle's music
• Xavier Sabata performs Schubert Winterreise
• Anthony Romaniuk
• Anthony Romaniuk plays Shostakovich
• Anthony Romaniuk plays Bach
• Anthony Romaniuk plays Biber with Patricia Kopatchinskaja
• Rayfield Allied welcomes Anthony Romaniuk to our roster
• Soprano Svetlana Kasyan meets Pope Francis
• Job Vacancy: Assistant Artist Manager
• Watch Harrison Birtwistle in conversation with Julian Anderson about the relationship between music and language
• Anna Harvey wins the 2022 Paris Opera Competition
• Laurence Osborn's 'Absorber', played by Zubin Kanga (live at King's Place)
• Garry Walker conducts Beethoven: Ouvertüre zu "Die Geschöpfe des Prometheus" op. 43
• Garry Walker conducts Strauss: Frühlingsstimmen op. 410
• Garry Walker conducts Dvořák: Slawischer Tanz c-Moll op. 46 Nr. 7
• Garry Walker conducts Dvořák: Slawischer Tanz e-Moll op. 72 Nr. 2g
• Garry Walker conducts Strauß: Ouvertüre zu "Die Fledermaus"
• Sonoko Miriam Welde's concerto disc with the Oslo Philharmonic is "auspicious," "hugely impressive debut",
• Ruby Hughes and the United Strings of Europe perform Golijov
• Liam Bonthrone wins the Clonter Opera Prize
• James Ways performs Arias "Haste Thee Nymph", "These Delights if Thou Cast Give" and Duet "As Steals the Morn" from Handel L'Allegro
• Zubin Kanga
• Zubin Kanga performs Philip Venables – Answer Machine Tape, 1987
• Benjamin Tassie – Earth of the Slumbering and Liquid Trees
• Zubin Kanga and Ensemble Offspring – Lumen Machine (showreel)
• Zubin Kanga plays Laurence Osborn – Schiller's Piano (with Manchester Collective)
• Zubin Kanga – Hypnagogia (after Bach)
• NEW ARTIST: Zubin Kanga joins Rayfield Allied
• Excellent reviews for Scottish Opera's A Midsummer Night's Dream, featuring Stuart Stratford, David Shipley, Elgan Llŷr Thomas, Dingle Yandell and Glen Cunningham
• “There's one standout voice”: outstanding reviews for Francesca Chiejina’s role debut as Mimì in La bohème with English Touring Opera
• Clare Hammond releases a new disc of “endlessly inventive, fascinating” works by Adam Gorb on Toccata Classics
• Daniel Kidane celebrates two world premieres in one week
• “…it is worth seeing this production just to hear her sing”: fantastic reviews for Venera Gimadieva in Barrie Kosky’s production of The Golden Cockerel at the Adelaide Festival
• Mahan Esfahani gives the world premiere of Bent Sørensen’s new concerto with the Bergen Philharmonic
• Watch the Borodin Quartet perform Brahms quartet n.3 op.67
• Watch the Borodin Quartet play Shostakovich Quartet n.2 op.68
• The Borodin Quartet perform Debussy Quartet op.10 in G minor
• Anna Harvey sings 'Parto, parto, ma tu ben mio' from La Clemenza di Tito
• Anna Harvey sings 'Wie duftet's von dorten' from Hänsel und Gretel
• Anna Harvey sings 'Marie Theres'! Hab' mir's gelobt' from Der Rosenkavalier
• Baritone Brett Polegato stars in world première of "The Hours" alongside Renée Fleming
• Ruby Hughes releases "Renewal" with United Strings of Europe, BIS Label
• New CD release: 'Bach Inspired' with The Bach Choir directed by David Hill, featuring Heloise Werner’s new composition Inner Phrases
• Listen to Jörgen van Rijen and Camerata RCO's concert at the Arvo Pärt Festival/Muziekgebouw aan 't IJ
• Mhairi Lawson sings "Round Thy Coasts" from King Arthur
• Mhairi Lawson sings 'Peter's Denial' from Philip Wilby's An English Passion According to Saint Matthew
• Watch an amazing streamed concert of "The Alehouse Sessions" by Bjarte Eike & Barokksolistene
• Sō Percussion celebrate Grammy win for Caroline Shaw’s Narrow Sea
• The Leonore Piano Trio’s Hyperion disc of Bargiel trios is “a real treat”, “delightful and diverting listening”
• Rayfield Allied Artists announced in Royal Opera House 2022/23 Season
• Sir Harrison Birtwistle (1934 - 2022)
• Job Vacancy: Assistant Artist Manager
• Mahan Esfahani performs Bent Sørensen's new cembalo concert Sei Anime with Odense Symphony Orchestra
• Rayfield Allied Artists announced as part of the BBC Proms 2022
• Sunhae Im
• Sunhae Im sings "Fuggon l'aure in me di vita" from Handel's Silla
• Sunhae Im sings "Quante volte" by G. A. Ristori
• Elizabeth Kenny performs Strozzi songs with Nardus Williams
• Sunhae Im sings "Ich folge Dir gleichfalls" from Bach's St John Passion
• Soprano Sunhae Im joins Rayfield Allied for general management
• Sunhae Im sings the "Pie Jesu" from Fauré's Requiem
• Pieter Wispelwey's new album "Weinberg" wins German Record Critics Award
• Listen to Daniel Kidane's "Be Still" conducted by Pekka Kuusisto
• Helen Charlston announced as Artistic Advisor for York Early Music Festival
• Rayfield Allied Artists well represented in Scottish Opera's 2022/23 Season
• Mahan Esfahani celebrates release of new Poul Ruders concerto recording on OUR Records
• "...an outstanding disc": Helen Charlston's 'Battle Cry: She Speaks' is released on Delphian
• "Descent to the underworld takes you to heaven..." Stunning reviews for Laurence Cummings at Garsington Opera
• Watch Amjad Ali Khan perform in his intimate 'Library Sessions' video
• Adrian Dwyer 'simply a superb Mime in every way, vocally and dramatically' at Longborough Festival Opera
• Pieter Wispelwey & Amsterdam Sinfonietta - Kaddish - Ravel
• Clare Hammond gives two recitals and two world premieres at this year’s Aldeburgh Festival
• New Reich/Richter recording is "one of Steve Reich’s most impressive recent pieces, elegantly performed"
• Barrie Kosky leaves the Komische Oper after ten years with a 'Tasty Musical Treat'
• Dame Svetlana Kasyan performs duet from Ponchielli's Gioconda
• Mahan Esfahani honoured with Wigmore Medal
• Anna Harvey reaches the final of the Meistersinger of Nürnberg Singing Competition
• Watch Sir Harrison Birtwistle's Orr Lecture at the Faculty of Music, University of Cambridge
• When Sally Met Harry: an interview with Editor Sally Cox at Boosey & Hawkes
• Amjad Ali Khan returns to the BBC Proms, debuts at Cologne Philharmonie
• Daniel Kidane’s ‘Sun Poem’ premiered by Sir Simon Rattle and London Symphony Orchestra at Edinburgh International Festival
• Joshua Ellicott at the Oxford Lieder Winter into Spring festival
• Matthew Brook sings ‘Invida sorte’ from Handel's Ariodante
• The Leonore Piano Trio give world premiere of Huw Watkins' piano trio No.2
• Rayfield Allied artists nominated for the 2022 Gramophone Awards
• "Never has Bach seemed more full of fantasy": Mahan Esfahani releases third Bach disc for Hyperion
• Sonoko Miriam Welde's Opus13 Quartet wins second place in the Banff International String Quartet Competition
• Mahan Esfahani begins his Gürzenich-Orchester Köln 22/23 Artist in Residence with a world premiere concerto by Miroslav Srnka
• Purcell's Evening Hymn, performed by Carolyn Sampson and Elizabeth Kenny
• The Cardinall's Musick perform Nunc Dimittis from the Byrd Great Service
• David Parry conducts Elgar's Nimrod with the London Philharmonic Orchestra
• Borodin Quartet Welcomes New Member
• Four Stars for Early Opera Company's Amadigi, with Christian Curnyn and Hilary Summers
• Birtwistle's 'Donum Simoni MMXVIII' performed by Sir Simon Rattle and the London Symphony Orchestra at the BBC Proms
• Alberto Miguélez Rouco
• Julia Sporsén returns triumphantly to Folkoperan Stockholm in Norma
• Laurence Cummings directs The Academy of Ancient Music for the launch of their 22/23 Season ‘Tis Nature’s Voice’
• Helen Charlston sings Purcell's O lead me to some peaceful gloom from Bonduca
• Sophie Harmsen
• Alberto Miguélez Rouco sings Bach's Von den Stricken meiner Sünden
• Alberto Miguélez Rouco sings Bach's Es ist vollbracht
• Alberto Miguélez Rouco sings José de Nebra's Suavidad el aire inspire
• Alberto Miguélez Rouco conducts his ensemble Los Elementos
• "A pianist in a thousand": High praise for Clare Hammond and her new disc of Etudes by Hélène de Montgeroult
• Listen to Sophie Harmsen sing Laudamus Te from Mozart's C minor Mass
• Listen to Sophie Harmsen perform the Tuba Mirum from Dvorak's Requiem
• Andrew Watts
• NEW ARTIST: Mezzo-Soprano Sophie Harmsen joins the Rayfield Allied roster for general management
• "Already virtuosic music blossoms out with dazzling splashes of fresh fingerpaint" - Robert Levin’s complete Mozart sonatas recording named BBC Music Magazine’s “Recording of the Month”
• Listen to Andrew Watts sing the role of the White Rabbit in Alice in Wonderland
• Listen to Andrew Watts sing the role of the Snake Priestess in The Minotaur
• NEW ARTIST: Countertenor Andrew Watts joins the Rayfield Allied roster for general management
• Listen to Andrew Watts sing Tippett's Songs for Ariel: No. 1, Come unto These Yellow Sands
• Garry Walker conducts the Rheinische Philharmonie at the Amsterdam Concertgebow, performing John Williams' Star Wars Theme
• Barokksolistene present their newest album 'The Playhouse Sessions'
• Laurence Cummings' collaborative production of Orpheus at Opera North is 'The best of both worlds'
• Ivor Novello Award nominees: Laurence Osborn & Laura Bowler
• Orpha Phelan, Pablo Bemsch and Ben McAteer collect excellent reviews for Wexford Festival Opera’s performances of ‘Lalla-Roukh’
• NEW ARTIST: Countertenor Alberto Miguélez Rouco joins the Rayfield Allied roster for general management
• Adrian Dwyer an "exceptionally good" Astrologer in Theater Magdeburg's The Golden Cockerel
• Job Vacancy: Assistant/Associate Artist Manager
• Pieter Wispelwey’s Britten Suites chosen as best recording of the work by BBC Music Magazine
• The Splendour of Florence with a Burgundian Resonance: Gothic Voices new CD release
• Nick Pritchard performs 'Thou Shalt Break Them'
• Watch Nicholas Mulroy and Toby Carr perform Purcell's Evening Hymn
• Watch Nicholas Mulroy perform Víctor Jara's Te Recuerdo Amanda with Toby Carr
• Tim Anderson
• Listen to By Beauteous Softness from Ruby Hughes' disk, ECHO (BIS Records, 2022)
• Orpha Phelan receives excellent reviews for directing “Lalla Roukh” at Wexford Festival Opera 2022
• Rayfield Allied Advent Calendar 2022
• So Percussion tour Europe with Caroline Shaw this winter
• Alberto Miguélez Rouco sings excerpts from "Cantadas" with Los Elementos
• Amjad Ali Khan and sons begin their Wigmore Hall residency in UK tour this winter
• Watch So Percussion perform Bryce Dessner's 'Music for Wood and Strings'
• Watch So Percussion and Caroline Shaw perform their arrangement of 'Lay All Your Love On Me' from Let The Soil Play Its Simple Part
• Watch the official video for So Percussion and Caroline Shaw's 'Other Song'
• Watch So Percussion perform Julia Wolfe's 'Forbidden Love' for Cantaloupe Music
• Watch So Percussion perform 'gone' by Angélica Negrón
• Watch the official video for Caroline Shaw's 'Narrow Sea Part 2' performed by So Percussion
• Daniel Kidane joins Schott Music publishing
• Ruby Hughes celebrates the release of ECHO at the Wigmore Hall, following glowing reviews
• Watch Tim Anderson conduct Alex Paxton's Candyfolk Space-Drum (London Sinfonietta commission, world premiere)
• NEW ARTIST: Conductor Tim Anderson joins the Rayfield Allied roster for general management
• Héloïse Werner and Laurence Osborn featured in CBSO's Sounds New
• Elizabeth Kenny performs Los Bilbilicos at Wigmore Hall
• Mahan Esfahani's newly released disc of Czech concertos is an "unalloyed joy"
• Alexandra Oomens - Donizetti Quel guardo il cavaliere
• Orpha Phelan nominated for three awards, including the "Best Director" award by The Irish Times
• James Way performs Gute Nacht from Schubert's Winterreise in Jeremy Sams' English translation
• James Way performs Van Dieren's Dream Pedlary in a recital of 'Songs After Supper' at Aldeburgh Festival 2022
• Pieter Wispelwey releases "In Memoriam I"
• Watch Robin Johannsen perform an excerpt from Handel's Gloria live on Boston Public Radio
• RA artists in London Handel Festival 2023 : Forces of Nature
• Tim Anderson conducts world premiere of Bernhard Lang's Hiob "with verve and power"
• Mahan Esfahani completes Wigmore Hall JS Bach solo keyboard work cycle
• New music from Héloïse Werner featured in London Handel Festival's In the Realms of Sorrow, conducted by Laurence Cummings
• NEW ARTIST: Sylvia Schwartz joins the Rayfield Allied roster for general management
• Phillip Rhodes is appointed the first Kiri Te Kanawa Foundation Laureate
• 'Robert Levin and the Academy of Ancient Music’s marvellous return to Mozart' [Financial Times]
• Sir Harrison Birtwistle's works showcased in London Sinfonietta tribute concert at the Southbank Centre
• Adrian Dwyer performs Zwangvolle Plage! from Siegfried
• Helen Charlston sings 'Bane of Virtue, Nurse of Passions' from Handel's Theodora
• Passiontide 2023 at Rayfield Allied
• Sonoko Miriam Welde announced as the new Artistic Director of Vinterfestspill i Bergstaden from 2024
• Trailer: Laurence Osborn's 'Essential Relaxing Classical Hits' with Agata Zubel & Ensemble Klang
• Rayfield Allied artists announced in Wigmore Hall 23/24 season
• Jörgen van Rijen premieres new work by Samy Moussa with the Orchestre national de Lyon
• Michael Lafferty
• NEW ARTIST: Michael Lafferty joins Rayfield Allied roster for general management.
• Rayfield Allied artists announced for the Edinburgh International Festival
• Helen Charlston wins the BBC Music Magazine's Vocal Award
• Rayfield Allied artists announced as part of the BBC Proms 2023
• 'The Alehouse Sessions' premiere on BBC Four
• Helen Charlston sings Mahler's Songs of a Wayfarer
• Helen Charlston sings Elgar's Sea Pictures
• Rayfield Allied artists star in the Royal Opera House 2023/24 season
• Matthew Brook sings 'Voli Colla Sua Tromba' from Handel's Ariodante
• Outstanding reviews for Anna Harvey's Brigitta at Deutsche Oper am Rhein
• Mhairi Lawson sings Crazy Jane by Harriett Abrams, as part of the 'Everywhere and Nowhere' National Trust film
• James Way performs 'Every Valley' from Handel's Messiah with the Academy of St Martin-in-the-fields
• Bernhard Hansky featured in Orchestre Symphonique de Montréal’s 2023-24 Season
• Bernhard Hansky jumps-in at Staatsoper Berlin
• Rayfield Allied Artists announced in English National Opera 2023/2024 season
• "...incisive, ripe-toned and finely balanced": rave reviews for Gothic Voices' 'The Splendour of Florence' CD
• Rayfield Allied artists soar in Scottish Opera's new Carmen
• Vartan Gabrielian
• Michael Berkeley marks 75th birthday with world premieres and festival features
• NEW ARTIST: Bass-baritone Vartan Gabrielian joins Rayfield Allied roster for general management.
• Three Rayfield Allied artists make role debuts this week at Grange Park Opera
• Matthew Brook sings 'Straight opening her fertile womb' from Haydn's Creation
• Daniel Norman "biting" and "lyrical" as Mao in Staatstheater Hannover's Nixon in China
• James Way performs in Stanford Requiem with City of Birmingham Symphony Orchestra
• Opus Klassik Awards wins for Mahan Esfahani and Steve Reich
• Alberto Miguélez Rouco sings José de Nebra's 'Libera me'
• James Way performs Recit and Aria 'Geduld' from Bach's St Matthew Passion with Les Talens Lyriques
• Helen Charlston sings Fanny Hensel's 'Über Allen gipfeln ist Ruh'
• Helen Charlston sings Chaminade's 'L'été'
• Helen Charlston sings Ireland's 'Sea Fever'
• Robin Johannsen - Mozart: Et Incarnatus Est / B'rock Orchestra
• Helen Charlston sings Brahms' Immer leiser wird mein Schlummer
• Helen Charlston sings Britten's How sweet the answer
• Helen Charlston sings Juliana Hall's To mother
• Helen Charlston sings Clara Schumann Lieder
• Matthew Brook sings An die leier from Schubert's ‘Drei Lieder’
• Andrew Watts announced as next Artistic Director of IVC
• Rayfield Allied artists shortlisted for Gramophone Classical Music Awards 2023
• Svetlana Kasyan and Peter Auty Headline Northern Ireland Opera’s New Tosca
• Barrie Kosky's Das Rheingold opens at Royal Opera House, Covent Garden
• Svetlana Kasyan sings Abigaille's aria from Verdi's Nabucco
• New Release: Francesca Chiejina joins the Kaleidoscope Chamber Collective on 'Transfigured'
• Francesca Chiejina sings Alma Mahler's 'Bei dir ist es traut' with the Kaleidoscope Chamber Collective from the album 'Transfigured'
• Steve Reich world premiere - Jacob's Ladder in New York and Europe
• Helen Charlston wins Gramophone's 2023 Concept Album Award with Toby Carr
• Nick Pritchard sings "Kingdoms": music by Stuart MacRae & lyrics Chinwe D. John
• Julia Sporsén wins Svenska Dagbladet's 2023 Opera Prize
• Julia Sporsén sings Maria Lithell Flyg's 'Anthropocene - I am unique and do not matter'
• Pieter Wispelwey's In Memoriam II - The Scordatura Album is out now.
• “Superlative skill” and “luxurious casting”: Gary Walker and Richard Burkhard in Falstaff
• Fflur Wyn sings Stravinsky's 'No word from Tom' from The Rake's Progress
• Watch Nicholas McGegan conduct Mozart Violin Concerto no.5 with Gil Shaham and SWR Symphonieorchester
• Listen to 'Herr, unser Herrscher' of Nicholas McGegan's recording of the St John Passion with the Cantata Collective
• Fflur Wyn sings Bellini's 'Eccomi in lieta vesta - Oh! quante volte'
• Barrie Kosky wins Director of the Year at the 2023 International Opera Awards
• Carolyn Sampson makes her house debut in new Peter Sellars production of Charpentier: Médée at Berlin Staatsoper conducted by Sir Simon Rattle
• Andrew Watts "superb" in Wiener Staatsoper debut as Prince Go-Go
• New CD: Sunhae Im in world premiere recording of Liszt's Jeanne d'Arc
• Two world premieres for Laurence Osborn at Wigmore Hall on 25 November
• Sergey Romanovsky makes his house debut at Staatsoper Hamburg
• Fflur Wyn sings 'Stridono lassù' from Pagliacci's Leoncavallo
• La bohème at INO: Orpha Phelan "delivers a tour-de-force" with "impressive" sets and costumes by Nicky Shaw
• Rayfield Allied Advent Calendar 2023
• Helen Charlston sings 'As with rosy steps the morn' from Handel's Theodora
• Pierre-André Valade: Artist in Focus
• Rayfield Allied artists celebrate the 2023 festive season
• Gothic Voices sing their programme 'Nowell synge we bothe al and som' in Cuenca, Spain
• Alexandra Oomens sings 'O mio babbino caro' from Gianni Schicchi
• EXCITING ANNOUNCEMENT: Carolyn Sampson and Laurence Cummings have both been awarded an OBE in the 2024 New Year Honours for services to music
• Tim Anderson "simply breathtaking" conducting Powder Her Face at Semperoper Dresden
• Borodin Quartet: Artist in Focus
• Jennifer Pike performs Mendelssohn's Violin Concerto with the Armenian State Symphony Orchestra
• Julia Sporsén sings Berlioz's 'Le spectre de la rose'
• Julia Sporsén sings Franz Lehár's 'Meine Lippen sie küssen so heiss'
• Peter Bronder: Artist in Focus
• Major Steve Reich festivals in France and the UK
• Stephan Loges sings Golaud
• 2024 Royal Philharmonic Society Awards Shortlist
• Laurence Osborn's Essential Relaxing Classical Hits
• Alexander Schubert – Steady State (trailer)
• Artist in Focus: Steve Reich
• Artist in Focus: David Parry
• David Parry in 'immaculate form' for the UK premiere of Jonathan Dove's Marx in London!
• Artist in Focus: Hilary Summers
• Ruby Hughes sings Dowland: 'Flow my tears' with Manchester Collective from new album, 'End of my Days'
• Artist in Focus: Joshua Ellicott
• Francesca Chiejina sings the title role in Elena Langer's Ariadne
• Sergey Romanovsky sings 'Tacqui allor . . .' from Donizetti's L'esule di Roma
• RPS Awards 2024: Wins for Laurence Osborn and Lotte Betts-Dean
• Artist in Focus: Lotte Betts-Dean
• Rayfield Allied Artists in Performances of Bach's Passions
• German Record Critics Award for Tim Anderson's recording with Klangforum Wien
• "...the distinguished Hilary Summers stands out": The Exterminating Angel at Paris Opera
• Barokksolistene, Mahan Esfahani and Leonore Piano Trio announced in 2024 Edinburgh Festival
• Artist in Focus: Anna Harvey
• Julia Fischer gives the premiere of Daniel Kidane's violin concerto 'Aloud' with the LPO at Royal Festival Hall.
• Laurence Cummings celebrates 25 years as Musical Director with the London Handel Festival
• Anthony Romaniuk performs his recital Perpetuum at Fundación Juan March, Madrid
• Artist in Focus: Stephan Loges
• Tom Fetherstonhaugh
• Sergey Romanovsky sings 'S’io finor, bell’idol mio... Il proscritto!’ from Donizetti's L'esule di Roma
• Artist in Focus: Julia Jones
• Tom Fetherstonhaugh conducts Rimsky-Korsakov: Scheherazade (Fourth Movement, extract)
• Tom Fetherstonhaugh conducts Rimsky-Korsakov: Scheherazade (Second Movement, extract 1)
• Tom Fetherstonhaugh conducts Rimsky Korsakov's Scheherazade (Second Movement, extract 2)
• Tom Fetherstonhaugh conducts Beethoven Symphony no. 8 First Movement (extract)
• Tom Fetherstonhaugh conducts Anna Clyne's Restless Oceans
• New Artist: conductor Tom Fetherstonhaugh
• Job Vacancy: Assistant Artist Manager
• Svetlana Kasyan sings 'In questa reggia' from Puccini's Turandot
• Miklós Sebestyén
• Sō Percussion announce next album with Caroline Shaw, 'Rectangles and Circumstance'
• Artist in Focus: Michael Berkeley
• Katie Bray sings 'Una voce poco fa' from Rossini's Il Barbiere di Siviglia at Garsington Opera
• Alexandra Oomens joins the ensemble of Deutsche Oper Berlin
• New Artist: Bass Miklós Sebestyén
• Helen Charlston sings 'Im wunderschönen Monat Mai' from Schumann's Dichterliebe
• Rayfield Allied artists announced in BBC Proms 2024 season
• Robert Levin is awarded the Golden Mozart Medal from the International Mozarteum Foundation
• Helen Charlston sings 'Es ist vollbracht' from Bach's St John Passion
• Artist in Focus: Sergey Romanovsky
• Svetlana Kasyan sings Kuma's aria from Tchaikovsky's 'The Enchantress'
• Richard Burkhard sings 'A un Dottor mia sorte' from Rossini's Il Barbiere di Siviglia at Garsington Opera
• Alberto Migúelez Rouco sings José de Nebra's Dulzura espiritual
• Artist in Focus: Phillip Rhodes
• Artist in Focus: Alberto Miguélez Rouco
• Dazzling reviews for Rayfield Allied artists in Scottish Opera's La Traviata
• David Soar
• Bernhard Lang's 'Hiob' conducted by Tim Anderson nominated for Best Premiere by Der Österreichische Musiktheaterpreis
• David Hill conducts Bach's B Minor Mass on a UK tour with Yale Schola Cantorum and Juilliard415
• Artist in Focus: Julia Sporsén
• Liam Bonthrone sings "Principe più non sei...Si, ritrovarla io giuro" from Rossinoi's La Cenerentola
• Liam Bonthrone sings "È un folle, è un vile affetto" from Handel's Alcina
• Liam Bonthrone sings "Konstanze...O wie ängstlich" from Mozart's Die Entführung aus dem Serail
• Tim Anderson conducts George Lewis's 'The Deformation of Mastery' with the London Sinfonietta
• Artist in Focus: Katie Bray
• Rayfield Allied Artists starring at the 75th edition of the Aldeburgh Festival
• Barrie Kosky's Da Ponte Trilogy at Wiener Staatsoper: A Retrospective
• Mahan Esfahani concludes Bach keyboard concertos project with Britten Sinfonia at Wigmore Hall
• Artist in Focus: Adrian Dwyer
• Sophie Harmsen sings F. Mendelsson-Bartholdy 'Die erste Walpurgisnacht, Könnt' ihr so verwegen handeln' with the SWR Symphonieorchester
• Sophie Harmsen sings Frank Martin 'In Terra Pax' with the MDR Symphony Orchestra
• Julia Sporsén sings Sibelius' The maiden came from her lover’s tryst
• “Immaculate” and “commanding”: Richard Burkhard’s role debut as Bottom
• James Way performs 'Mentre L'erbetta' from Stravinsky's Pulcinella with Barbara Hannigan and Gothenburg Symphony Orchestra
• New Artist: Bass David Soar
• David Soar sings 'Jesu! by that shuddering dread which fell on Thee...' from Elgar's The Dream of Gerontius
• Superb Reviews for Alexandra Oomens and Michael Mofidian in The Rake's Progress
• David Soar sings Somnus' 'Leave me, loathsome light' from Handel's Semele
• NEW JOB OPPORTUNITY: Experienced Senior Artist Manager / Director
• Francesca Chiejina sings 'You'll Never Walk Alone'
• "Finest reading of the score to date": Tim Anderson conducts Hamlet
• Robert Levin: the culmination of a magnificent 30-year Mozart recording cycle
• Tom Fetherstonhaugh conducts the Overture from Glinka's Ruslan and Ludmilla with the Bournemouth Symphony Orchestra.
• Steve Reich on composing Jacob's Ladder
• Steve Reich on composing Reich/Richter
• Steve Reich on composing Different Trains
• Francesca Chiejina awarded the 2023 Young Talent (Voice) Award by the UK Critics' Circle
• Tom Fetherstonhaugh conducts Rimsky-Korsakov: Scheherazade (Fourth Movement)
• Rayfield Allied Artists Nominated for Gramophone Awards 2024
• Conducted by Tim Anderson, Lang's 'Hiob' wins Austrian Music Theatre Award
• Mahan Esfahani performs the World Premiere of Atsuhiko Gondai’s harpsichord concerto “Lachrimae”
• Clare Hammond: Artist in Focus
• Gwyn Hughes Jones opens the new season as Tristan at the Grand Théâtre de Genève
• 'Women’s Stories from the Ancient World' told by Elizabeth Kenny, Nardus Williams & Mary Beard
• Le nozze di Figaro conducted by Julia Jones broadcast in cinemas worldwide from The Royal Opera House
• Richard Burkhard receives critical acclaim for his performance of Count Gil in 'Il segreto di Susanna' at Opera Holland Park
• Gwyn Hughes Jones: Artist in Focus
• Julia Jones discusses the music of Mozart's Marriage of Figaro
• Brett Polegato receives Opera Canada Ruby Award
• Francesca Chiejina sings 'June is Bustin' Out All Over'
• Artist in Focus: Brett Polegato
• Dingle Yandell: Artist in Focus
• Michael Lafferty sings Tosti's 'Non t'amo più'
• Michael Lafferty sings 'En Fermant Les Yeux' from Massenet's Manon
• Scott Hendricks
• Elizabeth Kenny: Artist in Focus
• Paul McCreesh's 'The Dream of Gerontius' wins 2024 Gramophone Award
• Carolyn Sampson wins Gramophone 'Artist of the Year' Award for 2024
• Scott Hendricks sings 'Un nido di memorie' from Leoncavallo's Pagliacci at La Monnaie / De Munt
• Artist in Focus: David Stout
• RA Artist in Focus, Orpha Phelan opens a new production at Wexford Festival
• New Artist: Baritone Scott Hendricks
• RA Artist in Focus: Liam Bonthrone
• Jakob Lehmann
• Jakob Lehmann conducts Ives' "Washington's Birthday" with Eroica Berlin
• Jakob Lehmann conducts Schubert's "Tragic" Symphony with Orchestra of the 18th Century & Royal Conservatory The Hague
• Jakob Lehmann conducts Donizetti's "Poliuto" with Teatro Nuovo Chorus & Orchestra
• Jakob Lehmann conducts Rossini's Overture to "L'italiana in Algeri" with Eroica Berlin
• So Percussion and Caroline Shaw release new collaborative album 'Rectangles and Circumstance'
• Orpha Phelan's acclaimed production of La Bohème available on OperaVision
• New Artist: conductor Jakob Lehmann
• Artist in Focus: The Cardinall's Musick
• Nicholas McGegan conducts the Royal Danish Opera's production of Figaro this Autumn, to great critical acclaim
• Nicholas McGegan's conducting in the production of Giulio Cesare at Blackwater Valley Opera met with enthusiastic reviews
• Jakob Lehmann talks about his Les Siècles performance
• Pieter Wispelwey's complete recordings for Channel Classics released as landmark 35CD box set
• Artist in Focus: Nicholas McGegan
• Artist in Focus: Stephen Langridge
• Laurence Osborn wins Best Chamber Ensemble Composition at the Ivors Classical Awards 2024
• Artist in Focus: Sō Percussion
• Sophie Harmsen sings the Agnus Dei from Bach's Mass in B Minor with NDR Vokalenseble and Concerto Koln at the Elbphilharmonie under Klaas Stok
• Liam Bonthrone sings the tenor aria 'Geduld' from Bach's St Matthew Passion with the National Symphony Orchestra
• Rayfield Allied artists celebrate the 2024 festive season
• Rayfield Allied Advent Calendar 2024!
• Artist in Focus: Daniel Kidane
• Paul McCreesh's 'The Dream of Gerontius' wins Limelight's 2024 Vocal Recording of the Year
• "Julia Sporsén is brilliant": role debut as Desdemona in Gothenburg Opera's Otello
• Yshani Perinpanayagam
• Yshani Perinpanayagam conducts Street Scene in Paris
• Yshani Perinpanayagam conducts The Faggots and Their Friends Between Revolutions
• Garry Walker conducts Beethoven's Symphony Nr.1 with the Staatsorchester Rheinische Philharmonie
• Alex Paxton
• Barrie Kosky is announced as the recipient of the 2024 Antonín Dvořák Prize
• Daniel Kidane is Featured Artist at the 2025 Aldeburgh Festival
• Yshani Perinpanayagam joins Rayfield Allied
• Julian Hubbard
• Mahan Esfahani plays Poulenc's Concert champêtre (first movement) at Opera de Rouen
• Mahan Esfahani plays Poulenc's Concert champêtre (third movement) at Opera de Rouen
• Mahan Esfahani plays Poulenc's Concert champêtre (second movement) at Opera de Rouen
• Carolyn Sampson performs 'Zerfließe, mein Herze' from Bach's St John Passion with Bach Collegium Japan at the BBC Proms (August 2024)
• Jakob Lehmann conducts Bruckner's Symphony No. 9 with Les Siècles
• Jakob Lehmann conducts Ives' Three Places in New England with Eroica Berlin
• Alex Paxton's "ilolli-pop" - Ensemble Modern, Enno Poppe (excerpt)
• Alex Paxton's "Candyfolk Space-Drum"
• Alex Paxton - Elbphilharmonie profile interview
• Alex Paxton - Ernst von Siemens Composers Prize 2023 portrait
• Helen Charlston sings 'Schließe, mein Herze' from Bach's Christmas Oratorio
• James Way performs Handel's 'Blessed are they that considereth the poor and needy' with the English Concert
• Artist in Focus: Gothic Voices
• Watch Clare Hammond play Hélène de Montgeroult - Etudes Nos. 62, 67, 104, 110, 111
• Watch Clare Hammond play Beethoven - Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight'
• Watch Clare Hammond play Mozart - Sonata in D major, K. 311
• Watch Clare Hammond play Unsuk Chin - Etude No. 5 'Toccata'
• Watch Clare Hammond play Cécile Chaminade - 'Impromptu' Etude de concert, Op. 35 No. 5 and Etude Romantique Op. 132
• Watch Clare Hammond play Chopin - Etudes Op. 25, Nos. 1, 2, 4, 11 and 12
• NEW ARTIST: composer Alex Paxton
• Vincent Ordonneau
• Watch Daniel Norman as Captain Vere in the Epilogue to Billy Budd at Central City Opera
• Watch Daniel Norman sing "Ay at Spithead..." from Central City Opera's production of Billy Budd
• Elgar Howarth 1935-2025
• Rayfield Allied signs Vincent Ordonneau for general management
• Rayfield Allied welcomes tenor Julian Hubbard
• Artist in Focus: Amjad Ali Khan and sons Amaan and Ayaan Ali Bangash
• Clare Hammond releases an album of Andrzej Panufnik's Fantasia with the Filharmonia Poznańska
• Artist in Focus: conductor Jakob Lehmann
• Francesca Chiejina nominated for Royal Philharmonic Society Singer Award
• Artist in Focus: Laurence Cummings
• Sō Percussion and Caroline Shaw win Grammy for 'Rectangles and Circumstance'
• Artist in Focus: Konstantin Shushakov
• Artist in Focus: Paul McCreesh
• Artist in Focus: Mahan Esfahani
• René Pape sings Rocco in Fidelio at The Metropolitan Opera
• Nick Pritchard performs 'Ich will nur dir zu Ehren leben' from Bach's Christmas Oratorio, recorded with the Monteverdi Choir and English Baroque Soloists, and released by Deutsche Grammophon
• Carolyn Sampson sings 'With Verdure Clad' from Haydn's Creation / CBSO / Kazuki Yamada / February 2025 (Recorded live for the BBC)
• Alexandra Oomens makes house and role debut at Staatsoper Hamburg as Norina in Don Pasquale
• James Way sings 'And God created Man' and 'In native worth and honor clad' from Haydn's Creation / CBSO / Kazuki Yamada / February 2025 (Recorded live for the BBC)
• Artist in Focus: Rodula Gaitanou, Stage Director
• Passiontide at Rayfield Allied 2025
• Artist in Focus: Tim Anderson
• ‘Steve Reich Collected Works’ – 27 disc box set released on Nonesuch Records
• Alex Paxton's "World Builder, Creature"
• Barrie Kosky's iconic production of The Threepenny Opera opens in New York City on 3rd April
• Artist in Focus: Pierre-André Valade
• James Way's new disc of Britten's Canticles released with Delphian receives critical acclaim
• Rayfield Allied artists star in the Opera North 2025/26 season
• Artist in Focus: Scott Hendricks
• Scott Hendricks performs the role of Alberich in Das Rheingold at La Monnaie
• Watch Mahan Esfahani play Francisco Coll's Harpsichord Concerto with Trigueros & OSCyL
• Watch Mahan Esfahani play Domenico Scarlatti: Harpsichord Sonatas
• Watch 'Scrunchy Munchy', the new single from Alex Paxton's album 'Delicious'
• Artist in Focus: Matthew Brook
• Francesca Chiejina sings The Sign of Healing (And as they spake) from Elgar's The Kingdom
• Paul McCreesh's "The Dream of Gerontius" wins 2025 BBC Music Magazine Award
• Lea Shaw
• Lea Shaw sings Va! Laisse Couler Me Larmes from Werther
• Lea Shaw sings O! La Pitoyable Aventure! from L'heure espagnole
• Lea Shaw sings 'I bought this suitcase in New York . . . ' from Jonathan Dove's Flight
• Lea Shaw sings Handel's 'Ombra Mai Fu'
• Artist in Focus: The Borodin Quartet
• Rayfield Allied welcomes mezzo-soprano Lea Shaw
• Barrie Kosky's Die Walküre opens at Covent Garden to sensational reviews
• Artist in Focus: Sonoko Miriam Welde
• Robin Johannsen sings Mozart's Exsultate Jubilate (Excerpt)
• Artist in Focus: James Way
• James Way sings Britten's Canticle I: 'My beloved is mine and I am his', with pianist Natalie Burch.
• Rayfield Allied artists featured in English National Opera's 2025/2026 Season
• Patrick Alexander Keefe
• New Artist: Patrick Alexander Keefe
• Helen Charlston sings Reynaldo Hahn's À Chloris
• Artist in Focus: mezzo Helen Charlston
• Callum Thorpe
• Callum Thorpe sings Basilio in Il Barbiere di Siviglia
• Callum Thorpe sings 'Racks, Gibbets, Swords and Fire' from Theodora
• Callum Thorpe sings Antinoo in Il Ritorno d’Ulisse
• Callum Thorpe sings Plutone in L’Orfeo
• New Artist: Bass Callum Thorpe
• Helen Charlston sings Purcell's Music for a While
• Nick Pritchard sings Britten's La belle est au jardin d’amour
• Nick Pritchard sings Sally in Our Alley by Benjamin Britten
• Artist in Focus: Jack Furness
• Alex Paxton's latest Album - Delicious - "Wild and wacky to a new level"
• Sabata, Charlston & Miguélez Rouco impress critics in Giulio Cesare at Gran Teatre del Liceu
• Patrik Ringborg
• Artist in Focus: Nicholas Mulroy
• New Artist: conductor Patrik Ringborg
• Peter Harvey sings 'Auf Gott steht meine Zuversicht' from BWV 138 'Warum betrübst du dich, mein Herz'
• Jörgen van Rijen performs the world premiere of López-Bellido’s trombone concerto "Shift" with the Rotterdam Philharmonic Orchestra
• Peter Harvey sings 'Siehe, ich sage euch ein Geheimnis' from Brahms' German Requiem
• Artist in Focus: Julia Jones
• Patrik Ringborg conducts Bizet's Carmen Suite with the Danish National Symphony Orchestra
• Helen Charlston's highlights from her programme 'Notes of Old' with Sholto Kynoch
• Artist in Focus: Xavier Sabata
• Artist in Focus: Christian Curnyn
• Matthew Brook & Nick Pritchard's performance with Tenebrae wins Opus Klassik award
• Christian Curnyn receives outstanding reviews for Semele at Royal Ballet and Opera Covent Garden
• Excellent reviews for Julia Jones conducting Alcina at Oper Frankfurt
• 'Dr Feelgood wins the day': Glowing Reviews for Richard Burkhard at Garsington Opera
• The Cardinall's Musick perform their BBC Lunchtime Concert at Wigmore Hall
• The Cardinall's Musick perform William Byrd's Mass for 3 voices
• 25x25: Sō Percussion Anniversary Box Set
• Amjad Ali Khan and sons return to the Wigmore Hall
• Barokksolistene perform Dido and Aeneas at Longborough Festival Opera
• Patrik Ringborg’s critically acclaimed Bregenzer Festspiele debut with Der Freischütz
• Jakob Lehmann rehearses Verdi's Macbeth with Teatro Nuovo NY
• Allison Cook
• Patrik Ringborg conducts Der Freischütz: 'Agathe Und ob die Wolke sie verhülle'
• Phillip Rhodes receives sublime reviews as Giorgio Germont in Auckland
• Allison Cook sings the Duchess in Powder Her Face
• Behind the Scenes with Allison Cook: Powder Her Face
• Allison Cook sings Marquise de Merteuil in Luca Francesconi's Quartett
• Allison Cook sings Salome at Opera Ballet Vlaanderen
• Allison Cook sings Brunelda in Roman Haubenstock-Ramati’s Amerika
• Allison Cook sings Schoenberg's Erwartung
• Clare Hammond launches prison piano project
• Blaise Malaba
• Opera Holland Park interviews Rodula Gaitanou about La Traviata
• Watch Daniel Norman sing Spalanzani in Les Contes d'Hoffmann
• Watch Zubin Kanga perform 'Hypnagogia' for the Elbphilharmonie Sessions
• Rayfield Allied welcomes Blaise Malaba
• Laurence Cummings receives excellent reviews for his "stylishly, swift-footed" conducting of Orpheus and Eurydice at Edinburgh International Festival
• The Borodin Quartet embark on a tour of China in December 2025
• Borodin Quartet performs Pyotr Ilyich Tchaikovsky
• Adrian Dwyer sings Mime's 'Wer hälfe mir' from Das Rheingold
• Monika Buczkowska-Ward
• Seonwoo Lee
• New Artist: Allison Cook
• New Artist: Soprano, Monika Buczkowska-Ward
• Seonwoo Lee sings 'O zittre nicht, mein lieber Sohn' from Die Zauberflöte
• Seonwoo Lee sings 'Ah! non credea mirarti' from La sonnambula
• Rayfield Allied welcomes Seonwoo Lee
• Seonwoo Lee sings Zerbinetta's monologue from Ariadne auf Naxos
• Matthew Brook sings Bach's Ihr, die ihr euch von Christo nennet, BWV 164
• Mahan Esfahani releases new recording of The Well-Tempered Clavier, Book I
• The Gesualdo Six
• Clare Hammond makes her Royal Albert Hall debut
• Watch The Gesualdo Six sing Night Prayer by Alec Roth
• Watch the trailer for Secret Byrd, a work of concert theatre by The Gesualdo Six
• Watch The Gesualdo Six sing Vigilate by William Byrd
• Watch The Gesualdo Six sing Lux aeterna by Cristóbal de Morales
• Watch The Gesualdo Six sing a moment of O nata lux by Thomas Tallis
• Hilary Summers sings Leonora Palma in Adès' The Exterminating Angel
• Sō Percussion performs Olivier Tarpaga's "Fēfē"
• Monika Buczkowska-Ward, G. F. Handel, Alcina: 'Ah Ruggiero, crudel… Ombre pallide' (AUDIO)
• Monika Buczkowska-Ward, Handel, Alcina: 'Ah, mio cor, schernito sei…' (AUDIO)
• Monika Buczkowska-Ward - F. Halévy, La Juive: 3 Act Boléro: 'Mon doux seigneur et maître'
• Barrie Kosky's 'K.' premieres this Saturday with the Berliner Ensemble
• The Gesualdo Six joins Rayfield Allied for General Management
• Alex Paxton talks about working with Ensemble Modern
• Laurence Osborn: Schiller's Piano
• "...one of the finest soloists on the Gothenburg Opera stage": Julia Sporsén as Iolanta
• Laurence Cummings directs the Academy of Ancient Music in Bach's Brandenburg Concerto No.3
• Clare Hammond's new CD of British Piano Concertos receives great critical acclaim.
• Clare Hammond British Piano Concertos trailer
• Peter Harvey sings 'Herr, lehre doch mich' from Brahms' German Requiem
• Patrick Alexander Keefe sings Yeletsky's Aria (The Queen of Spades)
• Patrick Alexander Keefe sings Largo al factotum from Il barbiere di Siviglia
• Patrick Alexander Keefe performs Hai già vinta la causa from Le Nozze di Figaro